Publisher: Penguin

Happy Hour in Hell by Tad Williams

Posted October 9, 2013 by Michael @ Knowledge Lost in Fantasy / 1 Comment

Happy Hour in Hell by Tad WilliamsTitle: Happy Hour in Hell (Goodreads)
Author: Tad Williams
Series: Bobby Dollar #2
Published: DAW, 2013
Pages: 400
Genres: Fantasy
My Copy: ARC from Netgalley

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Bobby Dollar is back, the angel that is sometimes known as Doloriel has advocated for the humans on heaven’s behalf more times than he can count. He goes to hell and back to fight for the souls of earth but this time he actually has to go to hell. His girlfriend a demon called Casimira (the Countess of Cold Hands) is been held hostage by one of the most powerful demons in hell, Eligor the Grand Duke of Hell.

First off let’s talk about the first question people are asking; why is an angel dating a demon? This is a question I’ve asked myself too, even in the first novel it seems weird. Best not to think of Bobby Dollar as an angel, he walks that fine line between good and evil but if you need an advocate you would want him on your side.

This is the second book in the Bobby Dollar series and if you haven’t read The Dirty Streets of Heaven then you really should. Bobby Dollar is as hard-boiled as they come. He will fight for good but he is not afraid to get down to a fight. I really enjoyed the first novel in the series and can’t recommend it enough, if you are looking for a dark gritty urban fantasy.

The thing I didn’t like about Happy Hour in Hell is there is a huge chunk of the novel set in hell, rather San Judas. I loved the world Tad Williams built and I’m just annoyed that he left it. Hell made for an interesting backdrop; the torture, violence and unspeakable acts that happen in this book really gives you a sense of what Hell must be like. Williams knows how to build a world but Hell isn’t as original as San Judas and not as interesting.

The other thing that bothered me about this book is that Bobby Dollar didn’t seem as hard-boiled as before. He used to be a strong, uncompromising type that would go to hell to rescue a damsel in distress but having a girlfriend made him a little soft. I’m not saying this is a bad thing but you look at the great hard-boiled detectives in history and there is always that flirtation with a femme fatale but they never seem to be the kind of person that settles down. They don’t want to put someone in the position where the woman could be in danger as a way to get control of them. They are often loners for this reason, better a woman is safe from harm than being happy. Having said that, I would love to know if there are any hard-boiled detectives that are in a relationship and are happy (that don’t end badly for the woman), I know people would probably say Nick and Nora Charles (The Thin Man) but I think of them as a crime fighting duo.

I liked Bobby Dollar when he was cold and bitter; I’m not sure if Tad Williams was trying to make him more likable or accessible but it made me hate him. So much so I’m not sure if I want to read book three when it comes out. I will see how a feel when it is closer to the release date in 2014. I love the hard-boiled urban fantasy blend and for me this was moving away from that style to the straight fantasy style he is better known for. Bobby Dollar is a great character and I hate seeing what has happened to him; hopefully book three is different.


The Castle of Otranto by Horace Walpole

Posted September 19, 2013 by Michael @ Knowledge Lost in Classic, Gothic / 0 Comments

The Castle of Otranto by Horace WalpoleTitle: The Castle of Otranto (Goodreads)
Author: Horace Walpole
Published: Penguin, 1764
Genres: Classic, Gothic
My Copy: Audiobook

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Conrad, the heir to the house of Otranto, died under mysterious circumstances on the day of his wedding. His father, Manfred, lord of the castle, who feared the end of his dynasty, was determined to marry his son’s betrothed. However as Manfred tries to marry Princess Isabella, she escapes to a church and a number of supernatural events stand in his way. These terrifying omens soon threaten this unlawful union, as the curse placed on Manfred’s ancestor, who usurped the lawful Prince of Otranto, begins to unfold.

The Castle of Otranto established the Gothic as a literary genre and inspired Ann Radcliffe, Bram Stoker, Daphne Du Maurier and Stephen King. The Castle of Otranto has a unique blend of psychological realism, supernatural terror, guilty secrets and unlawful desires but I read this book as a critic on marriage. In 1773 The Marriage Act was passed, an act that is also known as “An Act for the Better Prevention of Clandestine Marriage”. The act was successful in preventing marriages not performed by an Anglican clergyman but also this act didn’t apply to royalty.

This act was passed eleven years before The Castle of Otranto was published and considering the fact that Horace Walpole was the Member of Parliament for Callington (1741–1754), Castle Rising (1754–1757) and King’s Lynn (1757–1768), I get the sense that he would have had strong opinions on the topic. From some quick research on Horace Walpole, I know that he had a strong interest in social and political issues. We can’t overlook his sexuality either, Walpole never married or had relationships with women; some claim he was asexual but I tend to side with the people that claimed he was a homosexual. Some of his closest friends including Anne Seymour Damer and Mary Berry are apparently lesbians as well. This information and the reading of this novel led me to interpret the fact that Walpole was against The Marriage Act.

Let’s look at the novel, Manfred was planning on ending his marriage with Hippolita and marry the much younger Isabella. The introduction of the Marriage Act (despite this book being set sometime between 1000 and 1200) meant that the marriage would have been easier to achieve and Isabella’s fear of Manfred more realistic. Putting aside Isabella’s reluctance to the marriage, there were also the supernatural events (the Church) standing in his way, in which I interpreted as the church still being against clandestine marriage despite it being possible for Manfred. I read the entire book as a metaphor of society and the church standing in the way of a desired marriage. This brings me to an interesting thought; Lord Manfred is considered the antagonist on the novel, portrayed as being deranged but I viewed this as the social view of homosexuality at the time.

There is so much more I can talk about here, like the archetype of Gothic characters (involving heroes and anti-heroes) and the setting (the Castle). While I have talked about Manfred, I want to quickly talk about Isebella and the castle. When Isebella tried to escape she turned into the outsider, a person thrown out of her community; this could also be used as a metaphor for Walpole’s feelings and sexuality. When she escaped she used the underground passages of the castle, which invokes all the characteristics of the Gothic genre; the darkness, obscurity, vastness, and the terror that may arising. Yet the castle and its mysterious characteristic could be a motif for Horace Walpole’s loneliness in the universe.

I won’t go into any more symbols, themes or motifs or this would turn into a really long review. My main interpretation of this novel is clear and I hope I have given you enough to back up my claims. While this isn’t my favourite example of Gothic literature, it was a great read and while short, there is a lot to digest. For all Gothic fans, I recommend checking out The Castle of Otranto; this is an excellent example of the gothic form.


The Third Man by Graham Greene

Posted August 29, 2013 by Michael @ Knowledge Lost in Classic, Thriller / 0 Comments

The Third Man by Graham GreeneTitle: The Third Man (Goodreads)
Author: Graham Greene
Narrator: Martin Jarvis
Published: Penguin, 1943
Pages: 180
Genres: Classic, Thriller
My Copy: Library Book

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American western writer Rollo Martins arrives in Post-World War II Vienna at the request of his childhood friend, Harry Lime. Lime has a job for him but when Martins arrives, he soon finds out that his friend has died. Convinced that Harry Lime’s death was no accident, Martins starts his own investigation, which leads him on a hunt to find the other witness, The Third Man.

If you are a loyal listener of The Readers or follow Simon Savidge’s blog or twitter you may know he recently lost his grandmother. To pay tribute to the memory of Dorothy Savidge he has asked people to read something by Graham Greene, as he was her favourite author. Greene for Gran (or on twitter #GreeneForGran) was born and I took this as an opportunity to try my first Graham Greene book, as well as join in this beautiful memorial to a fellow book lover.

Now The Third Man is an interesting book; it is actually written in preparation to writing the screenplay to what will become a film noir classic. Graham Greene wrote this novella and then converted it into the screenplay. I’m not sure how or why the original novella ended up being published but I suspect that the huge success of the movie may have had something to do with it. So when reading The Third Man you are basically reading the novelisation of the movie; everything is exactly the same.

This is not necessarily a bad thing, the movie was fantastic but then again I’m a fan of Orson Welles (Citizen Kane is the greatest movie of all time) so I might be biased. Who am I kidding, it’s not bias; The Third Man is a classic film noir movie and if you haven’t seen it then you are missing out. It’s hard to review a novella that is exactly the same as the movie, there may not be any point to reading the book if you can watch the movie but I wanted to see how Graham Greene wrote and I think I’m a fan.

What I found fascinating about the novella was the fact that the entire story is told from the perspective of Major Calloway and not the Rollo Martins. Just a quick side note here Rollo Martins name was changed to Holly Martins in the movie just in case you thought I made a mistake there. So I look back at the movie and try to imagine The Third Man from the perspective of Calloway and it just doesn’t seem right, but it works really well for the book. Just another example of what a novel can do that film can’t and gives the novella something unique that you wouldn’t get from the movie.

This only took me about an hour to read (I read slow) and while it is pretty much the exact same thing as the movie, I’m glad I read it. It gave me a sense of Graham Greene’s style and I know what to expect when I try another book (any suggestions). I loved the movie and I think the book is a great companion for fans of The Third Man. Now I want to rewatch the movie, sounds like a good idea right?


Miami Blues by Charlies Williford

Posted August 27, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Miami Blues by Charlies WillifordTitle: Miami Blues (Goodreads)
Author: Charlies Williford
Series: Hoke Moseley #1
Published: Penguin, 1984
Pages: 284
Genres: Pulp
My Copy: Paperback

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After landing in Miami, Freddy Frenger Jr. (or Junior as he prefers to be called) steals three wallets and begins to plan his new life. While leaving the airport he snatches a suitcase and leaves a corpse of a Hare Krishna behind. Detective Hoke Moseley is on the case; chasing Junior and his new hooker girlfriend through luxury hotels and the suburban streets of Miami.

If this sounds really familiar then you’ve probably seen the 1990 movie of the same name starring Alec Baldwin and Jennifer Jason Leigh. While there are some major differences to the two, the majority of the book is exactly the same. I’m a little disappointed when I found out this was the first in the Hoke Moseley series, because I always thought of the detective as a supporting role. In the movie Junior steals Moseley’s badge and starts pretending to be a cop to con people; this was the best part of the movie. Sadly in the book there isn’t much of that going on.

Charlies Williford is an author of fiction, poetry, an autobiography, and literary criticism but he is best known for his hard-boiled writing. I think it is weird that he was a poet and literary critic as well as pulp writer, but then again I really shouldn’t be. It’s just an interesting fact about the author.  When you think 1980’s hard-boiled novels, Miami Blues is probably going to be one of the top nominations on that list. Charlies Williford was such a prolific writer, with over forty novels published, it is kind of sad that he is best known for the Hoke Moseley series that he wrote very late in his life. I wonder what some of his other books were like, there seems to be a whole lot of hard-boiled novels in the 1950’s and 1960’s that look interesting.

This book is an example of the noir sub-genre Florida glare which is basically a crime novel set in Florida where the heat and the culture play a role in the story as well. Noir is typically associated to LA and there have been some writers out there that wanted to depict Florida as the perfect location for crime stories as well. Some examples of this include the Travis McGee (by John D. MacDonald), Jack Ryan (by Elmore Leonard), and Dexter Morgan (by Jeff Lindsay) series and I’m sure many more. It is an interesting concept though do we really need another genre? I like how the heat of Florida plays a part in the book and the environment is almost like a supporting character.

This was a quick read and one of the rare cases where I think I prefer the movie over the book. I wonder if there are any more noir novels where a character pretends to be a cop in order to con people; I’m sure there are plenty out there, I like the concept and would like to read more of them. I think I’ll have to try another Charlies Williford, maybe something earlier. Does anyone want to recommend me a good Charlies Williford novel?


The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Posted May 30, 2013 by Michael @ Knowledge Lost in Classic, Gothic, Horror / 0 Comments

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis StevensonTitle: The Strange Case of Dr. Jekyll and Mr. Hyde (Goodreads)
Author: Robert Louis Stevenson
Published: Signet, 1886
Pages: 92
Genres: Classic, Gothic, Horror
My Copy: Personal Copy

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Robert Louis Stevenson’s classic gothic horror novella Strange Case of Dr Jekyll and Mr Hyde is probably known to many people; it’s been adapted many times and is often a symbol of the horror genre in pop culture. We all know the story; mild-mannered Dr Jekyll by day but at night, thanks to a potion, Mr Hyde is unleashed. But do we really know this tale; the tale of good and evil, or maybe the unleashing his secret inner persona, or maybe this is a story about dissociative identity disorder?

This is a reread for me so like I did in The Great Gatsby; I’m going to quote my old review (which is relatively short) but expand with what I know now. First we need some context; Robert Louis Stevenson had already had some success as a Victorian adventure writer before he came up with the idea of Dr Jekyll and Mr Hyde. He had already written Treasure Island and his collection of short stories New Arabian Nights; in fact it is believe that he came up with the idea while working on his revisions for the short story Markheim (which, in my opinion, is his best piece). So already you get a sense that he knows what he is doing and if you’ve read Markheim you can see the similarities clearly. It was the late into the Nineteenth Century where there were extraordinary technological advances being made and people had a growing pessimism towards a possible decline in arts and religion.

The Promethean personality is something we’ve seen in books like Dracula by Bram Stoker, but this novella has more in common with Mary Shelley’s Frankenstein. Both involve scientists that defy the laws of nature and God with major consequences. Also, they play on the concept of good and evil and the dangers of advancing sciences but they also have been written in a way that to this day people debate the meaning of the novel.

Some say this is a novella that looks at that great Victorian idea of inner conflict with humanity; that good and evil exist in us all and it is an internal struggle between the two. While others suggest that maybe Stevenson was interested in exploring mental health, especially when it comes to split personalities or what should be correctly called a dissociative identity disorder? When I first read this book I got a sense of both, saying “[That] it’s a vivid portrayal of a split personality, split in the sense that within the same person there is both an apparently good and an evil personality each being quite distinct from the other.”  As an interesting side note Vladimir Nabokov has famously argued that the “good versus evil” view within this novella is misleading, as Dr Jekyll himself is not, by Victorian standards, a morally good person.

“The novella’s impact is such that it has become a part of the language, with the phrase “Jekyll and Hyde” coming to mean a person who is vastly different in moral character from one situation to the next.” While this is true, the tale has left a bigger impact on pop culture than just one phrase and classic horror movies. Within comic books both The Hulk and Batman’s rival Two-Face have clear influences from this novella; in fact you might argue that all superheroes are influenced as well, all living a double life.  Even the framework has been used in other fables, gothic, horror and speculative fiction.

“Robert Louis Stevenson is an amazing writer and this book is well worth the read, I’ve always enjoyed a story that tries to explore two sides of a situation.” Not only does this highlight how much I’ve improved in my reviewing but it serves as a reminder of my interest in plots that explore both points of view. Frankenstein still remains my ‘go to book’ for this even though rereading Strange Case of Dr Jekyll and Mr Hyde has rekindled an interest in Robert Louis Stevenson’s thoughts on the whole “good versus evil” view. I much prefer Markheim and think I might go read it again now.


The Hunter by Julia Leigh

Posted May 28, 2013 by Michael @ Knowledge Lost in Contemporary / 0 Comments

The Hunter by Julia LeighTitle: The Hunter (Goodreads)
Author: Julia Leigh
Published: Penguin, 1999
Pages: 188
Genres: Contemporary
My Copy: Personal Copy

Buy: AmazonBook Depository (or visit your local Indie bookstore)

Under an assumed identity of Martin David, Naturalist, M arrives to hunt down the last Tasmanian tiger rumoured to exist within Tasmania. On the edge of the wilderness, he will soon slip into an untouched world of silence and stillness. Hunting the last thylacine, an animal extinct since the 1930’s, but a sighting has been reported.

Julia Leigh, born in 1970 in Sydney, Australia, has received critical acclaim even though she has had a very small writing career so far. The Hunter in 1999; a novella in 2008, Disquiet; and then she wrote and directed the 2011 movie Sleeping Beauty (not to be confused with the fairy tale). I tend to think that most of her acclaim came from people expecting great things from her after she was selected to be the protégé of Pulitzer and Nobel Prize winning author Toni Morrison in 2002 as part of the Rolex Mentor and Protégé Arts international philanthropic programme.

The Hunter is an interesting novel because it follows a post colonial narrative which is unheard of for an Australian novel. When it comes to Australian adventure novels, most of the time characters just get lost in the wilderness not go hunting dangerous animals.  This leads to an interesting portrayal of the thylacine, which I will look at later. The Hunter may be a stripped back quest narrative but it feels very American and masculine for an Australian female author. American in a sense that the hunt narrative could be compared to Moby Dick, Old Man and the Sea and even The Bear, comparisons which she has acknowledged. Masculine in the way she gives approaches this novel with detachment, contempt and control over the death hunt subject matter. You could compare the paired back minimalist prose to something found in hard-boiled fiction, but not quite.

M is the archetype of a hunter, a figure that inhabits the story rather than one the lives in its world. There are not too many details of this character, but he seems to have similar characteristics as the hero in a spaghetti western. Ruthless, cold, calculating and inhuman but never unethical; though the lack of character development is an important part of this book. It forces the reader to keep him at arm’s length so we can study him. It’s almost like Julia Leigh has been taking active steps so that we never warm to him.

He is never a role model or anti-hero; he is just a faceless man in pursuit of the last remaining thylacine. What does the thylacine represent in this book? Imagination, hope for the future, guilt of the past, living in harmony with nature or a biotech ghost in a Tasmanian gothic novel? It’s up to the reader to decide, but while we are on the subject of the thylacine, does this animal both represents the Australian wildlife, an animal going extinct to raise global awareness as a form of Ecocriticism or is it supposed to be an animal that could harm or kill the hunter? These are the questions that I believe Julia Leigh wants us to ask as readers.

Julia Leigh setups a situation where the reader has to reason with their imagination and emotions in order to get the reader to think about what the author might be saying. I really like how you can read The Hunter as an adventure, a Tasmanian gothic or as ecocriticism. No matter which way you read this you are not wrong. I thought of this more as a western; just with the way the protagonist was portrayed and the people drinking in the bar reminded me of those rednecks drinking in a saloon in those spaghetti western films. I’m interested to see how people read this book and just see what they got out of it.


Decline and Fall by Evelyn Waugh

Posted May 11, 2013 by Michael @ Knowledge Lost in Classic / 4 Comments

Decline and Fall by Evelyn WaughTitle: Decline and Fall (Goodreads)
Author: Evelyn Waugh
Published: Penguin, 1928
Pages: 216
Genres: Classic
My Copy: Personal Copy

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Paul Pennyfeather finds himself taking a job at a public school called Llanabba after being expelled from Oxford for indecent behaviour. He takes up some private tutoring to get close to the student’s mother, Margot Beste-Chetwynde. Their relationship forms and they are soon engaged; all the while Paul is still unaware that the main source of her income is a number of high class brothels in South America. Evelyn Waugh’s Decline and Fall is a black comedy satirising British society in the 1920s.

This is my first Evelyn Waugh novel; why did I pick this over Brideshead Revisited? Simple answer is a friend loves this book and I thought I would see if I trust her taste in literature; since they are more of a genre reader. Decline and Fall gets its name from Edward Gibbon’s The History of the Decline and Fall of the Roman Empire, a book that traces the trajectory of the Roman Empire, and Western civilisation as a whole. There are some who also attributes the title to Oswald Spengler’s The Decline of the West, a philosophical book that rejects the Euro-centric view of history. Both books are important to remember as both look at western civilisation and reject the idea that it is the be all and end all.

Decline and Fall satirises a world where the British social institutes (like schools) have lost their integrity and their authority. The church has lost its faith and the aristocracy have declined to the same level as the masses since the educational system teaches nothing worth learning. The situation is both humorous in its approach and also very dystopian. Waugh has a great deal of fun playing with this world but when you reflect on this book and take out all the comedy, it really is quite scary; sure I’m for equality in the social classes but the prediction of a failing education system is not something I look forward to.

There are two major literary techniques within this novel that I feel are worth looking at; first of all there is the humour which, while funny, leaves a lot to the reader’s imagination with the deadpan narrative of the newspaper reporter. For all I know the book really isn’t about the decline of education and society but the way this book is written has set my mind running in that direction, it could have filled in the blanks on its own. The second is the way this book parodies English literature within the book, from a reference to Shakespeare’s Othello to many more. A better English major than I could probably pull this book apart a lot better and tell you every single literary reference within the book.

This book confronts the reader with some difficult moral decisions all the while doing it in a tone that reminds me of Hitchhiker’s Guide to the Galaxy and Monty Python. The general decay of society is the major theme throughout this book but you might not even pick up on this if you are only reading this for the humour. There are elements of both Horatian and Juvenalian satire within the book and I like the way Evelyn Waugh writes it so you can read in either form and still get some enjoyment from Decline and Fall.

After reading this novel, I’m keener than ever to check out Brideshead Revisited and some of his other works. This is not a perfect novel, I did find myself a little bored at times and even lost but Decline and Fall has some interesting ideas worth reading about. I can’t help but wonder if reading The History of the Decline and Fall of the Roman Empire or The Decline of the West might have a positive effect on this novel. I won’t say this is a great novel but I’m glad to have read and dissected Evelyn Waugh’s Decline and Fall.


In A Lonely Place by Dorothy B. Hughes

Posted April 16, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

In A Lonely Place by Dorothy B. HughesTitle: In A Lonely Place (Goodreads)
Author: Dorothy B. Hughes
Published: Penguin, 1947
Pages: 186
Genres: Pulp
My Copy: Personal Copy

Buy: AmazonBook Depository (or visit your local Indie bookstore)

Post World War II Los Angeles, the place you go to find the great American dream, but a stranger is preying on young women. Ex-airman, Dix Steele offers to help his detective friend solve the case and catch the serial killer in the hopes it will help him with the crime novel he is writing. Along the way he meets the luscious Laurel Gray—the femme fatale. The queen of noir, Dorothy B. Hughes blends psychological suspense with conventional hard-boiled and noir styles to give us In a Lonely Place.

Dorothy B. Hughes is known for her crime novels, 14 books primarily in the hard-boiled and noir genre and In a Lonely Place would be her most recognisable. This could be because of the Nicholas Ray adaptation starring Humphrey Bogart and Gloria Grahame or because of the psychological elements she brings to the genre. A lot of people will compare this novel with Patricia Highsmith’s The Talented Mr Ripley and while they are very similar I can’t help but thinking of the works of Jim Thompson as well. This might be because they all share the same influences Kafka, but more importantly Fyodor Dostoyevsky.

In a Lonely Place starts off like a typical noir novel and immediately the reader suspects there is something not quite right with Dix Steele. Could it be the fact that he is pretending to write a crime novel to sponge off his friends and family? Or the fact that he is a cynical misogynist? Maybe, but if you look a little closer at the writing you will find the answer. This is told in the first person but not by Dix Steele himself, like this person is with him at all times and sees everything Dix does. This sets up the psychological portrait of a woman-hating serial killer that really makes this novel work.

Towards the end of the book when Laurel Grey and the detective’s wife discover that Steele himself is the murderer, it comes as no great surprise. The book builds up like this big great reveal but there are so many elements throughout the book that give it away. I don’t think it was ever meant as a twist, just a way for Dix to find out himself. But through the whole book I was waiting and waiting for it to happen, I never really thought it would happen so late in the story.

The movie In a Lonely Place is vastly different to the book; for one thing Dix Steele is a successful screenwriter not a conman pretending to be a crime writer. Also true to Hollywood form, during the whole film everyone suspects Steele to be the killer but he turns out innocent. He still was a cynical vet but he never really had a chip on his shoulder towards the opposite sex, it felt like it was towards everyone. Also femme fatale Laurel Gray really wasn’t sassy or strong minded in the movie which was the biggest disappointment of them all.

Dorothy B. Hughes wanted to expose the misogyny of American society at that time with this book and she did a great job. The end result is this dark psychological tale that the movie adaptation butchered. Problem is I’ve seen the movie many times before finally reading the book, so it took me a long time to really get going. Both stories are worth checking out but trying to connect the film to the book doesn’t really do either of them any justice.

In a Lonely Place is worth reading; it’s nice to read a woman’s take on the noir genre. This really is a male dominated genre but women like Dorothy B. Hughes, Patricia Highsmith and Megan Abbott prove they can write noir just as well. The thing I loved most about this novel was that the influences of Fyodor Dostoyevsky’s Crime and Punishment were written all over this and yet Hughes made it her own. Make sure you check this novel out if you are a fan of hard-boiled, noir or even psychological thrillers.


Fool Moon by Jim Butcher

Posted April 5, 2013 by Michael @ Knowledge Lost in Fantasy / 0 Comments

Fool Moon by Jim ButcherTitle: Fool Moon (Goodreads)
Author: Jim Butcher
Series: The Dresden Files #2
Published: Roc, 2001
Pages: 421
Genres: Fantasy
My Copy: Personal Copy

Buy: AmazonBook Depository (or visit your local Indie bookstore)

Harry Dresden is Chicago’s only professional wizard, so when another unusual murder happens it’s not surprised that Dresden will be dragged into the middle of it. Lt. Murphy calls on Dresden when a henchman is found murdered near a group of wolfish paw prints. A brutally mutilated corpse. Strange-looking paw prints. A full moon. Take three guesses and the first two don’t count…

Shortly following the events from Storm Front, Dresden is back to save Chicago from yet another evil force. You get the idea of how this series is structured but while this is purely escapist fiction there is something about these novels that makes me want to keep reading. While I’ve always said I’m not a fantasy fan, I do like the urban fantasy/noir style novels and Harry Dresden is probably the best protagonist I’ve found in these books.

With a new monster, it does not mean that this book will be exactly the same as the previous but the plot style does seem very much so, but it is developing characters that really stuck with me. There is this hidden desire within Dresden to use dark magic, almost like an inner sociopath just waiting to be unleashed. This is what attracts me to these series the most; I’m just waiting to see what other dark secrets we can discover about Harry Dresden while he battles the inner turmoil between good and evil.

The growing relationships between journalist Susan and Murphy are coming along nicely as well, I’m expecting one or both of these relationships to combust and I like the fact that Jim Butcher has let this slowly develop without playing his cards too soon. As for the plot; this is pretty average. Comparing Fool Moon with Storm Front, I can say this is the weaker of the two and I hope that Jim Butcher does offer something a little more in the series or I don’t think I will make it through all of them.

In between reading Storm Front and Fool Moon I watched the 2007 TV adaptation of the series which don’t seem to have any connection to the novels apart from the characters, but now I can’t help but think of Harry Dresden as looking like Paul Blackthorne. Its weird to have an English man, play a Chicago wizard in a Canadian TV show, but I think he portrayed Dresden so well that he is who I picture when reading Fool Moon.

I hope book three, Grave Peril is an improvement and offers something for me to keep reading. I don’t mind a bit of escapist fiction after reading something overly deep or dense. I have Grave Peril on my shelf so I will give it a go but if it is too much like Fool Moon, I think this is where I will leave the series. I don’t want to invest in another twelve books if it offers nothing more than just a new book, new villain situation.


Lolita by Vladimir Nabokov

Posted March 30, 2013 by Michael @ Knowledge Lost in Book of the Month, Classic / 9 Comments

Lolita by Vladimir NabokovTitle: Lolita (Goodreads)
Author: Vladimir Nabokov
Published: Penguin, 1955
Pages: 390
Genres: Classic
My Copy: Hardcover

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Lolita is the highly controversial novel of Humbert Humbert, a middle-aged literature professor and his obsession with twelve year-old Dolores Haze. Of whom he becomes a step father as well as being sexually involved. Considered one of the most controversial novels of the twentieth century, Lolita is known not just for the disturbing nature but for the unreliable narration and sophisticated writing style.

Vladimir Nabokov’s masterpiece, Lolita, is one of those books that are worth reading even if it makes you very uncomfortable. The protagonist is the villain who tries so hard to gain the readers sympathy through his sincerity and melancholy. But as the story progress you can even see that he has lost of sympathy for himself and starts referring to himself as maniac who deprived Dolores of her childhood. The novel provides a remarkable perspective into the mind of a man you just want to hate and I will admit it can be a little exciting to watch him go through hell. Nabokov writes a hated character in the hope to knock him around and give him some humility and the reader is left wondering if he will learn from his mistakes.

This has often been described as an erotic novel, even the Great Soviet Encyclopedia called Lolita “an experiment in combining an erotic novel with an instructive novel of manners”. Personally I think of this book as a satirical tragedy with elements of eroticism and remorse. The narrator spends a fair chunk of the book begging the reader to understand that he is not proud of his actions and he is often stricken with guilt at the awareness of robbing Lolita of her childhood. But there is a case to be made at the fact that this is just an exploitation of a weak adult by a corrupt child but this can be problematic and not something I wish to go into great deal about.

The novel as a whole is a very one sided argument, we know how Humbert feels about the entire situation; we hear this to a very sickening degree. He has remorse but his obsession keeps him from ever changing, but one has to wonder what was really going through the mind of Dolores. I have to wonder how she sees the situation or even what she was thinking or feeling throughout the novel. We, as readers, can only surmise since we are forced to absorb Humbert’s feelings.

It is interesting to point out just how two dimensional all the characters are; all except himself and Dolores (Lolita), which he goes into great detail.  It reminds me of life; people tend to describe each other in a two dimensional manner unless we are obsessed with or interested in the person. This technique of writing really added to the realistic feeling of this book.

Lolita was a really awkward and sickening novel to read, there aren’t many books out there that have made me sick to my stomach. Lolita pulls off that feeling that horror novels try to achieve yet often get wrong – that feeling of uneasiness for the reader. This is my second read of this novel, so I knew what to expect and I was able to look past the controversial elements and focus on what this book can offer to the literary world.

Apart from the elements of oppression and an authority figure trying to assert their dominance this book explores tragicomedy, unreliable narration, irony and because Vladimir Nabokov is a Russian it could be a metaphor for totalitarianism. There are many themes you can explore within the novel but the one that will stick in most people’s minds is the lasting damage created by child sexual abuse.

Interestingly enough Vladimir Nabokov is a surrealist often linked to Gogol, Dostoevsky, and Kafka which make you wonder about some of the elements of this book even more. With a love of intricate word play and synesthetic detail Lolita turns into a wry observation of western culture. The novel is full of cleaver word play, double entendres, multilingual puns and in the end when you boil done to why people love it, it is just  a beautifully written novel.

You may not enjoy reading this book but you might enjoy having read it. I have to admit that I enjoyed this book more the second time around; there is great beauty to be found in this book and while content makes this book difficult to get through it is well worth the effort. I remember one of my first blog posts on literature was called “What Would You Read in an Introduction to Fiction Course” where I listed the books I’d include if I was to create an introduction to Fiction course and Lolita was one of my choices. Having now reread this book, it just validates my choice even more, there is so much to explore in this book that it has been put back on my list of books to reread.