Category: Book Reviews

Skinjob by Bruce McCabe

Posted July 22, 2014 by Michael @ Knowledge Lost in Thriller / 0 Comments

Title: Skinjob (Goodreads)
Author: Bruce McCabe
Published: Bantam Press, 2014
Pages: 384
Genres: Thriller
My Copy: ARC from Publisher

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Bruce McCabe joins a growing list of authors finding success from self-publishing his novel. I know I take a very cynical view on self-published books; I tend to treat a publishing house as the filter to sift through the slush piles and pulling out the best it has to offer. That isn’t to say there isn’t anything good coming from the self-publishing world but in my experience the pimping of books and desperation makes it hard to find the ones I’d like to read. My policy is to ignore the world of self-publishing, this probably isn’t the best way to go about it but it works for me.

Every now and then a self-published novel gets picked up by a publishing house; I’m thinking Hugh Howey, Andy Weir, and dare I say it, E.L. James. Bruce McCabe is the next self-published author to enjoy similar success, his debut novel Skinjob has been published by a Random House imprint Bantam Press. In the not-so-distant future sexdolls (or if you prefer, sexbots) will become a reality, allowing and even encouraging people to act out their dark and disturbing sexual fantasies; this is the world of Skinjob.

I want to diverse from the story line of Skinjob for a moment to look at the theme McCabe is trying to explore. The sex industry is often depicted as a dark and shady place and the invention of sexdolls is obviously going to be a difficult concept; the politics and ethical challenges are explored within the novel. What I find problematic about the use of sexdolls is this idea that using a doll to live out a dark, disturbing or violent fantasy isn’t going to be healthy. I would be concerned with the psychological damage they could cause of themselves and others around them, to assume the use of a sexdoll isn’t hurting others would be a naïve approach to the issue. There is also a very ethical issue to consider; making sexdolls in all shapes and sizes seems indicates the very real possibility of childlike sex dolls.

I enjoy how Bruce McCabe takes a crack at the thriller genre, using the tropes you expect from a novel like this to explore these ideas. While looking at the growing sex industry I was most impressed with how McCabe allowed the thriller genre to work with him in this exploration. I was interested in the approach he took by allowing militant religious and feminist groups blow up dollhouses (an obvious nod to Joss Whedon) full of sexdolls. This approach meant we have a violent act where real people are not the target. This allows the reader to explore all sides of the issue without forcing them to show unwanted sympathy. The reader can then look at issue of sexual politics within the book and society. The only thing that will get in the way of exploring the issue will come down to the readers and their preconceived notions.

Skinjob is a very issue heavy novel, if you want a straight thriller then this book is not for you. In fact I was less interested in the plot and characters than I was the issues being explored. All the characters felt very two dimensional and unmemorable, even the plot could have used a lot more work but I think this works in the books favour. In the end I was left not really remembering much of the plot and people with the novel but I was still thinking about the themes.

Sexual politics is a complicated and difficult subject; Bruce McCabe’s Skinjob did a great job exploring the topic. While it doesn’t cover everything, it will leave the reader pondering the issues; I’m very glad I picked up this book and hope it has as much of an impact on other readers as it did for me. This is a debut novel and I can’t help but feel excited at what McCabe does next; I hope he continues to explore hard-hitting themes in unique and interesting ways.

The Fictional Woman by Tara Moss

Posted July 19, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: The Fictional Woman (Goodreads)
Author: Tara Moss
Published: Harper Collins, 2014
Pages: 352
Genres: Non-Fiction
My Copy: Library Book

Buy: Book Depository (or visit your local Indie bookstore)

Tara Moss is probably best known as a person you hate; she seems to succeed in everything she puts her mind to. Starting her career early at 14 as a model, she always dreamed about being a writer. People don’t encourage others to be writers but they do tell girls that they should be a model. Eventually she did and it took her around the world and taught her so much; the experiences may not have been all good but it helped shape her life. Eventually she did start writing and her Makedde Vanderwall become a huge success and she created this character as a way to explore her interests in forensic science, psychology and other topics. Now with nine fiction novels under her belt Moss is giving us her first non-fiction book, The Fictional Woman.

The title comes from the idea that people tend to dismiss and stereotype others. Tara Moss is no stranger to this; she even took a polygraph test to prove she wrote her books. While this book starts off as a memoir it is important to know that this is a social critique on the world and feminism. The book begins as a memoir to provide context, an understanding of Tara Moss’ struggles and her life helps to see where The Fictional Woman is coming from. Historical context is also an important part of understanding feminism as well, especially when it comes to gender equality and pop culture. There have been plenty of Spiderman (too many), Zorro and James Bond movies but there has never been a Wonder Woman movie. In literature, the female archetype stems from fairy tales and medieval fiction, heroines tend to face off another woman, often older and depicted as witches. Cinderella type stories require a man in order to live happily ever after and even chick-lit often portrays a gender inequality.

The Fictional Woman explores this imbalance in pop-culture and society and looks at where these archetypes come from. It is impressive to see the amount of research and information Tara Moss puts into this book; it really was eye opening. I highly recommend people read this book but I need to warn everyone it may contain triggers. I’m surprised to see that the imbalance is so prominent in today’s society and I am trying to make more of an effort to read a balance of authors. The problem I found is I tend to pick up books without taking notice on of the author, sure it sometimes easy to know their gender but I don’t research authors before starting a book. I try to make more of an effort and it is an area I need to work on.

I’m really impressed with Tara Moss, she seems to succeed in everything she does; sure I’m a little jealous that she is so talented but I still feel motivated. For those interested, I recently wrote a piece about an author event with Tara Moss on Boomerang Books if you are interested, I talk in a lot more detail about The Fictional Woman. I have never spent so much time thinking about feminism, I plan to do a lot more of it, even read some more books on the topic. I might even incorporate it into my critical reviews; it is an important topic that needs to be addressed.

Provenance by Laney Salisbury and Aly Sujo

Posted July 10, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: Provenance (Goodreads)
Author: Aly Sujo, Laney Salisbury
Published: Penguin, 2009
Pages: 301
Genres: Non-Fiction
My Copy: Audiobook

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

For those that don’t know, a provenance is a document (or documents) that chronologies the ownership of a historical object. In the art world, the provenance serves almost like a certificate of authenticity as well as a historical document of the ownership, custodies or locations the piece has been displayed. The problem was, there was a time in art history where authenticating a provenance was all you needed to prove the art was genuine. This lead to all kinds of problems, in the world of computers and photocopiers it became very easier to make a document look authenticate than it was to forge a painting. This book explores this very problem; Provenance: How a Con Man and a Forger Rewrote the History of Modern Art tells the story of what was described as ‘the biggest art fraud in the 20th century’.

Provenance has one of the most extraordinary narratives I’ve ever read in a non-fiction book; it reads like an art thriller, full of suspense and mystery. It wasn’t what I expected from a true crime book on art history, I was hooked in this world and on the edge of my seat to find out what will happen next. The authors of this book, Laney Salisbury and Aly Sujo are both investigative reporters and spent the time to research and tell us the story of John Drewe, a villainous con man that set out to defraud the art world. Recruiting a struggling artist, John Myatt, to paint the forges, it is estimated that over 200 forgeries were made and only about 60 of them recovered. This means there is about 140 paintings still out there been accredited to artists like Giacometti, Dubuffet and so on.

If I may, I want to quickly touch on the problematic approach to authenticating a provenance rather than a painting. As I said before the use of computers and photocopiers made it easy to fake these documents, but John Drewe went further by sneaking forged documents of auctions, gallery displays and so on into the archives of museums and the Institute of Contemporary Arts (ICA) in London. What was scary about the elaborate efforts Drewe went to to make this provenance real is the fact a test on the painting might have been so much quicker. If they took the effort to test the paint they would have found that Myatt used a combination of emulsion paint, K-Y Jelly and then vanish to make the paintings look like oil paintings.

All my knowledge on art forgery came from people like Neal Caffrey (White Collar) so I’m not nearly knowledgeable on the topic, as I’d like to be. Art history and art crimes can be fascinating topics and what I loved about Provenance is how it showed how crime seeps in and becomes part of the history. When John Myatt served his time he decided not to point out any paintings that he had done, and that raises an interesting question. Is it better to point out the 140 or so fakes still out there and have the owners lose all that money or not? If a fake is just going to be burnt is it better to own up to the forgery or let it remain a piece of art? The financial and artistic costs would be devastating but what about the moral code that Myatt wished to live by?

This is what made for a fascinating read, I learned a small part of art history, art crimes and it also raised some philosophical questions. I know I might have said a little too much but this is history, can you give spoilers on historic events? It is a great piece of narrative non-fiction and a great way to learn more about art crimes.

Cop Town by Karin Slaughter

Posted July 3, 2014 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Cop Town (Goodreads)
, 2014
Pages: 416
Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Karin Slaughter is a prolific crime writer whose novels mainly are in the Will Trent or Grant County series. She is a writer I never thought about picking up, mainly because I avoid bestseller crime novels (they are too formulaic) and I don’t like the idea of starting a series that already has so many novels to catch up on. Can you imagine trying to catch up on something like Sue Grafton’s Kinsey Millhone (currently on book 23) series? When I saw that Cop Town was a new standalone novel by Slaughter, I knew this was my chance to try her without making a huge investment.

Cop Town is a police procedural focusing on two female officers working for the Atlanta PD in 1974. Kate Murphy is a beautiful new recruit that comes from a wealthy family; she is determined to make it on her own. Maggie Lawson is a hardened no-nonsense type officer from a cop family that has been on the force for a while now. Right off the bat you can pretty much guess the themes within this book; sexism, racism, police corruption/brutality and that is before even understanding what type of crime is involved in the book. However, the central mystery within this novel revolves around the search for a cop killer, but for me this plot took a backseat to the themes.

I feel like Cop Town mainly focused on the gender imbalance in society, though set in 1974 the reader can still see just how far we have come toward sexual equality (not far at all). I want to focus on two little incidences that happen in the book that highlight this and don’t give away any spoilers. Firstly there was an incident in the novel were Kate was basically told by a married man that ‘wives are for babies and women like you are for fun’. Lines like that are not just a feminist issue but it also shows a fundamental flaw in our social thinking. The idea that sexual satisfaction can’t happen in a marriage is still a very real problem nowadays and too often portrayed in the media.

The second issue involved Maggie, with a cop killer on the loose her uncle forcefully asks her to quit the force to keep safe. This scene made me think that the biggest risk to Maggie’s safety was her family more than the cop killer. The idea of wanting a woman to quit the force while you plan to remain and do something about this issue is problematic and raises many questions about equality. I’m not going to go into too much detail about my thoughts with these two scenes but I thought it would be nice to just highlight what this book is dealing with while avoiding spoilers.

Normally when I read a crime novel, I read it for plot and I tend to stick to the ones that dive into the dark and twisted. The exception is obviously hard-boiled and noir but I will admit that even if Cop Town doesn’t fit my preferences in crime novels I was glad to read it. The themes that this novel explores made this both an enjoyable and compelling read, even if I didn’t think much of the plot. Can’t say I will revisit Karin Slaughter again, however if another standalone novel offers a similar experience I may reconsider.

Divergent by Veronica Roth

Posted June 29, 2014 by Michael @ Knowledge Lost in Book of the Month, Dystopia, Young Adult / 6 Comments

Title: Divergent (Goodreads)
Author: Veronica Roth
Series: Divergent #1
Published: Harper Collins, 2011
Pages: 489
Genres: Dystopia, Young Adult
My Copy: Library Book

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

A futuristic, post-apocalyptic Chicago is where the dystopian world of Divergent is set; where everyone is divided into five factions. At 16 you are required to take an aptitude test; this will determine which faction you are best suited for. Abnegation are selfless, Amity are peaceful, Candour are honest, Dauntless are brave and Erudite are intelligent. Following the aptitude test comes the Choosing Day (terrible name) where you are required to pick which faction you wish to belong to based on your score and personal preference. For some, like Celeb Prior this means giving up his family and moving from Abnegation to Erudite.

The novel, Divergent follows Beatrice Prior (later known as Tris) who is one of those rare people who have to hide the fact that the aptitude test was inconclusive. In this world she is known as divergent and would be considered an outcast and a danger to society if this was to come out. Tris’ test shows she has an aptitude towards three factions; Dauntless, Erudite and Abnegation. She picks Dauntless where she is trained up to be courageous and reckless, tools she believes maybe useful if her test scores ever come out.

I read this novel as a social critique; the idea of cliques and groups taken to the extreme. You know what I’m talking about; society likes to create rivals, in sports teams, smart phones, gaming consoles, etc., but more importantly when it comes to DC verse Marvel comic’s social-political stands. In this world the Abnegation are the governing body, since they are the selfless they are tasked with looking after everyone. However the Erudite are conspiring to take control, and a step that they believe will advance the world both socially and technologically.

This makes the novel sound more complex that it actually is; in reality I found that Veronica Roth liked to wave the symbolism in the readers face forcing them to take notice. It is like a child who is proud at what she has produced; jumping up and down and explaining everything detail over and over again in the hopes that we will think she is brilliant. The symbolism is prominent in the story, she didn’t need to try and draw extra attention to it. Most readers are smart enough to figure it out and those who don’t are only interested in the plot.

Take the title of the novel and the factions, if you look at abnegation, amity, candour, dauntless, erudite and divergent in the dictionary you pretty much how the entire book worked out already. However Roth reminded us again and again what each word meant. Reminds me of that old writing tip ‘show, don’t tell’. While this is not always true, I feel within the context of Divergent, it would have been a better solution.

There are a lot of interesting themes within the novel and I really wish Roth had let people discover them on their own; I don’t like having everything pointed out to me. The whole concept of social structures and classes would have given a literary theorist in the school of Marxism a lot to work with. There are other themes including courage verse recklessness, power, choices, secrets and even guilt that made the novel bearable.

While the novel has a protagonist fighting against a totalitarian state, the book is full of Christian themes and concepts. At times you can see Abnegation being depicted as weird/cult-like faction in the back drop of a controlling society but then they come through as righteous and merciful. There is a Christian misconception that stems from the Age of Enlightenment, which seems relevant in some radical churches that still believe that intellectualism is a dangerous thing. This comes across in the novel as well as some other Christian ideals. Veronica Roth states she is a Christian but has also claimed that Divergent is not a religious novel. She even believes that most Christians would consider the novel to be profane. It is unclear if Roth is an advocate for intellectualism or warning the reader of its dangers.

Yet another issue I found with Divergent was the characters and world building felt a little flat; I think Roth spent too much time explaining everything that the plot and the setting suffered. I didn’t care what happened to any of the characters; in fact thought they were all two dimensional, which is possibly the case with most of the characters. The idea of each faction just acting like a giant cookie cutter, forcing everyone to fit into that mould is clear. The divergents (I’m not going to name them) should have been richer, more fleshed out characters. The dystopian world borrows heavily from 1984 and The Hunger Games although it sometimes forgets this and reverts back to a more generic present day world. Then realising the book has gotten off track reverts to borrow again from previous dystopian novels.

Finally I would like to focus a little on the feminist qualities of Divergent, since reading The Fictional Woman this seems to be an area of focus for me. The concept of a woman trying to figure out her place in the world is a positive step for equality; however Divergent also reverts to two old archetypes that need to stop. I’m talking about the idea of a wise intelligent older woman being depicted as a witch or evil character and the female heroine needs to have a female enemy. Divergent does tackle the idea of what happens to a woman when she becomes more successful than the men she is competing against, and while it is not pretty it is a very real issue that needs to be looked at more often.

I would have liked this novel a lot more if the message was subtle and ambiguous; I just feel like everything got over done. As a reader I like to look for the messages but if the author hits me over the head with it and then proceeds to explain everything I lose interest. Dystopian fiction has a unique ability to tackle social issues and just because a book is aimed for a young adult audience doesn’t mean they need to be everything explained to them. I have to wonder how many YA lovers read the book for the themes rather than the plot. I suspect the majority of them read for the story and they probably prefer not to be stepped through themes either. If Veronica Roth left the themes in place and focused on the plot, this may have been a better book.

Foreign Soil by Maxine Beneda Clarke

Posted June 25, 2014 by Michael @ Knowledge Lost in Short Stories / 2 Comments

Title: Foreign Soil (Goodreads)
Author: Maxine Beneda Clarke
Published: Hachette, 2014
Pages: 272
Genres: Short Stories
My Copy: Paperback

Buy: Book Depository (or visit your local Indie bookstore)

Foreign Soil by Maxine Beneda Clarke is a collection of short stories that has set out to give a voice to the disenfranchised, the lost, downtrodden and even the mistreated. A collection of contemporary fiction that resulted from winning the Victorian Premier’s Unpublished Manuscript Award in 2013. In fact in the final story ‘The Sukiyaki Book Club’ Clarke appears to have drawn from her own struggles to get published in what appears to be the only autobiographical story in this collection.

I am never really sure how to review a collection of short stories; if I focus on one or two stories I feel like I’m not giving a balanced review, and if I wrote a little on every story this review will be too long. I normally adopt a generalised view with short stories and just hit a few points; it isn’t effective but I feel like it is the only way I know how to do it. Foreign Soil however has something else to it that makes it tricky to review.

One of the great things about Foreign Soil is that Maxine Beneda Clarke has managed to capture a very unique voice. She has found a style that works really well for her but I was more impressed just how diverse her voice could be. The stories follow characters living in Sydney, Melbourne, Mississippi, Jamaica, Sudan and so on, yet all the voices felt real and unique to what we think of with their nationalities. When the characters’ vernacular sounds like they have an accent and the way you expect; it almost has a phonetic quality about it.

That is not to say there is anything stereotypical about the characters, I don’t know much about the cultures written but they all feel genuine. The dialogue is one of the best qualities about this collection; from their broken English, accents and small quirks, each character’s strengths come from the skill Clarke has in giving them a voice.

It is hard to imagine that there was no place for Maxine Beneda Clarke in the publishing world. Foreign Soil has a place in the literary world, Clarke challenges the Anglo-Saxon dominance and gives a voice to the somewhat voiceless. This collection of short stories will leave you pondering life and justice as well as explore ideas of hope and despair. It is nice to read a book full of non-Caucasian ethnic groups exploring real life issues.

Foreign Soil is a wonderful collection of short stories; Maxine Beneda Clarke has stormed into the literary world swinging and I’m excited to see what she does next. I believe that her prize for winning the Victorian Premier’s Unpublished Manuscript Award involved a three-book deal. In the works is a memoir, hopefully similar to ‘The Sukiyaki Book Club’, which has the current working title of The Hate Race, then I believe there is also a novel coming called Asphyxiation. Foreign Soil is the type of collection that makes me excited for the future of the Australian publishing industry; I recommend you experience it if you get a chance.

The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe by Romain Puértolas

Posted June 22, 2014 by Michael @ Knowledge Lost in Contemporary / 6 Comments

Title: The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe (Goodreads)
Author: Romain Puértolas
Translator: Sam Taylor
Published: Harvill Secker, 2014
Pages: 320
Genres: Contemporary
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

“A heart is a little bit like a large wardrobe” — Ajatashatru Oghash Rathod

The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe (or L’extraordinaire voyage du fakir qui était resté coincé dans une armoire Ikea) is the debut novel by Romain Puértolas that has been marketed to fans of The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (or Hundraåringen som klev ut genom fönstret och försvann) by Jonas Jonasson. For the purpose of making things easier (and to avoid the insanely long titles) I’ll refer to these two books as The Fakir and The Hundred-Year-Old Man (I hope you can work out which is which. I picked up The Fakir simply because I need to read more translated fiction, with that logic I probably should read The Hundred-Year-Old Man. While the writing styles might not be similar, if you enjoyed The Hundred-Year-Old Man because it was a quirky, fun novel then The Fakir is a book you’ll need to go out and buy.

The novel reminds me of something David Niven (The Pink Panther) or The Marx Brothers would adapt to screen. You know the type of movies I’m talking about; the comedies full of misfortunes and stupidity but everything somehow works out in the end. The novel tells the story of a fakir named Ajatashatru Oghash Rathod flown to Paris for the purpose of visiting Ikea and buying a new bed of nails. Dressed in a fine silk suit to pass himself off as a wealthy Indian business man, the con man had nothing but a counterfeit 100-Euro note (printed on one side only) in his pocket. This trip to Paris sends him off on an adventure that finds him in places like London, Barcelona and Rome and not one sight was seen. No Eiffel Tower, Big Ben, Sagrada Família (unfortunately) or Colosseum.

I’m not sure if it is a problem with the translation but I expected a little more from The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe and I can’t tell if it didn’t translate or a deep seeded desire for something more complex. I enjoy that light read but found nothing funny about the novel and thought it was too inconsequential; I wanted more meat to the story. There were opportunities to explore themes of immigration, friendships, celebrities, travel and Europe but all these were just background and the focus remained on trying to write a quirky comedy. I’m not saying this is a bad thing, sometimes a light palate cleanser is all you need, and I was just ready for something with substance. It doesn’t take much effort to read The Fakir and the book did explore the concept of a culture clash but this was to the extent of something like The Gods Must Be Crazy.

Sam Taylor was the translator for this novel and he has worked on a number of great French novels that are all still sitting on my TBR pile. He has translations include A Meal in Winter by Hubert Mingarelli, The Truth About the Harry Quebert Affair by Joël Dicker and HHhH by Laurent Binet. This leads me to believe that my issues with The Fakir are not with the translation but with the book itself. One other concern I have is not with this book per say but with this need to add real people into the story. I’m not entirely comfortable with basing a novel around a person who is deceased, so it feels a little weird when you have a character named Sophie Marceau in this novel. The Fakir actually refers to Sophie Marceau as the French actress from the James Bond film The World Is Not Enough so we know the author is referring to the celebrity. I often wonder how these people feel about being put into a novel and if they are being portrayed accurately. It doesn’t sit right with me and I’m not sure if I’m the only one that wonders about something as small as using celebrities in a novel; I am sure some novels call for it but it this one didn’t.

I know it sounds like I didn’t enjoy this novel but I tend to pick out the parts of a book that didn’t work for me. I think it is freeing to express all my problems with a book and it may come across as a little negative, but in all honesty, this was a fun, short read. I normally gravitate to books with more substance but something light is a nice change. In all honesty I would have liked the novel to explore at least one of the issues that it presented rather than use them as plot points. Even going deeper into the concept of culture clash could have improved my enjoyment of the novel but I have come to expect that not everyone likes to read complex novels. I suspect The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe to be a runaway success and to be adapted into a film; I wonder who they would get to play Sophie Marceau.

The Silent Wife by A.S.A. Harrison

Posted June 11, 2014 by Michael @ Knowledge Lost in Thriller / 4 Comments

Title: The Silent Wife (Goodreads)
Author: A.S.A. Harrison
Narrator: Emily Pennant-Rea
Published: Penguin, 2013
Pages: 326
Genres: Thriller
My Copy: Audiobook

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

It seems that when Gone Girl had huge success there were plenty of novels being released that were marketed as the next big psychological thriller. One that seemed to get closer than all the others to duplicating the same style as Gone Girl was The Silent Wife by A.S.A. Harrison. While this novel does come close to being like Gone Girl, almost to the point of suspecting plagiarism, there is something different to this novel.

The Silent Wife follows the story of Jodi and Todd who are in a bad place in their marriage. Told in the same style as Gone Girl where you get Jodi and Todd’s story in alternating chapters, the story follows the familiar plot but not really. Without giving too much away I’ll just disclose what has been mentioned on the back of the book. Todd is an unfaithful husband planning to leave Jodi for his mistress. Jodi’s life is at stake, she is about to lose her marriage and even her beautiful water front condo.

I’m going to stop comparing The Silent Wife to Gone Girl; there are similarities but it is a different novel. This novel is very much focused on Jodi more than Todd. His chapters are there to fill in the story but the readers get to watch Jodi as she slowly falls apart. This really is a look at the psychology of a woman that did everything to be the perfect wife (the silent wife that doesn’t complain or causes waves) slowly take control of her life for the first time in her life. Interestingly she is a psychologist, who should have noticed her life was as bad as it was and take control.

This would make an interesting novel for a book club, you have the psychological you can investigate, but then you have the whole concept of marriage and what makes a marriage to explore. As a reader we can see this is a bad marriage and Jodi should get out but she is blind to this fact. This is an all too common issue in the modern world and I think The Silent Wife does a good job at exploring it.

I really don’t want to say much more about this book; everything needs to be experienced by the reader. It isn’t the best novel and there are a lot of flaws but it is a quick read and won’t take much effort to read. I recommend borrowing it from the library, that way you don’t have to invest in an average book. A.S.A. Harrison had the making to be a great psychological thriller author but sadly she died soon after finishing The Silent Wife and this makes this the only novel by her. I’m sure there are plenty more psychological thrillers to be released about marriage but this had an interesting approach.

The Sex Lives of Siamese Twins by Irvine Welsh

Posted June 8, 2014 by Michael @ Knowledge Lost in Contemporary / 10 Comments

Title: The Sex Lives of Siamese Twins (Goodreads)
Author: Irvine Welsh
Narrator: Lorelei King, Penelope Rawlins
Published: Jonathan Cape, 2014
Pages: 480
Genres: Contemporary
My Copy: Audiobook

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Irvine Welsh has always been an author that I have wanted to read, but he always seemed to sit on the backburner. I have Trainspotting on my bookshelf and I’m sure I’ll get to it eventually. His new novel The Sex Lives of Siamese Twins seemed like just the right amount of filth and bizarreness for me at the time. The novel kicks off questioning American’s obsession with numbers, from statistics, ratings, western culture seems to measure everything with numbers. From crime rates, percentages to economical values to shoe and breast sizes; everything is about numbers. This sets up the protagonist, personal trainer Lucy Brennan, who obsessively records everything, from her calories, her exercise and every aspect of her life, as well as those she trains.

Set in the image obsessed Miami, The Sex Lives of Siamese Twins tells the story of Lucy who heroically disarms a gunman who was chasing down two homeless men. This was witnessed and recorded by the sole eyewitness, Lena Sorensen. Lucy’s act of heroism transforms her into an insta-celeb with national exposure, giving her the break she has been looking for. Lena becomes obsessed with Lucy and signs up as one of her clients. The two find themselves getting closer, too close for comfort.

I officially believe that all personal trainers are sadists; however Lucy takes this to a whole new level. She goes from strict personal trainer to scary crazy in the efforts to get Lena into shape. Reading this novel reminds me never to get a trainer; I don’t think I can handle the efforts one might go to, to get me into shape. I won’t go into details; the whole concept of fitness and eating healthy within this novel is worth exploring without any spoilers.

In an interesting twist, it turns out that the two frightened men Lucy saves from the angry gunman turned out to be paedophiles. The media focus quickly shifts from heroine to whether she should have stopped a victim of sex abuse from getting his revenge. Would she have acted differently if she knew the reason? It is no longer a story about bravery and heroics but one of pain and vengeance.

I read this novel as a caper that quickly spiralled out of control. Irvine Welsh was able to produce very unique acerbic characters, all vastly different from each other, with their own little quirks and flaws. Lucy a militant personal trainer, we get to watch her stardom rise and fall and Lena an avant-garde sculptor who is a shy talent with a dark side that comes through mainly in her art.

I get the impression that Welsh likes to explore the darker side of humanity. While I tend to enjoy transgressive fiction I was finding some issues within this novel that I will try to explain. Irvine Welsh doesn’t hold back; Lucy Brennan is a hard hitting, foul-mouthed, aggressive woman; an anti-hero that I can’t help wondering if she is realistic. She claims to be a feminist but comes across almost like a misogynist, rather than just an angry bitch. I increasingly began to see her less as a female protagonist and more as Welsh’s fantasy of the ideal woman. His own masculinity seems to come through in this character and she comes across as a slutty bi-sexual that has the libido and personality of a teenage boy. That is not to say that there aren’t women like that out in the world; for me, her personality never rung true.

I was never sure how to take Lucy; she started off as a strong willed, fitness freak with no social filter and a mouth and sex drive that is unmatched. These people obviously do exist in the world and I tried to take her seriously but as the novel went on it become harder and harder to suspend my disbelief. She became less of a character in the novel and more the voice that satirizes Irvine Welsh’s own soapbox views.

Lean Sorensen is far more interesting; she comes across as timid but talented artist but she doesn’t see that. She views herself the same way the world does, as just a pathetic overweight woman. Whether it is the manipulative ex-boyfriend, the passive aggressive parents or the fake friends of the art world, she is depicted as a broken woman trying to get her life together. I enjoyed the darkness that came through under the perky and cheerful facade that she tries to put on; it really rounded out the character. She kept my interest throughout the novel.

The title The Sex Lives of Siamese Twins is an interesting topic as it refers to a subplot about the media frenzy around two conjoined teens, Annabel and Amy. Annabel is considering losing her virginity to her boyfriend but Amy is not too keen on this idea. A conversation about the twins and their sex lives is a reoccurring conversation/argument between Lucy and Lena. They have differing views about sex and the conjoined twins and often the focus of their personality clash.

I have to mention the morning pages program that mentioned throughout this novel. It is a program where you must write three pages in a stream of consciousness format every morning. The idea of this program is to help identify issues that need extra attention while trying to achieve their goal, in this example weight loss. Morning pages interested me because it was the concept that inspired 750words.com a site I’ve been using to develop a good writing habit.

In the pursuit for perfection, things get dark and twisted; The Sex Lives of Siamese Twins explores this very topic. A novel of depravity, revenge, sex and crime, Welsh gives the reader plenty to think about and if you can suspend your disbelief when it comes to Lucy, this book really is extremely rewarding. Be warned there is a lot of swearing and sex, not for the sweet and innocent. The sex has a voyeuristic approach to it, not erotic at all and often disturbing. In the end, this novel was a rewarding endeavour into transgressive fiction but I need something sweet to read next.

How to Talk to a Widower by Jonathan Tropper

Posted June 7, 2014 by Michael @ Knowledge Lost in Contemporary / 4 Comments

Title: How to Talk to a Widower (Goodreads)
Author: Jonathan Tropper
Published: Orion, 2007
Pages: 341
Genres: Contemporary
My Copy: Library Book

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

“I had a wife. Her name was Hailey. Now she’s gone. And so am I.”

This one reoccurring line not only serves as a mantra for Doug Parker, it also sums up the essence of How to Talk to a Widower. A year ago Doug lost his with in a plane crash and he has been grieving ever since. The people around him tend to think that it is time for him to move on, he is only twenty-nine, and he still has a whole life ahead of him. For Doug, that is not the case, his wife is gone, and so is he. On the surface this novel feels like it has the makings of a bad sitcom, with a blend of humour and melodrama; however there is so much going on the under the surface worth exploring.

Essentially How to Talk to a Widower is a study into grief and the emotions behind losing someone close. However I feel like this novel explores the idea of holding onto grief. How long can we hold on? At some point the grief becomes a part of us and it not only controls us but it defines us. We can fall into an endless spiral without any hope of escape; it felt like Doug was trapped in this endless spiral at time but then we get these little glimpses of hope. Not sure if he is healing or it is just false hope.

Doug Parker is an interesting character; he is so flawed and there is something so genuine about him. Grief has defined him and he often uses it as an excuse for his self-destructive ways. Doug loves women, to an extent where it felt like he has an attraction to every woman he meets; they were all beautiful. “Sometimes you walk past a pretty girl on the street there’s something beyond beauty in her face, something warm and smart and inviting, and in the three seconds you have to look at her, you actually fall in love, and in those moments, you can actually know the taste of her kiss, the feel of her skin against yours, the sound of her laugh, how she’ll look at you and make you whole. And then she’s gone, and in the five seconds afterwards, you mourn her loss with more sadness than you’ll ever admit to.” While we know that Doug loves and misses his wife, Jonathan Tropper has the ability to strip his characters bare and expose every part for their personality.

When Doug lost his wife he was only 29; Hailey was eleven years older and had a teenage son from a previous family. Her son, Russ is suffering just as much as Doug; he feels he not only lost his mother but his stepfather has also abandoned him. He was shipped off to live with his father who is bad news. He acts up and does everything to get some attention. Like I’ve said before, this novel is so melodramatic but it is all bittersweet.

I love the complexity that is found in this novel, not just with Doug and Russ, but even Doug’s sister Claire and his family are all so complicated that reading the drama in this book is both enjoyable and often sad. Even the woman Doug starts sleeping comes with her own set of flaws and complexities. “She was smart and funny and vulnerable and just so goddamned beautiful, the kind of beautiful that was worth being shot down over.” She is such a mystery; I wanted to know what is her motivation? Why is she attracted to Doug? She is just a sexual output for the protagonist and there doesn’t seem to be any reason behind her motivation. This mystery is what I’m drawn to; I want to know more. I like how she is described as voluptuous and she seems to have an air about her I can’t help but want to explore.

Even though there is so much drama in the novel, there is humour that runs throughout How to Talk to a Widower. I can’t help but get a sense of irony from this novel. The title alone makes the book sound like a self-help book and then he is writing a column in M magazine with the same title. One suspects that the column is an advice column as well but it is just an output for his grief. The humour that is tangled up in the grief and melodrama really brought this novel together, like the glue that holds it all together.

Think of this novel like dick-lit (chick-lit from a male perspective), think of it as something the Nick Hornsby may write, however I think this was better. The drama was touching, intense and executed beautifully. All the relationship dilemmas, his off kilter family, and the grief all was balanced wonderfully in How to Talk to a Widower. I laughed, cried and wanted to reread read all the wonderful lines. I know this novel isn’t going to be for everyone but I’m so glad I read it. I will be reading more Jonathan Tropper’s books and I must check out Banshee, which he co-created with David Schickler (who wrote an amazing memoir).