Publisher: Random House

Levels of Life by Julian Barnes

Posted September 19, 2014 by Michael @ Knowledge Lost in Non-Fiction, Short Stories / 0 Comments

Title: Levels of Life (Goodreads)
Author: Julian Barnes
Published: Random House, 2013
Pages: 128
Genres: Non-Fiction, Short Stories
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

“Every love story is a potential grief story.”

It is official, I’m now a huge fan of Julian Barnes. Having read and enjoyed The Sense of an Ending and Metroland, I knew I had to read more of his novels. I did try Through the Window and found his essays challenging but mainly because the man is far too intelligent and I couldn’t keep up. I decided to try Levels of Life simply because I wanted to see how Barnes connects love and loss with ballooning and photography.

“Love is the meeting point of truth and magic. Truth, as in photography; magic, as in ballooning.”

Told in three masterful parts, Levels of Life tells stories that don’t seem connected but Barnes manages tol fit together. He is a master at the metaphor and this book told in narrative form tells the highs and lows of love. Part one “The Sin of Height” tells a narrative of Colonel Frederick Burnaby, an English soldier and traveller who crossed the English Channel in a hot air balloon in 1882. This story focuses on the obsessions that both Burnaby and French photographer Nadar had towards ballooning.

The next part, called “On the Level” looks at Colonel Burnaby and the French exotic actress, Sarah Bernhardt. Both shared an interest in ballooning which led to love. Two larger than life characters and a love that could never last, while Burnaby believed it was possible, Bernhardt thought differently. Here we have two stories; one depicting the highs of passion and love and the second, the idea of love fizzling out which only leaves one last essay.

“You put together two people who have not been put together before. Sometimes it is like that first attempt to harness a hydrogen balloon to a fire balloon: do you prefer crash and burn, or burn and crash?”

But sometimes it works, and something new is made, and the world is changed. Then, at some point, sooner or later, for this reason or that, one of them is taken away. And what is taken away is greater than the sum of what was there. This may not be mathematically possible; but it is emotionally possible.

“The Loss of Depth” is the last essay and is the story of the loss Julian Barnes suffered when his wife died of a brain tumour in 2008. This is a tender account of dealing with grief. The build-up of the other two essays just made the last one heart breaking and I found myself crying (something I don’t often do). Barnes explores life after losing his wife and at times it is a little funny, yet remains very moving.

“Initially, you continue doing what you used to do with her, out of familiarity, love, the need for a pattern. Soon, you realise the trap you are in: caught between repeating what you did with her, but without her, and so missing her; or doing new things, things you never did with her, and so missing her differently. You feel sharply the loss of shared vocabulary, of tropes, teases, short cuts, injokes, sillinesses, faux rebukes, amatory footnotes – all those obscure references rich in memory but valueless if explained to an outsider.”

Julian Barnes managed to capture love and loss so perfectly, I felt like adding so many quotes to this review but I had to hold off. This is the type of book that will sit with me for a long time and I tear up just thinking about it. I’m amazed at Barnes’ skill as a writer and how he fit so much beauty and so many emotions into a short book is beyond me. I am going to have to read every book I can find from Julian Barnes.

Skinjob by Bruce McCabe

Posted July 22, 2014 by Michael @ Knowledge Lost in Thriller / 0 Comments

Title: Skinjob (Goodreads)
Author: Bruce McCabe
Published: Bantam Press, 2014
Pages: 384
Genres: Thriller
My Copy: ARC from Publisher

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Bruce McCabe joins a growing list of authors finding success from self-publishing his novel. I know I take a very cynical view on self-published books; I tend to treat a publishing house as the filter to sift through the slush piles and pulling out the best it has to offer. That isn’t to say there isn’t anything good coming from the self-publishing world but in my experience the pimping of books and desperation makes it hard to find the ones I’d like to read. My policy is to ignore the world of self-publishing, this probably isn’t the best way to go about it but it works for me.

Every now and then a self-published novel gets picked up by a publishing house; I’m thinking Hugh Howey, Andy Weir, and dare I say it, E.L. James. Bruce McCabe is the next self-published author to enjoy similar success, his debut novel Skinjob has been published by a Random House imprint Bantam Press. In the not-so-distant future sexdolls (or if you prefer, sexbots) will become a reality, allowing and even encouraging people to act out their dark and disturbing sexual fantasies; this is the world of Skinjob.

I want to diverse from the story line of Skinjob for a moment to look at the theme McCabe is trying to explore. The sex industry is often depicted as a dark and shady place and the invention of sexdolls is obviously going to be a difficult concept; the politics and ethical challenges are explored within the novel. What I find problematic about the use of sexdolls is this idea that using a doll to live out a dark, disturbing or violent fantasy isn’t going to be healthy. I would be concerned with the psychological damage they could cause of themselves and others around them, to assume the use of a sexdoll isn’t hurting others would be a naïve approach to the issue. There is also a very ethical issue to consider; making sexdolls in all shapes and sizes seems indicates the very real possibility of childlike sex dolls.

I enjoy how Bruce McCabe takes a crack at the thriller genre, using the tropes you expect from a novel like this to explore these ideas. While looking at the growing sex industry I was most impressed with how McCabe allowed the thriller genre to work with him in this exploration. I was interested in the approach he took by allowing militant religious and feminist groups blow up dollhouses (an obvious nod to Joss Whedon) full of sexdolls. This approach meant we have a violent act where real people are not the target. This allows the reader to explore all sides of the issue without forcing them to show unwanted sympathy. The reader can then look at issue of sexual politics within the book and society. The only thing that will get in the way of exploring the issue will come down to the readers and their preconceived notions.

Skinjob is a very issue heavy novel, if you want a straight thriller then this book is not for you. In fact I was less interested in the plot and characters than I was the issues being explored. All the characters felt very two dimensional and unmemorable, even the plot could have used a lot more work but I think this works in the books favour. In the end I was left not really remembering much of the plot and people with the novel but I was still thinking about the themes.

Sexual politics is a complicated and difficult subject; Bruce McCabe’s Skinjob did a great job exploring the topic. While it doesn’t cover everything, it will leave the reader pondering the issues; I’m very glad I picked up this book and hope it has as much of an impact on other readers as it did for me. This is a debut novel and I can’t help but feel excited at what McCabe does next; I hope he continues to explore hard-hitting themes in unique and interesting ways.

Cop Town by Karin Slaughter

Posted July 3, 2014 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Cop Town (Goodreads)
, 2014
Pages: 416
Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Karin Slaughter is a prolific crime writer whose novels mainly are in the Will Trent or Grant County series. She is a writer I never thought about picking up, mainly because I avoid bestseller crime novels (they are too formulaic) and I don’t like the idea of starting a series that already has so many novels to catch up on. Can you imagine trying to catch up on something like Sue Grafton’s Kinsey Millhone (currently on book 23) series? When I saw that Cop Town was a new standalone novel by Slaughter, I knew this was my chance to try her without making a huge investment.

Cop Town is a police procedural focusing on two female officers working for the Atlanta PD in 1974. Kate Murphy is a beautiful new recruit that comes from a wealthy family; she is determined to make it on her own. Maggie Lawson is a hardened no-nonsense type officer from a cop family that has been on the force for a while now. Right off the bat you can pretty much guess the themes within this book; sexism, racism, police corruption/brutality and that is before even understanding what type of crime is involved in the book. However, the central mystery within this novel revolves around the search for a cop killer, but for me this plot took a backseat to the themes.

I feel like Cop Town mainly focused on the gender imbalance in society, though set in 1974 the reader can still see just how far we have come toward sexual equality (not far at all). I want to focus on two little incidences that happen in the book that highlight this and don’t give away any spoilers. Firstly there was an incident in the novel were Kate was basically told by a married man that ‘wives are for babies and women like you are for fun’. Lines like that are not just a feminist issue but it also shows a fundamental flaw in our social thinking. The idea that sexual satisfaction can’t happen in a marriage is still a very real problem nowadays and too often portrayed in the media.

The second issue involved Maggie, with a cop killer on the loose her uncle forcefully asks her to quit the force to keep safe. This scene made me think that the biggest risk to Maggie’s safety was her family more than the cop killer. The idea of wanting a woman to quit the force while you plan to remain and do something about this issue is problematic and raises many questions about equality. I’m not going to go into too much detail about my thoughts with these two scenes but I thought it would be nice to just highlight what this book is dealing with while avoiding spoilers.

Normally when I read a crime novel, I read it for plot and I tend to stick to the ones that dive into the dark and twisted. The exception is obviously hard-boiled and noir but I will admit that even if Cop Town doesn’t fit my preferences in crime novels I was glad to read it. The themes that this novel explores made this both an enjoyable and compelling read, even if I didn’t think much of the plot. Can’t say I will revisit Karin Slaughter again, however if another standalone novel offers a similar experience I may reconsider.

The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe by Romain Puértolas

Posted June 22, 2014 by Michael @ Knowledge Lost in Contemporary / 6 Comments

Title: The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe (Goodreads)
Author: Romain Puértolas
Translator: Sam Taylor
Published: Harvill Secker, 2014
Pages: 320
Genres: Contemporary
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

“A heart is a little bit like a large wardrobe” — Ajatashatru Oghash Rathod

The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe (or L’extraordinaire voyage du fakir qui était resté coincé dans une armoire Ikea) is the debut novel by Romain Puértolas that has been marketed to fans of The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (or Hundraåringen som klev ut genom fönstret och försvann) by Jonas Jonasson. For the purpose of making things easier (and to avoid the insanely long titles) I’ll refer to these two books as The Fakir and The Hundred-Year-Old Man (I hope you can work out which is which. I picked up The Fakir simply because I need to read more translated fiction, with that logic I probably should read The Hundred-Year-Old Man. While the writing styles might not be similar, if you enjoyed The Hundred-Year-Old Man because it was a quirky, fun novel then The Fakir is a book you’ll need to go out and buy.

The novel reminds me of something David Niven (The Pink Panther) or The Marx Brothers would adapt to screen. You know the type of movies I’m talking about; the comedies full of misfortunes and stupidity but everything somehow works out in the end. The novel tells the story of a fakir named Ajatashatru Oghash Rathod flown to Paris for the purpose of visiting Ikea and buying a new bed of nails. Dressed in a fine silk suit to pass himself off as a wealthy Indian business man, the con man had nothing but a counterfeit 100-Euro note (printed on one side only) in his pocket. This trip to Paris sends him off on an adventure that finds him in places like London, Barcelona and Rome and not one sight was seen. No Eiffel Tower, Big Ben, Sagrada Família (unfortunately) or Colosseum.

I’m not sure if it is a problem with the translation but I expected a little more from The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe and I can’t tell if it didn’t translate or a deep seeded desire for something more complex. I enjoy that light read but found nothing funny about the novel and thought it was too inconsequential; I wanted more meat to the story. There were opportunities to explore themes of immigration, friendships, celebrities, travel and Europe but all these were just background and the focus remained on trying to write a quirky comedy. I’m not saying this is a bad thing, sometimes a light palate cleanser is all you need, and I was just ready for something with substance. It doesn’t take much effort to read The Fakir and the book did explore the concept of a culture clash but this was to the extent of something like The Gods Must Be Crazy.

Sam Taylor was the translator for this novel and he has worked on a number of great French novels that are all still sitting on my TBR pile. He has translations include A Meal in Winter by Hubert Mingarelli, The Truth About the Harry Quebert Affair by Joël Dicker and HHhH by Laurent Binet. This leads me to believe that my issues with The Fakir are not with the translation but with the book itself. One other concern I have is not with this book per say but with this need to add real people into the story. I’m not entirely comfortable with basing a novel around a person who is deceased, so it feels a little weird when you have a character named Sophie Marceau in this novel. The Fakir actually refers to Sophie Marceau as the French actress from the James Bond film The World Is Not Enough so we know the author is referring to the celebrity. I often wonder how these people feel about being put into a novel and if they are being portrayed accurately. It doesn’t sit right with me and I’m not sure if I’m the only one that wonders about something as small as using celebrities in a novel; I am sure some novels call for it but it this one didn’t.

I know it sounds like I didn’t enjoy this novel but I tend to pick out the parts of a book that didn’t work for me. I think it is freeing to express all my problems with a book and it may come across as a little negative, but in all honesty, this was a fun, short read. I normally gravitate to books with more substance but something light is a nice change. In all honesty I would have liked the novel to explore at least one of the issues that it presented rather than use them as plot points. Even going deeper into the concept of culture clash could have improved my enjoyment of the novel but I have come to expect that not everyone likes to read complex novels. I suspect The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe to be a runaway success and to be adapted into a film; I wonder who they would get to play Sophie Marceau.

The Sex Lives of Siamese Twins by Irvine Welsh

Posted June 8, 2014 by Michael @ Knowledge Lost in Contemporary / 10 Comments

Title: The Sex Lives of Siamese Twins (Goodreads)
Author: Irvine Welsh
Narrator: Lorelei King, Penelope Rawlins
Published: Jonathan Cape, 2014
Pages: 480
Genres: Contemporary
My Copy: Audiobook

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Irvine Welsh has always been an author that I have wanted to read, but he always seemed to sit on the backburner. I have Trainspotting on my bookshelf and I’m sure I’ll get to it eventually. His new novel The Sex Lives of Siamese Twins seemed like just the right amount of filth and bizarreness for me at the time. The novel kicks off questioning American’s obsession with numbers, from statistics, ratings, western culture seems to measure everything with numbers. From crime rates, percentages to economical values to shoe and breast sizes; everything is about numbers. This sets up the protagonist, personal trainer Lucy Brennan, who obsessively records everything, from her calories, her exercise and every aspect of her life, as well as those she trains.

Set in the image obsessed Miami, The Sex Lives of Siamese Twins tells the story of Lucy who heroically disarms a gunman who was chasing down two homeless men. This was witnessed and recorded by the sole eyewitness, Lena Sorensen. Lucy’s act of heroism transforms her into an insta-celeb with national exposure, giving her the break she has been looking for. Lena becomes obsessed with Lucy and signs up as one of her clients. The two find themselves getting closer, too close for comfort.

I officially believe that all personal trainers are sadists; however Lucy takes this to a whole new level. She goes from strict personal trainer to scary crazy in the efforts to get Lena into shape. Reading this novel reminds me never to get a trainer; I don’t think I can handle the efforts one might go to, to get me into shape. I won’t go into details; the whole concept of fitness and eating healthy within this novel is worth exploring without any spoilers.

In an interesting twist, it turns out that the two frightened men Lucy saves from the angry gunman turned out to be paedophiles. The media focus quickly shifts from heroine to whether she should have stopped a victim of sex abuse from getting his revenge. Would she have acted differently if she knew the reason? It is no longer a story about bravery and heroics but one of pain and vengeance.

I read this novel as a caper that quickly spiralled out of control. Irvine Welsh was able to produce very unique acerbic characters, all vastly different from each other, with their own little quirks and flaws. Lucy a militant personal trainer, we get to watch her stardom rise and fall and Lena an avant-garde sculptor who is a shy talent with a dark side that comes through mainly in her art.

I get the impression that Welsh likes to explore the darker side of humanity. While I tend to enjoy transgressive fiction I was finding some issues within this novel that I will try to explain. Irvine Welsh doesn’t hold back; Lucy Brennan is a hard hitting, foul-mouthed, aggressive woman; an anti-hero that I can’t help wondering if she is realistic. She claims to be a feminist but comes across almost like a misogynist, rather than just an angry bitch. I increasingly began to see her less as a female protagonist and more as Welsh’s fantasy of the ideal woman. His own masculinity seems to come through in this character and she comes across as a slutty bi-sexual that has the libido and personality of a teenage boy. That is not to say that there aren’t women like that out in the world; for me, her personality never rung true.

I was never sure how to take Lucy; she started off as a strong willed, fitness freak with no social filter and a mouth and sex drive that is unmatched. These people obviously do exist in the world and I tried to take her seriously but as the novel went on it become harder and harder to suspend my disbelief. She became less of a character in the novel and more the voice that satirizes Irvine Welsh’s own soapbox views.

Lean Sorensen is far more interesting; she comes across as timid but talented artist but she doesn’t see that. She views herself the same way the world does, as just a pathetic overweight woman. Whether it is the manipulative ex-boyfriend, the passive aggressive parents or the fake friends of the art world, she is depicted as a broken woman trying to get her life together. I enjoyed the darkness that came through under the perky and cheerful facade that she tries to put on; it really rounded out the character. She kept my interest throughout the novel.

The title The Sex Lives of Siamese Twins is an interesting topic as it refers to a subplot about the media frenzy around two conjoined teens, Annabel and Amy. Annabel is considering losing her virginity to her boyfriend but Amy is not too keen on this idea. A conversation about the twins and their sex lives is a reoccurring conversation/argument between Lucy and Lena. They have differing views about sex and the conjoined twins and often the focus of their personality clash.

I have to mention the morning pages program that mentioned throughout this novel. It is a program where you must write three pages in a stream of consciousness format every morning. The idea of this program is to help identify issues that need extra attention while trying to achieve their goal, in this example weight loss. Morning pages interested me because it was the concept that inspired 750words.com a site I’ve been using to develop a good writing habit.

In the pursuit for perfection, things get dark and twisted; The Sex Lives of Siamese Twins explores this very topic. A novel of depravity, revenge, sex and crime, Welsh gives the reader plenty to think about and if you can suspend your disbelief when it comes to Lucy, this book really is extremely rewarding. Be warned there is a lot of swearing and sex, not for the sweet and innocent. The sex has a voyeuristic approach to it, not erotic at all and often disturbing. In the end, this novel was a rewarding endeavour into transgressive fiction but I need something sweet to read next.

Summer House with Swimming Pool by Herman Koch

Posted May 16, 2014 by Michael @ Knowledge Lost in Contemporary / 8 Comments

Title: Summer House with Swimming Pool (Goodreads)
Author: Herman Koch
Translator: Sam Garrett
Published: Hogarth, 2014
Pages: 304
Genres: Contemporary
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Herman Koch has a unique ability for taking something that seems so normal and turning it into something much darker. If you’ve read his amazing novel The Dinner then you’ll know exactly what I’m talking about; that book sets up a style that I was hoping continued for this Dutch author. Luckily I wasn’t disappointed; Koch’s second novel to be translated into English is Summer House with Swimming Pool. The novel tells the story of Dr Marc Schlosser who is forced to conceal a medical mistake that costs Ralph Meier, a famous actor, his life. The only problem with that is the truth doesn’t stay hidden for too long.

Fear not, much like The Dinner, Summer House with Swimming Pool is much more complex than it appears on the surface. Herman Koch likes to take a dark and graphic look at the world and raise the questions of morality, this is something seems to pull off effortlessly, but I will try to avoid giving spoilers. We spend most of the book following around the general practitioner who seems like an unsympathetic character and rather unlikeable. Koch likes to play with the idea that everything is not as it seems and this novel does this really well.

I can’t remember if I went into The Dinner with the same expectations as I did for Summer House with Swimming Pool but I suspect I might have had a similar reading experience. It is hard to review a novel like this because you want to talk about it but there is a voice in the back of your mind telling you not to spoil it for everyone else.

One thing that I find interesting with Koch’s novels is the number of characters and scenery. I thought this about The Dinner as well, these novels are perfect for a small stage production; they have just the right blend of dark satirical plot and moral questions to make for a thrilling stage play. I wonder if these books have been converted to the stage, I would love to see a production of The Dinner.

I’m rather annoyed with this review, there is so much I want to say but everything will say too much. You will all have to read this book so we can discuss it. Herman Koch’s books are perfect choices for a book club; there is just so much to discuss. I wonder if I can convince my local book club to do this book as well; they normally don’t like to do the same author too many times but Koch is too good to resist.

Ransom by David Malouf

Posted May 8, 2014 by Michael @ Knowledge Lost in Historical Fiction / 0 Comments

Title: Ransom (Goodreads)
Author: David Malouf
Published: Vintage, 2009
Pages: 240
Genres: Historical Fiction
My Copy: Paperback

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

While Ransom is a retelling of Homer’s Iliad, this doesn’t mean this is just a bite-sized simplification of the epic poem. I will admit that I’ve not read Iliad or The Odyssey by Homer; for some reason I’m scared to do so, even though I’ve managed epic poems that some may consider hard to read (The Divine Comedy and Paradise Lost). I’ve heard it said that you don’t really need to read Iliad to enjoy Ransom but I would have to disagree, I think David Malouf’s novel is inviting the reader to look at the poem in the way he interprets it. There are gaps that Malouf expects the reader to know and understand and without any prior knowledge to The Iliad and the war on Troy they can feel lost and confused.

Ransom starts at the point where Priam’s son Hector is slayed by Achilles and mainly focuses on the two characters. I’m not sure about Iliad and I’m not going to speculate on what Homer was trying to say in the poem but I will look at what Malouf is saying. Ransom is a novel on human grief, love and even revenue in an intimate and rather tender approach to the subject matter. The emphasis is on the human emotions behind the story that plays out during the Trojan War. Although the novel explores the emotions of both Achilles and Priam, not really caring about any of the other characters so we only really get to experience the ideas of grief and revenge.

The main point on reading this novel was to explore the idea of intertextuality or the relationship between two interconnecting pieces of text. While I can’t say I’ve had much experience with intertextuality, the only novel that springs to mind is The Amazing Adventures of Kavalier and Clay; I suspect there is a little interconnectivity in all novels. Intertextuality covers everything from modernisations, parodies, reimaginings and anything that borrows from a different text.

This often makes me wonder, at what point do we stop studying intertextuality and more a look at plagiarism? The concept of intertextuality and plagiarism feels like a very thin line. Ransom for example is a retelling of Iliad where David Malouf wants the reader to explore this classic poem the way he sees it. This is his interpretation of what he feels Homer was trying to say. Doesn’t mean it is the only interpretation, Malouf is just taking his ideas and exploring it further.

One day I will get around to reading Iliad and The Odyssey; I’m saving them for when I have some time to read critically and take the time to full understand the two epic poems. Once I’ve done that, I think I might revisit Ransom, see if I get something out of it. I did enjoy Malouf’s style and it was an interesting novel to read but I really need to read the original first.

The Thousand-Dollar Tan Line by Rob Thomas & Jennifer Graham

Posted May 2, 2014 by Michael @ Knowledge Lost in Crime / 2 Comments

Title: The Thousand-Dollar Tan Line (Goodreads)
Series: Veronica Mars #1
, 2014
Pages: 324
Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Veronica Mars is quite possibly one of the most interesting characters on TV. She’s intelligent, witty and snarky; think Philip Marlowe meets Nancy Drew. First of all, if you haven’t seen the TV show, I highly recommend you do so first. Watch the show then the movie and then you’ll be ready to read this novel. This new series takes place after the events of the movie, which means not only do I have to avoid spoiling the novel, but I must also try and avoid any major spoilers of the movie. I’m sure there will be spoilers from the TV show (mild spoilers from the movie as well) but that really can’t be helped.

Veronica Mars is back in the land of sun, sand, rich entitled kids, crime and corruption otherwise known as Neptune, California. A town that has no middle class, you are either rich or you are considered low class, and the Sheriff, he comes down hard but only on those below the poverty line. When a girl goes missing at spring break, a media frenzy follows but the Sheriff’s department are not being helpful. Veronica is hired to find the girl but this leads her into a dangerous underground of drug and organised crime.

All your characters are back, with one surprise. I’m pleased to report that everyone and everything in Neptune felt authentic and I’m so happy to see that Mac had a bigger role as Veronica’s sidekick. There is one major flaw in this movie, it changed perspectives; the TV show and movie are all told in a first person narrative but the book is in third person. Which is strange, Veronica Mars’ first person narration is iconic to the brand and also a vital part of the neo-noir style. While that noir style is still evident in the novel it just didn’t feel the same.

Another major flaw in the novel is the missing ‘bigger’ mystery. It was what made the TV show so great; ‘who killed Lilly Kane’ is what got me addicted to the show and each season had a new mystery to solve. I would have liked to see this return in the new book series but much to my disappointment it didn’t. These books are marketed to fans of the Veronica Mars brand and taking away pieces that make the show/movie great really does not do this novel or the others any justice.

I am a marshmallow (if you don’t know what that is then maybe this book isn’t for you) so I obviously loved this novel and enjoyed being back in Neptune. I will be reading any Veronica Mars novel that gets released and backing any kickstarters for any more possible movies. It was fun to stay in Veronica Mars’ world but I would like to know what happened in the ten years between the TV show ending and the movie. I’m hoping this series will tell me more about Veronica’s university and FBI years.

By Blood We Live by Glen Duncan

Posted March 26, 2014 by Michael @ Knowledge Lost in Horror, Literary Fiction / 4 Comments

Title: By Blood We Live (Goodreads)
Author: Glen Duncan
Series: Bloodlines #3
Published: Knopf Doubleday, 2014
Pages: 368
Genres: Horror, Literary Fiction
My Copy: Hardcover

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

It’s a sad day for me; Glen Duncan’s Bloodlines trilogy has finally come to an end. This series has been a favourite of mine and I have been desperate to get my hands on By Blood We Live. If you don’t know, this trilogy started off as a bit of a joke for Glen Duncan. One New Year’s Eve party he jokingly claimed that he would write a page-turner with werewolves, and “none of my usual philosophical angst or moral inquiry.” Having recently been dumped from a publisher (he had no best sellers and had won no awards) the move towards literary genre fiction was a recipe for success for Duncan.

In the early planning stages, Glen Duncan had planned to write a “clever narrative with a memorable antihero at its feral, furry heart”. Being disappointed by the recent wave of popular paranormal novels (Twilight, etc) Duncan drew from the horror novels he loved (Frankenstein and Dracula) as well as his favourite werewolf movie (An American Werewolf in London); the end result was The Last Werewolf. It was Duncan’s take on the werewolf novel; remaining true to the mythology, unlike other paranormal novel The Last Werewolf was gritty, violent and over sexed. Jake Marlowe is the last werewolf alive, with the pending extinction of his new race, will he give up? The novel was nothing like other horror novels I read, this was dark and literary.

Then came Talulla Rising, which continued the story, this time from the point of view of Talulla Demetriou; a strong female protagonist that both kick-assed and was full of inner torment (my catnip). Where The Last Werewolf looked at life and loneliness, Talulla Rising forced more on love and family. It has been a two year wait but finally By Blood We Live was finally released to conclude this fantastic trilogy.

In By Blood We Live we follow both Remshi, 20,000-year-old vampire that has been haunted by Talulla in his dreams. Having half the novel from a vampires perspective is an interesting change for fans of the series. This novel focuses on survival and humanity, which are both common elements in a paranormal novel but a nice way to tie this trilogy together. Talulla is been pursued by a Vatican-based Militi Christian group of monster hunters who have taking the place of the now defunct WOCOP (World Organisation for the Control of Occult Phenomena). Remshi tries to uncover why Talulla haunts him as well as trying to stop the recklessness of a newly turned vampire.

While I wasn’t disappointed by By Blood We Live, I felt like this book wasn’t as great as its predecessors. It did conclude the trilogy and there were some great moments within the novel, I just felt like it had less to say than the first two. The literary wasn’t as prominent, almost like Glen Duncan is moving into the realm of best-selling author. While he does deserve the success, I would hate to see Duncan throw away any sign of the literary in his future novels. Rest assured that the dark and gritty feel to this series is still there. Something I must have looked in the first two novels was the amount of literary and pop culture references have been made; I know they were always in this series but I noticed them so much more in this novel.

I loved this series and I plan to reread them sometime in the near future; I know I’ll need to return to these witty and dark novels. I also have to try some of his other books, I know he said he wasn’t going to add his “usual philosophical angst or moral inquiry”, but I’m so glad he did, it really works for him. I hope Glen Duncan continues on his literary genre fiction journey and I’m eagerly awaiting what he does next. Has anyone else read this series? Or does anyone want to try to predict what genres his next book will cover?

My Life as a Fake by Peter Carey

Posted February 16, 2014 by Michael @ Knowledge Lost in Literary Fiction / 0 Comments

Title: My Life as a Fake (Goodreads)
Author: Peter Carey
Published: Random House, 2003
Pages: 320
Genres: Literary Fiction
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

In 1943 two conservative classicists set out to expose the absurdity of modernist poetry. Both James McAuley and Harold Stewart were classical trained poets, who didn’t think much about modernism; it didn’t rhyme, didn’t make sense and it just didn’t look right, it was fake poetry. If an everyman can abandon technique and rhythm and create poetry, what was the point of high art? They created this everyman, Ern Malley and submitted poetry under this name to the literary magazine Angry Penguins. The Ern Malley hoax has become one of the biggest literary scandals in Australian history. While the hoax crippled modernist poetry within Australia, ultimately this parody backfired on McAuley and Stewart. The poetry, which was written in a day and full of word plays and puns became a sensation in the 1970’s. Their attempt to parody modern poetry and create something fake turned into something real, beyond their control and is now celebrated as fine examples of surrealist poetry.

Peter Carey’s My Life is a Fake explores the idea of fakery while paying homage to the Ern Malley hoax. Knowledge of this hoax is the backbone of this post-modernist novel, so much so that he covers his thoughts on it in the back of the book. Thinking about this novel I get the idea that this is a book that demands the reader to think about the purpose of reading. While this is considered contemporary fiction, it really demands a lot from the read and it wants to address a number of literary issues. Editor for Monthly Review Sarah Wode-Douglass, while traveling to Kuala Lumpur, encounters the perpetrator of the hoax after many years. The novel goes on to explore the literate mystery of forgeries but I won’t go into too much detail, it is quite a ride.

“I still believe in Ern Malley. (…) For me Ern Malley embodies the true sorrow and pathos of our time. One had felt that somewhere in the streets of every city was an Ern Malley (…) a living person, alone, outside literary cliques, outside print, dying, outside humanity but of it. (…) As I imagined him Ern Malley had something of the soft staring brilliance of Franz Kafka; something of Rilke’s anguished solitude; something of Wilfred Owen’s angry fatalism. And I believe he really walked down Princess Street somewhere in Melbourne. (…) I can still close my eyes and conjure up such a person in our streets. A young person. A person without the protection of the world that comes from living in it. A man outside.” Max Harris, editor of Angry Penguins.

While this book is told in a first person narrative, from the perspective of Sarah, as a reader I wrestled with the perspective. The novel explored the life of Sarah, her traveling partner John Slater who she describes as an unapologetically narcissist. Also we learn about Christopher Chubb and his monster, the non-existent Bob McCorkle. My mind wrested with questions like, whose life was I reading about? Whose words am I reading? Whose mythology do I accept? Personally I think these are the questions Carey wants us to ask, also I have to wonder what type of fakery are we talking about in the title?

Now I called the fictional poet Bob McCorkle a monster because this novel is influenced by a lot of literature but the most obvious is Mary Shelley’s Frankenstein. Like McAuley and Stewart’s hoax, Bob McCorkle was a monster in the eyes of its creator and takes on a life of its own. There are also references to Paradise Lost (which can be connected to Frankenstein) and T.S. Eliot’s The Waste Land. An understanding of Greek mythology is helpful as well, especially Orpheus. This is a tricky book to read, and it took me a while to get the hang of it. Once I got into the rhythm of the novel, I think understanding and progress was a lot easier, though I do think a better understanding of literature would be helpful.

My Life as a Fake explores the power of creation, sometimes it just takes a life on its own with no way of stopping it. We must wrestle with the question of whether the man claiming to be Bob McCorkle is a fanatic; someone with an identity delusion, a hoaxer’s hoaxer, an accident, or an illusion called into being by its creator. As My Life as a Fake is an Australian novel, I can’t help but wonder if this is exploring the idea that Australia doesn’t produce Art, rather parodies and fakeries. The misconception that Australian artist must trade in masquerades to get noticed, a slightly old point of view but one that might have been still relevant in the time of the hoax.

I had to read this book for a university course so I also had to think about post-colonialism (a common theme in the subject). I’m not sure how this works as a post-colonial novel but I have to ask, as a colonized nation is this book viewing Australia as Frankenstein’s monster. Whose country are we in? Why does it matter? Are we the bastard spawn of a powerful creator (England)? Are we just fakes in the eyes of Europeans? Did we start off as fakes that took on a life of its own? Not really important questions for the book but interesting enough to share in this review.

Given that Frankenstein heavily influences My Life as a Fake, does this make this a modern gothic novel? They do invoke similar themes, interesting that this novel is meant to be popular fiction and yet it still explores high art in a complex, post modern way. Makes me wonder just how successful this novel was for Peter Carey. For me, while it was a difficult read, I found pleasure in studying this book, makes me want to read all of Carey’s books, maybe I’ll try The True History of the Ned Kelly Gang next.