Category: Book Reviews

The Goldfinch by Donna Tartt

Posted April 20, 2014 by Michael @ Knowledge Lost in Contemporary / 8 Comments

Title: The Goldfinch (Goodreads)
, 2013
Pages: 771
Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Carel Fabritius was a talented Dutch painter who was considered Rembrandt’s most gifted pupil. His paintings often featured delicately lit subjects against a light coloured background. He moved away from Rembrandt’s renaissance focus and developed his own painting style, with a strong interest in the technical. In 1654 he was injured in The Delft Explosion; 30 tonnes of gunpowder exploded destroying most of the city. Fabritius soon died from his injuries at the age of 32. Possibly one of the last paintings he ever painted, The Goldfinch depicts a goldfinch (a popular pet of the time) on light background. This piece shows his control over a heavily loaded brush as well as demonstrates his interest in lighting and texture.

Donna Tartt’s new novel The Goldfinch tells the story of Theo Decker, who survived a terrorist attack on a New York museum. Moments before the explosion his mother was pointing out Fadritius’ painting and telling Theo why she loved it; in all the confusion Theo manages to take the painting. Orphaned and alone, Theo struggles to find his place in this world while also trying to avoid being taken by the city.

While The Goldfinch is essentially a coming of age story, there are some interesting social observations being played out with the help of the stolen painting. On one hand, the painting represents Theo’s love for his mother and his need to hang on. I also feel that the painting represents that part that you keep hidden from the world; the secrets and shames that you tend to think will destroy friendships if revealed. This also serves a purpose when it comes to Theo’s friendship with Boris further in the novel.

While this is a novel about art and its seedy underbelly, I found myself a little disappointed in the lack of art history, art forging or art heists (technically there is a heist but that wasn’t thrilling). When I discovered my love of literature and learning, I also discovered an interest in art and art history, an itch that I’ve not scratched. I was hoping that Tartt’s novel would give me both entertainment and art history lessons but I was left disappointed. I expected Desperate Romantics but all I got was a bulky Catcher in the Rye.

I’m not saying that I didn’t like The Goldfinch, my expectations for the novel was different to what I got. Donna Tartt spends a lot of time looking at the idea of terrorist attacks and the lasting effects they have on the families of the victims and survivors. This grief serves as a baseline for Theo throughout the novel. Often it can be forgotten about but then you catch glimpses of the scars that remain and while they don’t justify his behaviour it really serve as evidence of the emotional rollercoaster he is stuck on. Tartt’s character development is the key to this book; she has created richly complex and flawed characters that feel so real. Theo, in particular, serves as both the narrator and protagonist; his voice throughout the novel manages to be both direct and reflective.

Donna Tartt’s The Goldfinch is complex but over padded; there is a lot that could be cut out to make this a shorter book. I can appreciate the way she captured the life of Theo Decker; making this a sweeping saga, packed with emotion and growth, still would be achievable with a hundred or more pages removed. This is a tragicomedy in every sense of the word but my biggest problem was that there were some situations where things resolved themselves a little too conveniently; it happens but not that often.

In the end, I found myself sitting on the fence with The Goldfinch. On one hand the characters and development of this novel was spectacular. The other hand is the fact my initial expectations weren’t met and the novel dragged on too much. I know that expectations should never get in the way of a good book and my head is telling me that I should jump on the bandwagon, however my heart just isn’t in it. I’ve heard good things about The Secret History but I have reservations about it now.

Big Bad Wolf by Nele Neuhaus

Posted April 17, 2014 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Big Bad Wolf (Goodreads)
Series: Bodenstein & Kirchhoff #6
, 2014
Pages: 404
Buy: Book Depository (or visit your local Indie bookstore)

After finishing The New York Trilogy I needed something light, something I didn’t have to analyse. I picked up Big Bad Wolf because I enjoyed Snow White Must Die so much. I’m not saying that I can’t analyse a novel like this one (you can analyse every text), I just think at times some light reading is needed. Big Bad Wolf tells the story of a crime that happened on the river Main near Frankfurt. Investigators Pia Kirchhoff and Oliver von Bodenstein are back to investigate the crime, as the case progresses they find it taking them into a pit of evil and cruelty in the midst of a middle class utopia.

I am trying to make an effort to read more translated fiction; I loved Snow White Must Die which is book four in the series but only the first one to be translated into English. This is book six in the same series and I have to wonder why a publisher would publish books in such a weird order; this was a similar issue that happened with Jo Nesbø. I understand that a publisher would want to translate the novels that will sell the best but if Nele Neuhaus’ popularity continues to grow at this rate we will have another Nesbø situation.

Everything I loved about Snow White Must Die is absent in Big Bad Wolf; I think the problem is that Pia Kirchhoff and Oliver von Bodenstein are considered the main protagonists while Snow White Must Die focused more on the life of a man who served ten years for a crime he didn’t commit. That is what fascinated me but Big Bad Wolf is just another crime novel.

I’ve read so many great crime novels now that I find most of them clichéd and formulaic, Big Bad Wolf isn’t that bad but I’m looking for books that do something different and fresh with the genre. There are some decent moments in Big Bad Wolf, some unexpected twists but I wanted more. The novel is darker than most popular crime novels but keeps to the standard formula. One thing I did find difficult about this novel was the amount of view points, making it difficult at times to understand what was going on but this is an acceptable method for building suspense.

I highly recommend Snow White Must Die, if you haven’t tried some German translated crime before then this might be a good starting point. As for Big Bad Wolf, I’m disappointed with the end result but others might enjoy it more than I do. I hope Nele Neuhaus’ other novels are more like Snow White Must Die but I won’t be in a hurry to try her works again.

The New York Trilogy by Paul Austen

Posted April 13, 2014 by Michael @ Knowledge Lost in Crime, Literary Fiction / 2 Comments

Title: The New York Trilogy (Goodreads)
Author: Paul Auster
Published: Penguin, 1987
Pages: 308
Genres: Crime, Literary Fiction
My Copy: Audiobook

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

If you want to try a metafictional detective novel, then look no further than The New York Trilogy by Paul Austen. Originally published sequentially as City of Glass, Ghosts and The Locked Room, these three interconnecting stories have been since collected into a single volume. Heavily influenced by the post-modernist movement, this novel blends elements of neo-realism, soft-boiled fiction and of course, metafiction. Even the pulp style cover (illustrated by Art Spiegelman) has a metafictional style to it.

I really wish I had a better grasp on post-modernism; there is a lot of literary theory that must go into fully understanding a novel like The New York Trilogy. My level of understanding of post-modernism might hinder this review but I will do my best to add something valuable here. Starting with a look at any example of one of the narrators; such as the one known as Peter Stillman, or is he? Maybe his name is something entirely different; maybe it is Paul Auster. This gives you an idea of just how you have to read this book; continuously questioning everything and assuming things are not as they have been told. This does make the novel difficult to read, I had to take my time with it and reread almost everything.

The first story City of Glass follows a detective fiction writer that becomes a private investigator. This unnamed narrator explores layers of identity and reality; often to Paul Auster (the author), Paul Auster (the writer), Peter Stillman (the mark), the other Peter Stillman (the son) and finally Daniel Quinn (the protagonist). The story follows this narrator as he descends into madness as the reader follows close behind. This is story that explores the relationship between the author, characters and the reader in a twisted kind of way. Essentially asking us to consider who has the real power in this relationship?

Ghosts follows the story of a private eye called Blue who is hired to follow Black; he has been hired by White to write down everything Black does. Only problem is that Black doesn’t do too much apart from sit and write all day, which means Blue spends all day sitting and writing. This is a story that explores the issue of who has the real power, the author or their characters. Paul Auster is showing us his views towards writing (sitting and watching what the character does).

Finally in The Locked Room, the title suggests that the story is referencing the locked room mystery archetype. It tells the story of a writer that doesn’t have the creativity to produce any fiction. When a childhood friend disappears, he has been hired to write his works and determine if they should be published. While one this job he finds himself taking the place of his friend and becoming husband and father to his family. This final story looks at the relationship between character and reader and asks us to consider if we are under the control of the author or do we interpret what is happening for ourselves.

It is interesting that a novel like The New York Trilogy can leave you perplexed and confused but when you try to articulate what happened and slowly dissect the novel into its three parts it all makes sense. I’m often surprised with how much I get out of a post-modern novel, especially since I often freak out and feel like I have not understood it. Then it all makes sense and I often wonder how I did not pick up on this while reading or after reading the novel. I hope I’ve made enough sense out of The New York Trilogy, a bizarre novel that requires very close attention but I’ve conquered it and I feel proud.

The Yellow Papers by Dominique Wilson

Posted April 10, 2014 by Michael @ Knowledge Lost in Historical Fiction / 0 Comments

Title: The Yellow Papers (Goodreads)
Author: Dominique Wilson
Published: Transit Lounge, 2014
Pages: 348
Genres: Historical Fiction
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

In an effort to learn the secrets of the West, China sent a group of boys to America to be educated. This was following their defeat in the two Opium Wars in 1872. Seven-year-old Chen Mu was one of the boys sent to America; but at nine he fled to Umberumberka, a mining town in outback Australia. The Yellow Papers is a story of love, obsession and friendship set against a backdrop of war and racial prejudice.

The title refers to a Chinese tradition of determining a soul is at rest; this involves a priest determining if the death fell on a lucky day or not as well as performing some rituals. I couldn’t find much information about this process but the book suggests that the family is given yellow papers to indicate the soul is at rest. Also it may be interesting to note that the colour yellow is considered lucky in Chinese culture but Westerners use it as a racial slur. You might think this information would be useful and paid a big part in the novel, especially when it comes to tackling racism, but it doesn’t.

One of my major gripes with the novel is the fact that it attempts to look at a subject but ends up just glossing over it. The Yellow Papers tries to be a big sweeping historical epic but compact into 300 pages. This means that there are huge gaps that we have to fill in for ourselves and while this isn’t necessarily a bad thing it does detach the reader from the novel. The novel could go into detail about racism, culture clashing, even the Opium Wars but this book avoids dealing with these subjects in great detail.

While The Yellow Papers is essentially the story of Chen Mu, this book is broken into three parts that shifts into different focalisation. Chen Mu, Edward and Ming Li are the primary focus on the three parts. While Chen Mu is not a well-developed character by any count, Edward and Ming Li’s development fell flat. Both characters are two dimensional with no real indication on personality or motivation. This causes The Yellow Papers to start off well but plateaued out a third of the way through the novel.

There is some beauty within the text; some of the syntax reviews great imagery. While Dominique Wilson never really gives us much to do with scenery, the discourse is often very revealing. “Since that evening the thought that she could not love him had festered like a cancer in his belly.” This sentence hit me pretty hard; the idea of not being love and cancer being used in the same sentence, an idea that suggests being unloved is both unwanted and weighed heavily on him. Sentences like this are found throughout the novel and what saved this book from abandonment.

I wasn’t happy with The Yellow Papers at all and while I see some beauty in Dominique Wilson’s writing, I think she needed to flesh this one out a lot more. It is her first novel and I’m sure she learnt from writing it; her next novel will really determine my opinion of her style. As I’ve said, I found beauty in the syntax, enough to try her again.

Breakfast at Tiffany’s by Truman Capote

Posted April 3, 2014 by Michael @ Knowledge Lost in Classic / 2 Comments

Title: Breakfast at Tiffany’s (Goodreads)
Author: Truman Capote
Narrator: Michael C Hall
Published: Penguin, 1958
Pages: 157
Genres: Classic
My Copy: Audiobook

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Breakfast at Tiffany’s is a romantic comedy starring Audrey Hepburn that the Library of Congress has recently deemed “culturally, historically, or aesthetically significant”. It was a cheesy and mildly offensive (Mickey Rooney’s character) adaptation of Truman Capote’s novella of the same name. I recently had a chance to read Breakfast at Tiffany’s before rewatching the classic film and as I expected, another Hollywood butchering.

Breakfast at Tiffany’s tells the story of the unnamed narrator and Holly Golightly who are tenants in the same Upper East Side brownstone. The novella follows the narrator’s observations the life of this Manhattan café society girl. Holly has no job, but she survives by socialising with wealthy men who in turn give her money and expensive gifts.

It is important to note that Truman Capote has stated that Holly Golightly is not a prostitute; this is a popular misconception that I believe is debunked in the novel (but doesn’t mean it’s wrong). There is a conversation about three thirds of the way through this novella where Holly says she could never be a prostitute, she can’t separate love and sex. Even Capote came out and say that she wasn’t a prostitute, saying in an interview that “[Holly] was the prototype of today’s liberated female and representative of a whole breed of girls who live off men but are not prostitutes. They’re our version of the geisha girl.”

It is hard not to compare Breakfast at Tiffany’s the novella with the movie, everyone has seen the movie but I wish the book was celebrated for its brilliance. The movie has a focus on romance but that’s way off. What I found in the novel was friendship, isolation and on a very basic level hopes and dreams. There was an element of love in the novella but less traditional love, more of a focus on unrequited love (the wealthy men’s towards Holly) and love between friends.

I do have to wonder if the unnamed narrator has an autobiographical element to him. Both the narrator and Truman Capote share the same birthday, (the same birthday as me, 30th of September). I don’t know much more about Capote’s life but sharing a birthday makes me wonder. Holly was modelled after multiple women in Capote’s life, women he considered friends. I might find a biography of Truman Capote to learn more about it.

I listened to the audiobook of this novella read by Michael C. Hall and all I can think of was Dexter Morgan. The unnamed narrator in Breakfast at Tiffany’s had a similar narration style to that of Dexter and I kept waiting for something slightly sinister to happen. None of the characters were sociopaths like Dexter but I do think it enhanced my experience.

I loved this novella and highly recommend it to anyone who hasn’t read it. I didn’t remember reading much from the movie when I picked up this book; luckily, I think that might have tainted the experience. Capote’s writing was incredible and I feel like I need to read more of his, In Cold Blood is obviously a priority, although a biography might be beneficial first.

Middlesex by Jeffrey Eugenides

Posted March 30, 2014 by Michael @ Knowledge Lost in Book of the Month, Literary Fiction / 6 Comments

Title: Middlesex (Goodreads)
Author: Jeffrey Eugenides
Published: Bloomsbury, 2002
Pages: 529
Genres: Literary Fiction
Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

When Jeffrey Eugenides set out to write Middlesex he wanted to “[tell] epic events in the third person and psychosexual events in the first person”. He had decided that the voice “had to render the experience of a teenage girl and an adult man, or an adult male-identified hermaphrodite”. This was no easy task; he had to seek expert advice about intersexuality, sexology, and the formation of gender identity. His motivation came from reading the 1980 memoir Herculine Barbin and being unsatisfied by the lack of detail about intersex anatomy and his emotions.

”I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.”

If you’ve read Jeffrey Eugenides before you will know he doesn’t just stop at one issue, Middlesex is also loosely based on his life and is used to explore his Greek Heritage. While the book’s main protagonist is Cal Stephanides, Middlesex is a family saga that explores the impact of a mutated gene over three generations. Starting with Cal’s grandparents, the novel looks at their escape from the ongoing Greco-Turkish War and emigrating from Smyrna in Asia Minor to the United States. This section has similar themes to most immigration stories, looking at Greek and US culture in the 1920’s as well as their efforts to assimilate into American society. However this is overshadowed by the fact that Cal’s grandparents are also brother and sister.

Middlesex continues to follow the Stephanides family through the story of Cal’s parents and eventually his life. While the reader gets glimpses of Cal’s life throughout the novel, the last part is where we really explore how the 5-alpha-reductase deficiency (a recessive condition that caused him to be born with female characteristics) impacted his life. While I got the impression that this was the main focus of the novel and to some extent it is, I was expecting to explore the struggle and emotions behind his condition to a greater extent.

Jeffrey Eugenides has a lot going on his novels and you really need to be a literary critic to enjoy Middlesex to the full extent. I love Eugenides because he is too smart for his own good, on a basic level you can enjoy his novels but there is so much going on underneath that rereading is almost essential. Middlesex is a family saga but there are elements of romance, history, coming of age and, because of his Greek heritage, tragicomedy. You could spend hours exploring the hysterical realism and metafictional aspects from this book. For example; does Cal’s condition have any bearing on where he is narrating this novel from? Berlin, a city that also was divided into two (East and West). Also, why does the narrative style switch between first and third person? Some parts of the story are told in first person but Cal would never have been able to recount what happened in that kind of detail. Is this to evoke confusion within the reader, forcing them to just feel a fraction of what Cal must be feeling?

This is an incredibly complex novel and I feel like I’ve only scratched the surface of what Jeffrey Eugenides has done. This is in fact the third of his novels I’ve read and sadly that is all of them for now. While I did enjoy Middlesex I found more joy from The Virgin Suicides (which deals with suicide) and The Marriage Plot (dealing with mental illness). I really appreciate the themes Eugenides explores and the complexities of his novels, but personal opinion is going against the norm here. Middlesex is probably his most recognised novel; it even won the Pulitzer Prize for Fiction.

Don’t let the complexity of Middlesex put you off reading this fantastic novel; sure, there is a lot there but it still worth picking up. You can spend as much time as you want exploring its depths but in the end you’ll come away with something. It is a compelling read that will stay with you well after finishing it. This is the perfect type of novel to pick up for a book club.

The Black-Eyed Blonde by Benjamin Black

Posted March 28, 2014 by Michael @ Knowledge Lost in Pulp / 6 Comments

Title: The Black-Eyed Blonde (Goodreads)
Author: Benjamin Black
Series: Philip Marlowe #10
Published: Mantle, 2014
Pages: 256
Genres: Pulp
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Resurrecting iconic literary characters is tricky business and when John Banville (under the pseudonym Benjamin Black) signed on to write another Philip Marlowe novel, I was worried. Most people know I am a huge fan of Marlowe, the hard-boiled detective created by Raymond Chandler, but something in me had to know if The Black-Eyed Blonde was any good. Now I’m left to decide if to review this as a Philip Marlowe novel or cliché pulp.

The premise is simple; a blonde bombshell, Clare Cavendish, seeks out Marlowe to find her missing lover Nico Peterson. If we look at the tropes of pulp fiction, in particular hard-boiled detective novels than we must suspect Clare to be the femme fatale and the case would be full of unexpected twists and turns. In both aspects The Black-Eyed Blonde failed to deliver anything interesting; Clare was attractive and seductive but never really had an air of mystery about her and the case felt too cut and dry.

Now let’s look at the protagonist; clearly not Philip Marlowe but someone trying to impersonate this great detective. Marlowe is a modern day knight in shiny armour; in a world of corruption he is incorruptible. He is also a flawed character; Raymond Chandler’s Marlowe is a loner, bitter, cynical, quick witted with a silver tongue. The Marlowe portrayed here was a much older, slower babbling mess; nothing really rang true. You can look at the amount of alcohol Chandler’s Marlowe drinks and wonder just how a man can function but in this novel while he drank a lot, the Mexican beers don’t sit right. Also you have to wonder about the dialogue; the Marlowe in The Black-Eyed Blonde talked differently, I tried to place the way he spoke and all I could think was this character was from Brooklyn.

Since nothing in this book felt like a Philip Marlowe novel, I tried to read The Black-Eyed Blonde in the same way I would read any other pulp. I tried to separate my love of Philip Marlowe and Raymond Chandler’s writing to give a fair review but it is hard to separate the two. Even if I judge The Black-Eyed Blonde as a standalone novel I still feel like the whole thing was a bit flat. There are some decent moments in this book and I was mildly entertained, however I doubt I will ever read a Benjamin Black novel again based on this experience.

I really want to see more Philip Marlowe stories but everyone who attempts it seems to butcher the character. The Black-Eyed Blonde was better than Perchance to Dream but the bar was set so low that I think Benjamin Black must have tripped over it. Do yourself a favour; stick to Raymond Chandler. If you’ve never read a Philip Marlowe novel start with The Lady in the Lake, it is a good introduction to the character and the style without being overly complex. For me, I may just reread the series (an excuse to blog about them) and try Chandler’s short stories.

By Blood We Live by Glen Duncan

Posted March 26, 2014 by Michael @ Knowledge Lost in Horror, Literary Fiction / 4 Comments

Title: By Blood We Live (Goodreads)
Author: Glen Duncan
Series: Bloodlines #3
Published: Knopf Doubleday, 2014
Pages: 368
Genres: Horror, Literary Fiction
My Copy: Hardcover

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

It’s a sad day for me; Glen Duncan’s Bloodlines trilogy has finally come to an end. This series has been a favourite of mine and I have been desperate to get my hands on By Blood We Live. If you don’t know, this trilogy started off as a bit of a joke for Glen Duncan. One New Year’s Eve party he jokingly claimed that he would write a page-turner with werewolves, and “none of my usual philosophical angst or moral inquiry.” Having recently been dumped from a publisher (he had no best sellers and had won no awards) the move towards literary genre fiction was a recipe for success for Duncan.

In the early planning stages, Glen Duncan had planned to write a “clever narrative with a memorable antihero at its feral, furry heart”. Being disappointed by the recent wave of popular paranormal novels (Twilight, etc) Duncan drew from the horror novels he loved (Frankenstein and Dracula) as well as his favourite werewolf movie (An American Werewolf in London); the end result was The Last Werewolf. It was Duncan’s take on the werewolf novel; remaining true to the mythology, unlike other paranormal novel The Last Werewolf was gritty, violent and over sexed. Jake Marlowe is the last werewolf alive, with the pending extinction of his new race, will he give up? The novel was nothing like other horror novels I read, this was dark and literary.

Then came Talulla Rising, which continued the story, this time from the point of view of Talulla Demetriou; a strong female protagonist that both kick-assed and was full of inner torment (my catnip). Where The Last Werewolf looked at life and loneliness, Talulla Rising forced more on love and family. It has been a two year wait but finally By Blood We Live was finally released to conclude this fantastic trilogy.

In By Blood We Live we follow both Remshi, 20,000-year-old vampire that has been haunted by Talulla in his dreams. Having half the novel from a vampires perspective is an interesting change for fans of the series. This novel focuses on survival and humanity, which are both common elements in a paranormal novel but a nice way to tie this trilogy together. Talulla is been pursued by a Vatican-based Militi Christian group of monster hunters who have taking the place of the now defunct WOCOP (World Organisation for the Control of Occult Phenomena). Remshi tries to uncover why Talulla haunts him as well as trying to stop the recklessness of a newly turned vampire.

While I wasn’t disappointed by By Blood We Live, I felt like this book wasn’t as great as its predecessors. It did conclude the trilogy and there were some great moments within the novel, I just felt like it had less to say than the first two. The literary wasn’t as prominent, almost like Glen Duncan is moving into the realm of best-selling author. While he does deserve the success, I would hate to see Duncan throw away any sign of the literary in his future novels. Rest assured that the dark and gritty feel to this series is still there. Something I must have looked in the first two novels was the amount of literary and pop culture references have been made; I know they were always in this series but I noticed them so much more in this novel.

I loved this series and I plan to reread them sometime in the near future; I know I’ll need to return to these witty and dark novels. I also have to try some of his other books, I know he said he wasn’t going to add his “usual philosophical angst or moral inquiry”, but I’m so glad he did, it really works for him. I hope Glen Duncan continues on his literary genre fiction journey and I’m eagerly awaiting what he does next. Has anyone else read this series? Or does anyone want to try to predict what genres his next book will cover?

Alif the Unseen by G. Willow Wilson

Posted March 23, 2014 by Michael @ Knowledge Lost in Fantasy / 0 Comments

Title: Alif the Unseen (Goodreads)
Author: G. Willow Wilson
Narrator: Sanjiv Jhaveri
Published: Allen & Unwin, 2012
Pages: 433
Genres: Fantasy
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Alif is the online persona of a grey hat working in the United Arab Emirates, taken from the first letter in the Arabic alphabet. Alif is a 23 year old Arab/Indian, working in internet security who fell in love with an Arab aristocratic woman he met online. Their relationship is doomed from the start; her family would never accept someone outside her social class, let alone an Indian. Her father has already arranged a more suitable suitor for her; a mysterious and powerful man who is known online as ‘the Hand’, the states leading internet censor. In an attempt to get the girl, Alif has made a powerful enemy, one that forces him to go underground into the world of Jinn’s (genies), ghouls, demons and all the others that remain unseen.

Debut author G. Willow Wilson set out to write a book that can bring her three loves together. A love of comic books and all things geeky, as well as her love of literary fiction and that of her Muslim heritage. The result is Alif the Unseen, a rich blend of cyberpunk and urban fantasy that explores the Arabic culture as well as looks as many social-political issues. Personally I think Wilson set out to expose the bias that the online community has no social consciousness, and educate the world on Muslim culture as well as explore the societal impact of hackivism.

I picked up this novel because G. Willow Wilson is the writer behind the new Ms. Marvel; the fourth character to take on this superhero and is the first Muslim character to have their own Marvel series. After reading the first issue, I wanted to check out Alif the Unseen. I knew it was a cyberpunk/urban fantasy blend but now I expected a strong Arabic or Muslim presence. I didn’t except a literary approach to this genre, but I was pleasantly surprised, Wilson has a lot to say on the Middle East social-politically speaking but also she educates the reader on a culture that is possibly unfamiliar to them.

G. Willow Wilson also takes on Middle Eastern folklore and myths and blends these fables with a religious element. Take jinn for example, we know them as genies but Islamic belief divides sentient beings into three categories. These are Malayka (angels), Nas or Banu Adam (human) and Jinn (the hidden ones). Angels are genderless and have no free will, but humans and Jinn’s are gendered and have free will, this is why Islamics believe Satan was a Jinn and not an angel, as it is impossible for an angel to disobey the will of God. Also playing a role in the story is the hamsa (or the hand of Fatima) which is like a good luck charm in Islamic culture. In the Judeo-Christian world this is often called the hand of Mary or Miriam.

I also want to talk about hackivism. In this novel Alif lives in a heavily censored world; the government believes in having a tight control on what is on the internet. Alif is a grey hat; this is a hacker that doesn’t work for a cooperation of the government. The term comes from the old western metaphor where the good guys wore white hats and the villains had black hats. A grey hat would be someone whose activities and practices fell in a grey area. For Alif, it was a matter of free speech (and possibly money). He provided security for enemies of the Arad stats, militant Islamists and even pornographers. Sites that the government wants to shut down often turned to Alif or another grey hat for internet security.

I can probably go on and talk more about the range of topics that are going on in Alif the Unseen, but I fear I don’t have the knowledge of Middle Eastern folklore or culture, Islam and hackivism. One of the things I enjoy most about reading is the ability to explore different cultures and learn about the world. Alif the Unseen took me into the rich world of the United Arab Emirates and looked at many social issues, in particular class and religion. I’m not much of a fantasy reader but I do seem to prefer urban fantasy, add in the cyberpunk and literary elements and I’m happy. Alif the Unseen will entertain and educate all its readers; most people will just read it for the entertainment but I hope they take a little understanding with them.

The Gospel of Loki by Joanne M. Harris

Posted March 22, 2014 by Michael @ Knowledge Lost in Fantasy / 2 Comments

Title: The Gospel of Loki (Goodreads)
Author: Joanne Harris
Narrator: Allan Corduner
Published: Hachette, 2014
Pages: 302
Genres: Fantasy
My Copy: Audiobook

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

If you’ve been on the internet (especially Tumblr) in the last few years, chances are that you would know who Loki is. Popularised by Marvel Comics and the recent Thor movies Loki is originally found in Norse mythology. Joanne Harris, best known for novels like Chocolat and Five Quarters of the Orange, tries her hand at fantasy under the name Joanne M. Harris. The Gospel of Loki follows the story of the trickster god, Loki, from his recruitment by Odin from the realm of Chaos to become a Norse god.

“Loki, that’s me.

Loki, the Light-Bringer, the misunderstood, the elusive, the handsome and modest hero of this particular tissue of lies. Take it with a pinch of salt, but it’s at least as true as the official version, and, dare I say it, more entertaining.

So far, history, such as it is, has cast me in a rather unflattering role.

Now it’s my turn to take the stage.”

Told from the perspective of Loki, The Gospel of Loki starts off in a playful tone as you can see by the above text. This tone continues throughout the novel, keeping a light and entertaining look at the ultimate trickster. Joanne Harris picked a challenging topic to tackle for her first attempt in Fantasy. Trying to get the balance between the Norse mythology and the popular conceptions as told by Marvel would be problematic. I don’t pretend to know much about the mythology and possibly less about the Marvel comics but I think Harris captured the character really well. We can debate whether Marvel follows the mythology or not but what I got in this novel was the mischievous, unreliable, jokester that I expect from Loki.

To play devil’s advocate, I must point to the title of this novel, The Gospel of Loki. The word gospel suggests that this is the unquestionable truth of Loki’s life, a first-hand account of what happened. Loki is an unreliable character and since he is often known as a lying, manipulative, demon-born anti-hero, the only source of truth (or as close as allowed) can only come in first person. My problem would be the modern tone of the whole novel; the mythology was formed hundreds of years ago, so I expected the language to be different. I expected the writing to feel dated, something Fantasy does really well but this novel felt like it was set in current times.

Overall this is an entertaining novel that explores the mythology of Loki in an interesting way. While each chapter seems to be a little story that interconnects with the overall plot, it also gives glimpses into Loki’s character. You get an in-depth look into Loki, learning about his story and life lessons. With such detail into the primary character, it’s a little sad to see that all the other characters were so flat, especially his adoptive brother Thor. Then again, Loki is so narcissistic that going into details about everyone else would feel a fake.

I’m of two minds with this novel, on one hand I think Harris did a great job in giving me a brief (but unofficial) look into the life of Loki. Everything I’ve read of hers I’ve liked and for a fantasy novel, The Gospel of Loki worked really well. Then again, this was a fantasy novel and I often struggle with them, but I think this was far too modern which stopped the story from ringing true. I have to wonder what someone with a detailed knowledge of Loki, the Norse god or Marvel super villain thinks of this book.