Tag: Crime

Rivers of London by Ben Aaronovitch

Posted January 8, 2013 by Michael @ Knowledge Lost in Fantasy / 0 Comments

Title: Rivers of London (Goodreads)
Author: Ben Aaronovitch
Series: Peter Grant #1
Narrator: Kobna Holdbrook-Smith
Published: Orion, 2011
Pages: 400
Genres: Fantasy
My Copy: Audiobook

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Probationary Constable Peter Grant has big dreams to become a real detective in the London police but has found himself as part of the Case Progression Unit, doing paperwork while his friend Lesley May has landed her dream job. But one unexpected encounter finds him being recruited into a small branch that deals with the supernatural.

At first glance this urban fantasy novel sounds very much like the Dresden Files series and it is; but there is a bigger injection of humour in this series that makes it very enjoyable. The humour is really what makes this novel, it’s funny and at times unexpected; for example the desire to motorboat a river goddess doesn’t occur to everyone does it? Constable Grant is a great character at times, he isn’t the sharpest tool in the shed but what do you expect? Becoming the first apprentice wizard in fifty years doesn’t happen every day and it really helps drive him.

Unlike Harry Dresden, Peter Grant is still very new to wizardry and being a detective so he doesn’t have the years of experience and cynicism behind him, which at times can be a little disappointing but for the humour element, it seems to work best. The case that this book is centred around isn’t too well explained so I felt a little lost at times and often questioned the character’s ability to draw conclusions without any information at all. But in the end this is just a fun read.

I will admit when I finished reading this book I immediately wanted to start reading book two which is a good sign of how much I enjoyed this book. I even wanted to read some more from the Dresden Files series but as always I moved onto something completely different. The desire to read the next book is still there and I’m really looking forward to immersing myself into this world again. It was a fun, pleasurable read and I think might make for some good comic relief after reading a dense novel.

The Last Policeman by Ben H. Winters

Posted January 4, 2013 by Michael @ Knowledge Lost in Science Fiction / 0 Comments

Title: The Last Policeman (Goodreads)
Author: Ben H. Winters
Series: Last Policeman #1
Published: Quirk, 2012
Pages: 316
Genres: Science Fiction
My Copy: Personal Copy

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

If a huge asteroid was heading towards earth threating to destroy all mankind, what would you do? Would you even bother to continue working? Would you worry about solving a crime? Detective Hank Palace is determined to solve a suspicious suicide even when the rest of the world doesn’t care in this apocalyptic whodunit, making him The Last Policeman.

I love the idea of blending apocalyptic fiction with a pulp type crime novel. The world is in decline and Hank Palace has only just made detective. So without anyone else caring about this crime, why would he spend so much time trying to prove himself as a homicide detective? This really is the driving force of this book; you are always questioning the motivation of Palace when the rest of the world wants to live life to its fullest.

Personally I would have liked to see Hank to be a bit more hard-boiled but the idea of being a newbie to the force wanting to prove himself was pretty enjoyable. He was a little unsure and sometimes too timid but he never gave up. I would have loved to see more depth to the character but as this is a planned trilogy I think the author is saving some more for the next two books. Unfortunately all the others are just background characters and they never had the development they deserved. I think this might have been just a lack of experience from author Ben H. Winters; best known for his mash up novels Sense and Sensibility and Sea Monsters and Android Karenina.

The crime itself was pretty straight forward and even predictable but the problems with solving the case was trying to do it without any forensic or police help, so I feel like I can forgive Winters for this. Then there is the subplot which forces more on the apocalyptic struggle to try and survive aspects. I felt like this was the biggest let down of the book, I know he wanted to help his sister but as a reader I felt like it was just fleshing out the novel and trying to make sure it’s at least 300 pages long.

I’m interested to see what author Ben H. Winters does with this trilogy; I’m hoping he grows as a writer and incorporates more pulp elements in the next two books. Detective Palace has real potential as a protagonist; he has some appeal to him already but with some development he could be great. I like the Science-Fiction pulp mash-up and I hope this continues, Winters has a great idea here and with some love and hard work this will turn out to be a great trilogy.

Guest Post: Brief Overview of Pulp Fiction – Part 2 (1950’s)

Posted December 2, 2012 by Guest Post in Guest Posts, Literature, Pulp / 0 Comments

In part one we looked at the birth of the genre as a more realistic type of literature in reaction to the traditional whodunit from Britain. The cynical approach towards life of the protagonist summing up the attitude of the hard-boiled hero and how the worlds of noir novels are never happy places where things go right.

We looked at Hammett and Chandler and Cain, the three pillars of the style that all who followed evolved from. Now we move on to the second generation of hard-boiled men who took advantage of a new publishing idea and the post WWII atmosphere of paranoia and fear.

Fawcett publications created the Gold Medal Books imprint in 1949 with the idea of publishing pulp novels directly to paperback formats. Paperback originals were published for the first time under this new imprint and very quickly became the home of noir fiction, the dark brand of crime writing that would go on to capture the mood of the general public.

At the end of WWII a new fear was brewing in the minds of America; images of nuclear warfare were embedded on the consciousness of a generation of people and McCarthyism via the House Committee on Un-American Activities hearings instilled a previously unknown universal paranoia to the people.

These two key developments combined to provide a hotbed for bleak, raw, sleazy, deranged, violent, uncompromising, chilling, and warped, existentially horrific noir fiction with novels selling in excess of one million copies on a regular basis and spawning numerous copycat publishing imprints.

The first name from this second generation is one a lot of people are already familiar with, Mickey Spillane; his first Mike Hammer novel was I, The Jury (1947) and continued to write in to the 50s yet it wasn’t until the end of the era that he really came in to his own. Kiss Me Deadly (1952) was the basis for the iconic film noir of the same name and serves as a great introduction to a protagonist who is a complete and unashamed misogynist, unafraid of offending anyone, in stories that you jump on and ride like the wind through intrigue, fist fights, witty dialogue, sexual encounters and the inevitable denouement.

The other name that regularly gets mentioned as the obvious hardboiled heir to Chandler and Hammett is Ross MacDonald. The Moving Target (1949) was the first appearance of Lew Archer, a PI that would last through 18 novels to The Blue Hammer (1976). This series longevity alone makes MacDonald stand out from the field of hard-boiled authors but the growth of the character and the evolution of writing style from Chandler copycat to a writer who was as comfortable with poetic imagery and psychological insight as witty putdowns and biting sarcasm marks him as one of the true greats of the genre.

Gil Brewer is something of a forgotten man but he was prolific and popular in his time, having over 30 novels published in the new paperback original format. But to those in the know Gil Brewer is a treasure trove of 50s noir goodness. His protagonists are ex-soldiers, ex-cops, drifters, convicts, blue-collar workers, charterboat captains, unorthodox private detectives, even a sculptor. The plots range from searches for stolen gold and sunken treasure to savage indictments of the effects of lust, greed, and murder to chilling psychological studies of disturbed personalities. The Vengeful Virgin (1958) that was recently republished by Hard Case Crime and The Red Scarf (1955) are amongst the standout titles from his bibliography.

Another man you could make the same statements about is Day Keene, the pair seems to go hand in hand infact. Even more prolific than Brewer, Keene has left a lasting legacy of entertaining noir stories that occasionally border on genius. Hard Case have also reissued a Keene novel in Home Is The Sailor (1952), you may also enjoy To Kiss or Kill (1951) and Dead Dolls Don’t Talk (1959).

Charles Willeford is the author who found fame in the 80s with his Hoke Mosely series but he published High Priest of California (1953) at the start of the boom in paperback sales and quickly followed it up with Pick-Up (1955) whilst still enlisted in the air force. Charles Willeford, in his best works, puts art, aesthetic sensibility, critical acumen, morality, and American ideology on a dramatic collision course, he was known for his quirky nature and eccentric characters and his juxtaposition of humour and violence is said to have influenced a young Quentin Tarantino (but then what didn’t?)

The other big Charles of the period was Charles Williams and he really was a BIG Charles. In 1951 his debut novel sold over one million copies in a time when one hundred thousand was the norm and in 1953 he became the first paperback original to be reviewed by The New York Times. Widely praised by critics Charles Williams is to the paperback originals what Hammett was to the 30s. He is known for frequently satirizing his male protagonists’ points of view, while implicitly reassessing the traditional genre figure of the femme fatale.

As mentioned previously about Woolrich, Williams was always more popular in France and only A Touch of Death (1954) and River Girl AKA The Catfish Tangle (1953) appear to be in print in English, a fact made even more shocking by the following statement made by pulp historian Woody Haut:

“So prolific and accomplished a writer was Charles Williams that he single-handedly made many subsequent pulp culture novels seem like little more than parodies.”

David Goodis is perhaps my personal favourite from this period (again he is widely available in French but not so much in English) his novels depicting the bleakness and darkness of lives in free fall, his words a statement of frustration, telling tales of gloom, depression and despair. Noir at its blackest. Down There AKA Shoot The Piano Player (1956) and Cassidy’s Girl (1951) represent him at his peak.

I’ve saved the biggest name, arguably the best writer of the bunch and possibly the most prolific for last, Jim Thompson. There are no good guys in Thompson’s literature; everyone is abusive, opportunistic, or simply biding time until able to be so. His style and prose elevated his work above well written genre pieces and in to literature which resulted in him being dismissed as just another pulp writer by those that read the paperback originals. The Killer Inside Me (1954), is perhaps his most famous work and represents the first time the reader was treated to an intimate portrait of a psychotic mind whilst The Grifters (1963) was his most successful movie adaptation.

Part three will take a look at the end of the popularity of paperback originals and what happened to crime fiction in the 60s and 70s.

This is a guest post by blahblahblahtoby; You can find him discussing books on Goodreads, discussing movies on Letterboxd, tweeting nonsense as blahblahblahtoby and on his blog blahblahblahgay, feel free to say hi.

There are literally dozens of great authors and great novels that could have been suggested as essential reading for this guide. The writer of the article went through agonising decisions over who to leave out and is more than aware that your favourite author probably hasn’t been mentioned but feel free to start a discussion in the comments.

This post is part of a four post series exploring the history of Hard-Boiled and Noir Fiction, for recommendations check out each post;

The 1930’s – 1940’s

The 1950’s

The 1960’s – 1980’s

The 1990’s – Onwards

Guest Post: Brief Overview of Pulp Fiction – Part 1 (1930’s and 1940’s)

Posted November 25, 2012 by Guest Post in Guest Posts, Literature, Pulp / 11 Comments

In 1887 Arthur Conan Doyle created Sherlock Holmes and the success of his great detective spawned an entire genre of detective fiction that imitates to some degree or another to this date. The light-hearted and relatively straightforward approach towards solving crime reached its pinnacle in what has become known as The Golden Age of crime fiction, the 1920s and 1930s. The large majority of the authors writing in this popular style of fiction were British and this was reflected in the settings and general sense of manners contained within.

The inter-war years were a difficult time both socially and politically and this change in society saw crime fiction edge towards what was a more realistic, and more depressing tone with content that would almost certainly shock the characters found within an Agatha Christie novel. The pioneers for this movement towards realism were, perhaps unsurprisingly, Americans and this style became known as hard-boiled.

Taking its name from the style of preparing eggs that leaves the hard shell intact and the yolk fully solidified, the protagonists of hard-boiled fiction are tough skinned, street wise, sharp tongued and ready to solve a mystery with violence if necessary (and it almost always is.)

These are cops, private detectives, ordinary citizens coming up against prohibition gangsters, organised crime, crooked cops, and looking to stand up for what is morally correct. One lone man against an entire system; grown cynical and expecting the worst of people but hoping for the best, he’s the kind of guy who’s seen every horror and will surely see worse before he solves this case.
Hard-boiled is a naturalistic style of writing combined with a cynical, world-weary attitude. This evolved in to Noir fiction, a genre that is if anything even darker; it’s protagonists are usually morally suspect at best and at worst are degenerates, psychopaths and cold blooded murderers.

The most succinct and accurate definition of the difference between the two styles is this:

Noir is the world. Hard-boiled is the character. You can have Noir without the Hard-boiled, but not the other way around.

Carroll John Daly is credited with creating the first hard-boiled story for Black Mask magazine in the 1920s and his first hard-boiled novel Snarl of the Beast (1927) marks the first of, what I shall deem, the essentials of the genre. At the time Daly was the most popular author of the genre he essentially started but he has since been unfairly labelled a hack (the writers opinion only) for simply not being of the same quality as the famous authors he inspired.

Hot on the heels of Daly was Dashiell Hammett, the former Pinkerton operative turned author, who between 1929 and 1934 published the only novels he ever wrote. At least two of which are widely considered masterpieces of the genre. Red Harvest (1929) featuring the unnamed detective known as The Continental Op and perhaps his most famous work The Maltese Falcon (1930); it’s PI Sam Spade is credited as being the archetype that all other hard-boiled detectives are based on, with his personal detachment from the case and unflinching devotion to ensuring justice his strongest characteristics.

The man who would follow in his footsteps, Raymond Chandler, said of him:

“Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse…He put these people down on paper as they are, and he made them talk and think in the language they customarily used for these purposes.”

A more obscure name with an essential of the genre crops up next, Raoul Whitfield; his debut novel Green Ice (1930) was described by Dashiell Hammett as “280 pages of naked action pounded into tough compactness by staccato, hammerlike writing” but he never seemed to live up to his early success and retired from writing fiction only a few years later.

There are three names that everybody mentions when discussing this period of early hard-boiled American fiction. Hammett is the first, his Maltese Falcon regularly winning polls for best hard-boiled novel also, but to his name you will also find added the words Chandler and Cain.

Raymond Chandler decided to try his hand at writing after losing his job during the Depression and in the process seemed to capture America the way that America wants to be remembered. His hero is Philip Marlowe, his beat is L.A., a brave warrior in the Sam Spade mould but with a softer underbelly. In his classic debut The Big Sleep (1939) we find a PI who likes to drink, is handy in a fight and cynically wisecracks his way through most situations but this is also a man who plays chess, reads poetry and has philosophical questions playing on his mind. The generally acknowledge highpoint in Chandler’s (and Marlowe’s) career would come later with The Long Goodbye (1953) and demonstrates the literary nature of the genre, author and character.

James M. Cain on the other hand was largely active in the noir category; in his major works his characters were not detectives but men corrupted by sex and money. Double Indemnity (1943) is the story of an insurance agent who plots against his employers to get a woman and some money. The Postman Always Rings Twice (1934) features a mixture of sexuality and violence in a love triangle situation.

With the big names out of the way I will share two more important figures in the formative years of this genre that are a lot harder to find and therefore more obscure.

Cornell Woolrich, who also wrote with some success under the pseudonym William Irish, is virtually out of print today but his importance on the development of the genre remains. His work more often that not evoked despair and cynicism in the everyday life scenarios and as was the case with the bleaker examples of the genre was more popular in France than America. If you can find them, I recommend The Bride Wore Black (1940) and The Black Angel (1943) as good starting points.

Dorothy B. Hughes is another essential early noir author that few people have heard of. Her In A Lonely Place (1947) has recently been republished as a Penguin Modern Classic and quite rightly so, is a fine example of her tightly plotted and tense approach towards noir and features a truly heinous protagonist in Dix Steele. Amongst her other work The Blackbirder (1943) is a story of fear, paranoia and dread.

In Part Two I’ll be taking a look at the second generation of authors who worked during the boom in paperback fiction of the 1950s.

This post is part of a four post series exploring the history of Hard-Boiled and Noir Fiction, for recommendations check out each post;

The 1930’s – 1940’s

The 1950’s

The 1960’s – 1980’s

The 1990’s – Onwards

He Died With His Eyes Open by Derek Raymond

Posted November 24, 2012 by Michael @ Knowledge Lost in Pulp / 4 Comments

Title: He Died with His Eyes Open (Goodreads)
Author: Derek Raymond
Series: Factory Series #1
Published: Serpent's Tail, 1984
Pages: 224
Genres: Pulp
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Armed with a box of tapes as evidence, the detective Sergeant sets out to solve the brutal murder of a middle-aged alcoholic who was found dumped on the city outskirts. Murder is a dime a dozen in London and Scotland Yard has more serious cases to deal with. This rogue detective is haunted by the voices on these cassette diaries which leaves him with no choice by to find out why He Died With His Eyes Open.

Book One of the Factory series follows the unnamed Detective Sergeant in his quest to solve the crime of someone the rest of the city does not care about. Part police procedural, part noir, Derek Raymond has a refreshingly new take on the pulp genre. Not only the fact that it combines procedural crime to the plot or the fact that it’s set in London, but what stood out to me is that Raymond mixed the dark hard hitting hard boiled protagonist and gave him compassion. You don’t actually see the compassion by his actions; this detective feels as hard boiled as they come, yet he seems to care about solving the crime of someone that doesn’t really matter. This is what made He Died With His Eyes Open so great.

I feel like Derek Raymond should be compared to noir legend Jim Thompson, mixing the dark and gritty with a real psychological aspect. While at times Raymond’s writing is a bit sloppy and the plot isn’t as tight as the greats, there is something quite spectacular about this novel. It feels like a normal pulp novel, but there is also something refreshingly different about this novel.

The unnamed protagonist is such a strong character, full of mystery and tough as nails. He Died With His Eyes Open is an absolute must read for pulp fans, and I must admit I’m so glad to read a crime novel like this that is not set in America. The English slang and terminology throughout this book was a joy to read. I like to see new spins in the pulp genre when they are done remarkably well, and this novel does just that. Everything you want in a deliciously dark pulp novel plus so many extras; He Died With His Eyes Open is worth getting your hands on.

Return of the Thin Man by Dashiell Hammett

Posted November 4, 2012 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: Return of the Thin Man (Goodreads)
Author: Dashiell Hammett
Series: The Thin Man #2
Published: Mysterious Press, 2012
Pages: 320
Genres: Pulp
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Dashiell Hammett is often referred to as one of the ‘Big Three’ when it comes to pulp fiction along with Raymond Chandler and James M. Cain. He is known for his hard-boiled novels turned film noir classics including The Maltese Falcon and The Thin Man. Return of the Thin man is a collection of two previously unreleased novellas featuring Nick & Nora Charles from The Thin Man.

While “After the Thin Man” and “Another Thin Man” have been promoted as two never before published novellas, these are basically glorified screen plays by the pulp legend. The cynical ex-detective is back along with his very cleaver wife for some more drinking, flirting and crimes. But you really need to have read or seen The Thin Man before reading this because they are sequels that relay heavily on the character development that has already taken place.

The main problem is there are no stories here; nothing to demonstrate the power of Hammett’s pulp styles. These are just scripts for cashing in on the success of The Thin Man film adaptation. I think they would have worked a lot better if they were made into movies in the 1930’s. It reminds me of the recent movie release of Taken 2; all the plot and character development was in its predecessor, it is just cashing in on the success by trying to continue the story.

As a pulp fan I was looking forward to reading this and I really wanted to love it, but I was very disappointed. This is a gimmick release, not recommended for people new to Dashiell Hammett and Nick & Nora Charles. But if you loved The Thin Man there is a slight pleasure in seeing what Hammett had planned for these characters. The Thin Man was never a favourite of mine, I do really like Nora but for someone interested in trying the author I would recommend The Maltese Falcon or my personal favourite, Red Harvest.

Mystic River by Dennis Lehane

Posted October 26, 2012 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Mystic River (Goodreads)
Author: Dennis Lehane
Published: William Morrow, 2001
Pages: 401
Genres: Crime
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Dave, Sean and Jimmy where childhood friends, but things changed when Dave gets into a stranger’s car and the others don’t. Twenty five years later all three are completely differently people. Sean is a detective, Jimmy is an ex-convict and Dave is just a shell of a man; never quite recovering from the emotionally scarring events of his past. Their lives come together again when Jimmy’s daughter is found brutally murdered, Dave returns home covered in blood and Sean is put on the case to find who killed Jimmy’s daughter.

Mystic River is a psychological thriller that never really felt right. Not to take anything away from Dennis Lehane; while this is the first book of his that I’ve read I think he has the talent to write dark, noir-ish psychological thrillers but maybe this is a bad example of his ability. The book opens with the childhood and Dave being abducted by the child molester, which while a terrible thing to happen it didn’t feel like Lehane hit the mark with the attempt to be dark and disturbing with this situation. Then the book seemed to drag on and on until the book finally started to pick up pace about half way through.

When it comes to the crime, I found it rather weird that they would assign the case to someone that knows the victim’s father. Sure it was twenty five years ago but to me it still felt like a conflict. Sure I don’t know too much about police procedure but to me that just doesn’t seem right. Overall, this book didn’t feel dark enough, the writer did seem to make it a dark thriller but I felt like it never got there and fell more into the area of predictable. When I read a psychological thriller, I expect a complicated and twisted story and I don’t think I got it here.

The book was entertaining and I’m glad to have read it but it wasn’t something I would recommend anyone else read. I hope Dennis Lehane’s other books are a lot better because while I can see what Mystic River is trying to achieve I think it fell too short. I think the emotions within this novel were too flat and this was the overall problem. I’ve not seen the movie but I wonder if the tension and emotion worked within it since this adaptation was well received.

Mercy by Jussi Adler-Olsen

Posted October 14, 2012 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Mercy (Goodreads)
Author: Jussi Adler-Olsen
Translator: Lisa Hartford
Series: Department Q #1
Published: Penguin, 2011
Pages: 512
Genres: Crime
My Copy: Personal Copy

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

I often get worried when I pick up this Scandinavian crime novel but I recently read The Dinner and I thought I might try another Dutch author; turns out this was a Danish novel. Mercy is the first book in the series by Jussi Adler-Olsen which has been marketed for people that enjoy the show The Killing as well as Scandinavian Crime. I love this show so I wanted to give this book ago; well actually I picked up Disgrace and realised it was book two in the series so I thought I better read them in order. Mercy is the story of detective Mørck who has been put in charge of new department dedicated to trying to solve cold cases; one final attempt before they give up on the case completely. His first case is a missing person’s case; Merete Lynggaard vanished five years ago and everyone assumes she’s dead but will Mørck be able to solve this case?

It’s interesting to note that this book is also called The Keeper of Lost Causes in most countries, which is a subtle attempt at humour, to reflect what type of book you are getting into here. I’m not sure why Australia are marketing this book as Mercy but it works better for their marketing campaign to just draw on the success of the TV show The Killing. You have the usual elements that you’d find in a Scandinavian crime in this book; cold climate and dark disturbing themes but I think Adler-Olsen’s attempt at adding some light heartedness in to the mix really worked in his favour. It’s almost like a cross between a Scandinavian crime and a buddy cop movie; because Mørck’s assistant Assad really stole the show.

Department Q is a mixture of a hard-boiled style detective in Mørck and the light hearted, carefree assistant that oversteps his role and does whatever he thinks would be the most fun; Assad. Not only do the two characters have personality differences but the cultural differences as well lead to some entertaining reading. While Mørck is an interesting character without Assad this book would just be another boring, generic Scandinavian crime novel (no offense to those who like these novels, they are just not for me).

The crime and police procedural elements of this book are pretty standard, you have the typical hard-boiled character and the dark and twisted crime they are solving but it really was refreshing to read a book that takes the same style and puts a new spin on it. It has really worked well for Jussi Adler-Olsen and I truly can’t wait to read the next in the series. If it wasn’t for these characters this book would be a two star read; luckily I was really entertained with this one.

Book Review: Live By Night

Posted October 2, 2012 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Live By Night (Goodreads)
Author: Dennis Lehane
Series: Coughlin #2
Published: William Morrow, 2012
Pages: 416
Genres: Crime
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

While Joe Coughlin is the son of a Boston Police Captain, he has long turned his back of being a moral citizen. Joe has graduated into petty crimes to high paying robberies. But when he robs a speakeasy of a Boston mobster things change for him. When the mobster kills Joe’s love, Emma, he becomes obsessed with seeking revenge. Joe works up the ladder of organised crime till he is in the right position to take his revenge. But taking on a rival family is never so simple. This is the basis of Dennis Lehane’s latest crime novel Live by Night.

Most people know I’m a huge fan of pulpish and organised crime novels so I was really interested in checking out this novel. My first attempt of Dennis Lehane with Mystic River didn’t go too well but I was excited to give him another go, simply because the premise of this book sounded really good and the idea of reading a crime novel set in the prohibition era really enthused me. This book started out strong. I really liked Emma the love interestand was very sad to see her get killed off; I was ready to seek revenge too. The revenge aspect and the becoming a powerful mobster were really good but then you get half way through the book and it falls flat. Almost like Dennis Lehane had changed his mind of what type of book this is and switches genre. Without giving too much away I was disappointed with the change in style and although there are some great crime elements later on it just felt a bit odd.

I loved the characters in this book and this was my biggest worry because with Mystic River I felt they were a bit flat and one dimensional. I think it was interesting to hear that Lehane wrote another book called The Given Day which is based around the same family but focuses on a different character; I believe its Joe Coughlin’s brother. Even if they seem to be connected, Live by Night does a great job of developing the characters without having to read the other book.

I’m a little disappointed that this book had so much potential but the last part of the book fell short. Personally I think this book could have ended a lot earlier or cut out the parts that weren’t working. Lehane was trying to develop the characters a bit more in the sections that weren’t working but in my opinion they didn’t help the novel. There are some great elements in this book and overall it was an enjoyable crime novel. I think I will have to check out The Given Day and some more Dennis Lehane novels based on my experience with this one.

Now You See Me by S.J. Bolton

Posted September 24, 2012 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Now You See Me (Goodreads)
Author: S.J. Bolton
Series: Lacey Flint #1
Published: Bantam Press, 2012
Pages: 432
Genres: Crime
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Lacey Flint is a young detective constable in London with a secret past. When she finds a woman stabbed right by her car everything changes for her. The killer has a special interest in Lacey and with her special knowledge on serial killers she finds herself a part of the terrifying murder hunt to catch this copy cat killer. Is this killer’s interest in Lacey personal or professional? Can Lacey continue to keep her past hidden when she is pushed further and further into the spot light? Read Now You See Me by S.J. Bolton to find out.

I found it interesting that the struggles of Lacey Flint seemed to be the main focus of this novel while the Jack the Ripper copy cat killer serves as a way to build the characters. It is a fine balance to get right but I tend to feel like Bolton didn’t focus on catching the killer as I would like. I love the idea of a Ripper copy cat and the killer known as Joesbury went to great lengths to attack Lacey, but in the end I never really felt like it was a balanced novel. Lacey is a great character and everything felt like an attack on her,; both from the killer and the other detectives, which in the end helped give us a better perspective of this character. However the hunt and the killer side of this book just become formulaic back story. I just think it never really seemed to come together in the end; sure there is closure in the book but it felt a little messy.

One of my major problems with Crime novels like this is the fact that everything all feels predictable and everyone writing bestseller novels are following the same outline and formula. I would have loved something a bit more dark and gritty. There were some good elements in this novel but as I said before the balance wasn’t there. I think Bolton really let the reader down in that aspect; especially in the end of the book where it all felt rushed and never ended neatly. I know it was an attempt to setup the second book in the series but it never really worked.