Publisher: Granta

Earthlings by Sayaka Murata

Posted January 13, 2021 by Michael @ Knowledge Lost in Contemporary / 2 Comments

Title: Earthlings (Goodreads)
Author: Sayaka Murata
Translator: Ginny Tapley Takemori
Published: Granta, 2020
Pages: 247
Genres: Contemporary
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle, Wordery (or visit your local Indie bookstore)

What I really loved about Sayaka Murata’s Convenience Store Woman is the way she writes about social norms. She looks at social situations and asks the question, “What do we consider normal, and why it is so important?” Keiko was happy with her situation as a convenience store attendant, but the world and even her family wanted to push her to want more from her career and life. Murata seems to take this idea one step further in Earthlings.

The novel follows Natsuki, who even from a very young age felt like she did not belong here on earth. Both Natsuki and her cousin Yuu considered themselves to be aliens from another planet left on earth. Even when she got older, Natsuki had this viewpoint, and considered earth to be just a baby making factory. To keep her family off her back she married and hoped to just have a quiet life with her husband. However, her family kept demanding she have children and the pressure continuously grew to unhealthy levels.

Earthlings is a weird book; it explores the social pressures of reproducing but it does take a disturbing turn. I like the way Sayaka Murata looks at social issues and pushes the boundaries to show just how damaging they can be but I am also not a fan of the way this book ended. I do not think it is worth discussing the ending and if you have read the book, you know what I mean. I feel that the focus should be on how alienating social norms can be, and the way it made Natsuki feel. I have been married for eleven years and I know how frustrating it is when people ask me and my wife why we do not have children. This question is none of their business and tend to lead to awkward moments if you do decide to share the reasons. This novel plays with the social expectations of reproduction by constantly referring to the world as a baby making factory, like life has no value except creating children.

Sayaka Murata loves to push the boundaries with her characters and I am not going to try and diagnose these people in her books. I have seen far too many people claim Keiko was autistic in Convenience Store Woman, but does that really matter? You could probably label both Natsuki and her husband as asexuals in Earthlings, but it feels weird to label a fictional character. I am not a psychologist, so I do not want to diagnose Keiko with autistic and while I understand it is useful to show representation or to use psychoanalysis to analyse a book, I often find myself questioning the motives. If the author has not mentioned it, are we just projecting ideas onto a character? Granted this can be useful for understanding but it can also mean we are pushing these characters into a label and not letting them show us the problems with the world around us.

The writing of Sayaka Murata might not be for everyone, but I am looking forward to seeing what Ginny Tapley Takemori translates next. I want to read more books like this, where the author challenges social ideas and does it in interesting ways. This is a dark but very entertaining novel, and I am glad that Murata has done so well for herself in the English speaking world.

How To Talk About Books You Haven’t Read by Pierre Bayard

Posted December 28, 2018 by Michael @ Knowledge Lost in Non-Fiction / 2 Comments

Title: How To Talk About Books You Haven't Read (Goodreads)
Author: Pierre Bayard
Translator: Jeffrey Mehlman
Published: Granta, 2009
Pages: 176
Genres: Non-Fiction
My Copy: Library Book

Buy: Amazon, Book Depository, Wordery (or visit your local Indie bookstore)

Recommended for lovers of Translated Non-Fiction, or Books about Books

There are many books out there about how to be a better reader. The whole books-about-books sub genre is filled with both reading journeys and strategies to improve the way we read. There is only one book I know of that focuses on how to talk about books without having read them. Pierre Bayard’s How to Talk About Books You Haven’t Read teaches us the art form of not reading.

“Because I teach literature at the university level, there is, in fact, no way to avoid commenting on books that most of the time I haven’t even opened. It’s true that this is also the case for the majority of my students, but if even one of them has read the text I’m discussing, there is a risk that at any moment my class will be disrupted and I will find myself humiliated.”

Pierre Bayard adopts the persona of a literature professor who is not interested in reading. While I do believe it as a persona, you must wonder how close the truth it might be; he is in fact a professor. He breaks up the books we have not read into four categories. Books You Don’t Know, Books You Have Skimmed, Books You Have Heard of and Books You Have Forgotten, taking the time to give the reader tips on how to talk about books, whether you have read them or not.

“When we talk about books…we are talking about our approximate recollections of books… What we preserve of the books we read—whether we take notes or not, and even if we sincerely believe we remember them faithfully—is in truth no more than a few fragments afloat, like so many islands, on an ocean of oblivion…We do not retain in memory complete books identical to the books remembered by everyone else, but rather fragments surviving from partial readings, frequently fused together and further recast by our private fantasies. … What we take to be the books we have read is in fact an anomalous accumulation of fragments of texts, reworked by our imagination and unrelated to the books of others, even if these books are materially identical to ones we have held in our hands.”

While Bayard has adopted a tongue in cheek approach to this book, there is a lot of useful information to be found within the pages. The key here is to develop the confidence to talk about books in general. Look at the BookTube community, one of the staples of that is the book haul. Here people discuss the books they have brought recently, most of which have not read been read yet. The idea is to develop the skills and the confidence to talk about these books. For example, if we talk about a book we have not heard of, we can make assumptions about the text based on the author, cover and many other aspects; we do this all the time when in a bookstore. We see a book and determine if it is something we want to read without knowing anything about the content. Books we have skimmed or forgotten about still mean we have valuable things to say, why did we skim? Why was it so forgettable?

While this was a lot of fun to read, the true message of the book really spoke to me. This idea that we need to develop the confidence to talk about books even when we have not read them or forget major points. I read a novel recently and I somehow skipped a very important event, while talking to my wife it became clear I missed it. Embarrassing? Yes, but it proves just how easy it is to forget or skim over an important part of the book. I know I need to develop more confidence to talk about books, and How to Talk About Books You Haven’t Read served as a reminder of this fact. I joined a book club, started a BookTube channel, and even a podcast because I want to talk about books, but I know I still have a long way to go in building my confidence in talking about books in general, not just the ones I have read.

10:04 by Ben Lerner

Posted August 5, 2015 by Michael @ Knowledge Lost in Literary Fiction / 0 Comments

Title: 10:04 (Goodreads)
Author: Ben Lerner
Published: Granta, 2014
Pages: 241
Genres: Literary Fiction
My Copy: Library Book

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

10:04 tells of a time with increasingly frequent super storms; the novel is bookended with Hurricanes Irene and Sandy (although they are never referred to by name). Our unnamed narrator has also been diagnosed with Marfan syndrome, which is almost always fatal. Faced with the state of the world and his own mortality, this narrator must question his legacy. Not just biologically but as a writer he must consider what he will leave behind.

A Brooklyn based writer, this narrator starts off early within the novel talking about just what kind of life he has. In one particular passage he describes visiting the Metropolitan Museum, a frequent occurrence, with a friend. “We often visited weekday afternoons, since Alex was unemployed, and I, a writer.” The two like to look at all the melodrama found in the 19th century, in particular his favourite; a painting of Joan of Arc. This passage not only sets up an introduction to our narrator and his female friend Alex but also an indication of what type of novel to expect here.

Ben Lerner has an uncanny ability to write a unique novel that is both beautiful and moving but at the same time remaining hilarious and intelligent. I will admit that the novel did make me feel stupid so many times but I love a book that makes me work to fully grasp it. I always get a real sense of accomplishment when I finish a book like 10:04. For those that are hesitant about reading a book that might make them feel dumb, I think 10:04 is worth the effort and the challenge.

This novel explores a lot of interesting themes from friendship, sex, memory, legacy, art and politics; think of this as a book that explores the landscape of the contemporary life. The narrator is a bit pretentious but then again the circles he hangs out in are full of pseudo-intellectuals. The New York literary scene has been done time and time again, however I am a huge fan of this setting and I think there are so many opportunities to explore interesting ideas. 10:04 did exactly that.

It seems like Ben Lerner is going to be one of those authors that the literary world will need to watch. His first novel Leaving the Atocha Station was met with critical acclaim, showing up on all the major literary magazines’ best books of the year list. A novel I have yet to read but if it is anything like 10:04, I know I will love it. Ben Lerner manages to capture so many emotions in one single narrative, 10:04 is just a great book and I expect to see many more great novels from Ben Lerner in the future.

Abandoning The Luminaries

Posted March 15, 2014 by Michael @ Knowledge Lost in Historical Fiction / 13 Comments

Recently The Readers (which is a fantastic podcast) did an episode on when you have to finish a book. This has got me thinking a lot as I was reading a book for book club that I wasn’t enjoying. I feel like I need to finish a book in order to participate in the discussion but this particular book was over 800 pages and after 200 pages I was ready to throw in the towel. The book was The Luminaries and I have now abandoned the book, but I thought it would be a good opportunity to talk about the book, and the need to finish or abandon a book.

By all accounts, I should have loved The Luminaries; it has murder, mystery and it is a detective story cleverly disguised as literary fiction. Eleanor Catton is a talented writer and there is no denying that, the proses in The Luminaries are spectacular but some will argue that the words don’t match the time period. For me the problem with this novel is the believability and the fact that it takes too long to say what it needs to say. For the very start it felt repetitive, Walter Moody was introduced as a person on the run, trying to find his own fortune. Moody had brought shame to his family, but doesn’t want to go into the details; this takes up about 40 pages of the book. I felt like this wasn’t building mystery or developing the character, it just went around and around in circles.

As for the believability I first need to talk about my life. I was raised in a small mining town called Charters Towers. In the 1870s, this town was attracting prospectors from all over the world, so much so that it was the second biggest city in Queensland at the time. During the gold rush Charters Towers produced over 200 tonnes of gold from 1871–1917. The history of Charters Towers felt nothing like Hokitika 1866 from the book. The miners in this novel are nothing like my experience of miners (or others involved in the goldrush), the book lacked the drinking to access, over use of swearing, constantly fighting and over playing Cold Chisel. The Gold rush should be a dark and violent time but The Luminaries was based around twelve people that do nothing but talk.

The Luminaries won the Man Booker Prize in 2013 and my experience doesn’t match that of the people that have finished the book. General consensus seems to be that this book gets really good at page 600. I have to wonder if it is worth pushing through 600 pages for 200 pages of greatness. Big books always scare me and I was reading War and Peace at the same time, so I had an amazing book running alongside a book that wasn’t working for me. I wanted to finish this book for book club but in the end, there are too many books to read and left this book with 600 pages to go.

I’ve never really been good at abandoning books and I really felt like I had to finish this book but in the end it wasn’t working and The Dark Path by David Schickler was calling me. Have you ever felt that you had to finish a book? Normally I feel that I have to finish a book club book. This is the first one I abandoned; I love to hate a book but 800 pages is a big investment. Also when it comes to abandoning books, do you have a set page count you give a book to impress you? Have you ever considered writing a review of a book you abandoned? I would love to hear your thoughts on when you have to finish a book or abandon it.