Category: Pulp

Nada by Jean-Patrick Manchette

Posted September 28, 2020 by Michael @ Knowledge Lost in Pulp / 4 Comments

Nada by Jean-Patrick ManchetteTitle: Nada (Goodreads)
Author: Jean-Patrick Manchette
Translator: Donald Nicholson-Smith
Published: NYRB Classics, 1972
Pages: 256
Genres: Pulp
My Copy: Paperback

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My reading tastes have changed so much in the few years that I have been a reader. When I first discovered my love of reading 11 years ago, I loved crime novels and that eventually led me to discover noir and hard-boiled fiction. Nowadays I spend the majority of my time reading translated literature, but I sometimes turn to crime for some palette cleansers, because that is what they are. The problem I find is that American authors seem to be the best at writing the crime novels I enjoy; it must be related to their crime rates and frivolous gun laws. There is one French author that I think bridges my two loves, pulp novels and translations, and that is Jean-Patrick Manchette (I am sure there are others, I am just yet to discover them).

Not to brag, but I recently read Nada while staying in a gorgeous treehouse up in the Atheron Tablelands. Nada is a leftist revolutionary/anarchist group that decides to kidnap the United States Ambassador to France while he is visiting a brothel. As you can imagine from a noir novel, things do not turn out too well. I do not want to explore the plot because I much prefer to explore themes when talking about literature. Besides, rehashing the plot is more for the back of a book, not a review.

What I was surprised to discover with Nada, was the way Manchette added so much political and social commentary into the novel without taking away from the fast, action paced plot. Relevant to today’s political climate, this group of anarchists wanted to send a message to the right. The problem was that each member had their own motivations besides making money. What fascinated me here was the way Jean-Patrick Manchette played with the concept of political terrorism and revolutionaries. Depending on your political beliefs these are two sides of the same coin. I was drawn to the disarray of the anarchist group, and to me it became a reflection of the problem the left-wing often faces, which is an insurmountable amount of social issues that need to be corrected in this world. Both Jean-Patrick Manchette and I are leftists, however my political ideology might be very different to Manchettes. Where the right-wing has a much smaller amount of concerns when it comes to political and social issues, meaning they tend to appear more united.

The way Manchette plays with this idea in the concept of a noir novel was masterful. At no point did he take the foot off the gas to explore these social issues, Nada was always a fast-paced thrill ride. He was skilful enough to add his ideas into the book for people interested in dissecting the plot. While I spent so much time thinking about the social commentary, other readers might find this to just be an entertaining crime novel. I am impressed at the way Jean-Patrick Manchette was able to achieve this in his writing.

This was not my first attempt at Jean-Patrick Manchette, I have read The Gunman (which was translated by James Brook) in 2018 and it did not give me the same level of enjoyment. I could not tell you if it was not a great novel or if I did not look hard enough to find the deeper meaning. I am often drawn to books that offer more than an exciting plot and I found that in Nada, but not in The Gunman. Donald Nicholson-Smith appears to be translating all of Jean-Patrick Manchette’s books for NYRB Classics and I am tempted to try them all. I do have Fatale, The Mad and the Bad and Ivory Pearl on my shelves, but not sure which to try next.


Get Shorty by Elmore Leonard

Posted August 8, 2015 by Michael @ Knowledge Lost in Pulp / 0 Comments

Get Shorty by Elmore LeonardTitle: Get Shorty (Goodreads)
Author: Elmore Leonard
Series: Chili Palmer #1
Published: William Morrow, 1990
Pages: 304
Genres: Pulp
My Copy: Library Book

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Chili Palmer is a shylock with mob connections working in Miami. However he is sick of the grind and it seems that his friends in the industry have a bad habit of dying. While chasing a deadbeat across America, he eventually ends up in Hollywood, where he decides to stay and start a new life. Besides, he has a killer idea for a movie and this is the town where dreams can come true…or do they?

It is no secret that Elmore Leonard has a bitter opinion towards Hollywood and Get Shorty allowed him to vent his feelings. In 1984 Leonard won an Edger Award (Best Novel) for his novel LaBrava and during the hype, Cannon Films brought the rights for a film adaptation. Dustin Hoffman had signed on to play former Secret Service agent Joe LaBrava in what was dubbed “the richest star deal in entertainment history”.  Elmore Leonard had to do multiple rewrites (all unpaid) at the request of the star only to have Hoffman terminate his contract citing ‘contract desputes’. The reason behind Hoffman’s departure from the project was due to some advertising; Cannon Films two full page ads in some trade papers which showed him pictured under the heading “Welcome to the Cannon Family Dustin Hoffman”. His contract granted him final approval to all advertising for the upcoming movie.

When reading Get Shorty you get a real sense of Elmore Leonard’s bitterness towards Hollywood and the failed movie. According to IMdb Dustin Hoffman is 5’5” and his depiction in the novel is the over compensating Michael Weir (who was portrayed by Danny DeVito in the film adaptation). Despite what Leonard may have thought about the movie industry, Get Shorty turned into one of the great satires depicting Hollywood. The film adaptation was the next of his novels to make the transition to the screen, this time with only minor changes to the main plot. This lead the way to a range of great Elmore Leonard adaptations, from Jackie Brown, Out of Sight, Be Cool, 3:10 to Yuma and the TV show Justified.

Get Shorty is probably one of the best modern crime novels I have read in a long time. I tend to find that modern authors in the genre do not explore social issues within their books. Elmore Leonard was one of the best crime novelists and it was sad to lose him back in 2013. I plan to read the next book in the Chili Palmer series, Be Cool and I think I should rewatch the movies sometime soon as well.


Double Indemnity by James M. Cain

Posted June 29, 2015 by Michael @ Knowledge Lost in Book of the Month, Pulp / 0 Comments

Double Indemnity by James M. CainTitle: Double Indemnity (Goodreads)
Author: James M. Cain
Published: Vintage, 1936
Pages: 114
Genres: Pulp
My Copy: Personal Copy

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When small time insurance man Walter Huff meets Phyllis Nirdlinger, her beauty quickly seduced him. The wife of a wealthy oil executive convinces him to help get rid of her husband, but not before a substantial policy was taken out on him. Accident insurance often causes suspicion but when Phyllis’ husband dies from what looks like a train accident, double indemnity kicks in and Walter’s bosses suspect foul play.

James M. Cain is the master at noir with books like The Postman Always Rings Twice, Mildred Pierce and recently The Cocktail Waitress was released posthumously.  Double Indemnity is one of his most notable pieces of work and was adapted into the 1944 classic film noir movie of the same name. The movies screenplay was written by fellow master of pulp Raymond Chandler and has been dubbed culturally, historically, and aesthetically significant by the US Library of Congress.

Double Indemnity is a clause often found in accident insurance policies where the issuer agrees to pay double (or more) if the accident happens in certain conditions. It is often used to make the policy more appealing but applies to low risk incidents. Death by train accident is one of these examples and when Phyllis’ husband died in these conditions the insurance company was naturally suspicious.

This classic pulp novel follows Walter Huff who plots the perfect murder all for the beautiful Phyllis Nirdlinger. What he didn’t count on was that he was seduced into helping a femme fatale and now he was under her thumb. In true James M. Cain style, Double Indemnity holds nothing back, both in style and plot. Everything you expect in a 1930s noir novel can be found in this thrilling novella.

This is a re-read for me of Double Indemnity and I must admit I was so happy to return to the style of James M. Cain. Everything you expect from the pulp style and dialogue can be found within this classic story. I know I need to dive into some more of Cain’s novels, with some re-reads and completing his bibliography. I have no words to describe the feeling of returning to a much-loved author and I know I need to re-watch the movie. If you have never read Cain or anything from the classic pulp genre, then you can never go wrong with a book like Double Indemnity.


The Fever by Megan Abbott

Posted May 15, 2014 by Michael @ Knowledge Lost in Contemporary, Pulp / 12 Comments

The Fever by Megan AbbottTitle: The Fever (Goodreads)
Author: Megan Abbott
Published: Little Brown and Company, 2014
Pages: 320
Genres: Contemporary, Pulp
My Copy: ARC from Netgalley

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If you have not read Megan Abbott before then you need to do so as soon as possible. Originally working in the noir genre she has recently switched and become the Queen of suburban noir. Combining the elements we all know and love about noir and adding it to a modern back drop. Dare Me was a dark glimpse into the world of competitive cheerleading; think Mean Girls but meaner. Now Megan Abbott is back with The Fever, set in a small community, a mysterious contagion is threating their suburban utopia.

I may have said this before; just because a book has a teenage cast does not make this a YA novel. Dare Me may look like chick lit or YA but it is not; don’t let the cover fool you. I’ve seen on Goodreads that The Fever has been shelved as YA and horror and I can’t help but shake my head in disgust. While I’m sure plenty of young adults may enjoy this novel, I see nothing that connects The Fever with the YA genre. There are no horror elements within this novel either, a little suspense and I’m guessing this genre tag came from the cover. Now that my rant is out of the way, time to look at the novel.

Like Dare Me (and I’m sorry to keep mentioning this novel, I really need to read more Abbott) The Fever is a compelling noir that exposes the secrets that might be hiding in a suburban community. The Fever is a dark and chilling story that explores the ideas of desire, guilt and secrets. The mysterious contagion that is causing seizures to a group of girls is also promoting mass hysteria in the community. In an effort to make sense of this mystery, the community focus their blame on anything they can think of, from HPV, vaccinations, toxic algae and whatever else might make sense of the situation.

At the heart of this novel, I found an interesting exploration into sexuality, especially between the groups of teenage friends. These girls are in the midst of blossoming into women; their emotions are running wild and boys are become a popular source conversation. In the darkness and confusion they are dealing with these changes all alone. Abbott is putting the focus of the community on the contagion and this really amplifies that feeling of being alone and dealing with a budding sexual awaking without any help or guidance.

The Fever has everything you expect from a Megan Abbott novel; it is deliciously dark and sinister, it packs a huge punch and in the end you are left contemplating life. She has once again got the voice of the teenage generation perfect, not only the way they talk and interact but their thoughts as well. I like how Abbott integrates mobile phones and social media into her novels so effortlessly, I’ve seen it down poorly far too many times.

I know I’ve only read two novels to judge Megan Abbott on but she continues to impress, I know The End of Everything will be consumed pretty soon before moving onto her old school noir novels. I love her modern suburban noir style, she has really found her voice and style and it is working well for her. Don’t go in expecting a nice coming of age story; this is gritty and this is what Megan Abbott does better than anyone else.


The Black-Eyed Blonde by Benjamin Black

Posted March 28, 2014 by Michael @ Knowledge Lost in Pulp / 6 Comments

The Black-Eyed Blonde by Benjamin BlackTitle: The Black-Eyed Blonde (Goodreads)
Author: Benjamin Black
Series: Philip Marlowe #10
Published: Mantle, 2014
Pages: 256
Genres: Pulp
My Copy: ARC from Netgalley

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Resurrecting iconic literary characters is tricky business and when John Banville (under the pseudonym Benjamin Black) signed on to write another Philip Marlowe novel, I was worried. Most people know I am a huge fan of Marlowe, the hard-boiled detective created by Raymond Chandler, but something in me had to know if The Black-Eyed Blonde was any good. Now I’m left to decide if to review this as a Philip Marlowe novel or cliché pulp.

The premise is simple; a blonde bombshell, Clare Cavendish, seeks out Marlowe to find her missing lover Nico Peterson. If we look at the tropes of pulp fiction, in particular hard-boiled detective novels than we must suspect Clare to be the femme fatale and the case would be full of unexpected twists and turns. In both aspects The Black-Eyed Blonde failed to deliver anything interesting; Clare was attractive and seductive but never really had an air of mystery about her and the case felt too cut and dry.

Now let’s look at the protagonist; clearly not Philip Marlowe but someone trying to impersonate this great detective. Marlowe is a modern day knight in shiny armour; in a world of corruption he is incorruptible. He is also a flawed character; Raymond Chandler’s Marlowe is a loner, bitter, cynical, quick witted with a silver tongue. The Marlowe portrayed here was a much older, slower babbling mess; nothing really rang true. You can look at the amount of alcohol Chandler’s Marlowe drinks and wonder just how a man can function but in this novel while he drank a lot, the Mexican beers don’t sit right. Also you have to wonder about the dialogue; the Marlowe in The Black-Eyed Blonde talked differently, I tried to place the way he spoke and all I could think was this character was from Brooklyn.

Since nothing in this book felt like a Philip Marlowe novel, I tried to read The Black-Eyed Blonde in the same way I would read any other pulp. I tried to separate my love of Philip Marlowe and Raymond Chandler’s writing to give a fair review but it is hard to separate the two. Even if I judge The Black-Eyed Blonde as a standalone novel I still feel like the whole thing was a bit flat. There are some decent moments in this book and I was mildly entertained, however I doubt I will ever read a Benjamin Black novel again based on this experience.

I really want to see more Philip Marlowe stories but everyone who attempts it seems to butcher the character. The Black-Eyed Blonde was better than Perchance to Dream but the bar was set so low that I think Benjamin Black must have tripped over it. Do yourself a favour; stick to Raymond Chandler. If you’ve never read a Philip Marlowe novel start with The Lady in the Lake, it is a good introduction to the character and the style without being overly complex. For me, I may just reread the series (an excuse to blog about them) and try Chandler’s short stories.


Time to Murder and Create by Lawrence Block

Posted March 8, 2014 by Michael @ Knowledge Lost in Pulp / 0 Comments

Time to Murder and Create by Lawrence BlockTitle: Time to Murder and Create (Goodreads)
Author: Lawrence Block
Series: Matt Scudder #2
Published: Orion, 1976
Pages: 170
Genres: Pulp
My Copy: Audiobook

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Matthew Scudder is back and this time a small-time stoolie named Jake “The Spinner” Jablon has come to him for help. This informer has found a new line of business in blackmail but now one of his clients has figured it was better to kill than keep paying for his silence. After an attempt on his life goes wrong, The Spinner turns to Scudder to be his avenging angel if he ever does wind up dead. Only problem is when he eventually was found floating in the river, Scudder had to work out just who finally caught up to The Spinner and killed him.

Having just finished War and Peace (a review that is quite difficult to write) I felt the need to read something quick and easy. The Matthew Scudder series is just that, 1970’s hard-boiled with a gritty and fast paced style to it. Scudder is a former New York Police officer who now does ‘favours’ for people as he isn’t a licenced Private Investigator. One of the things I really like about Lawrence Block’s hard-boiled detective is the fact that there are signs that he isn’t what he claims to be. It’s revealed that Scudder was a corrupt cop and you can see the corruption start to seep into his PI work. Hard-Boiled characters normally walk that fine line between good and evil but with Matthew Scudder I get the sense that he can’t walk a straight line.

You might have noticed that I’ve been trying to write critical reviews lately but when it comes to a book like Time to Murder and Create it is hard to have in-depth criticism. This is pure escapism, a quick and entertaining read full of dark gritty characters that all have a secret to keep.  Like In the Midst of Death, Time to Murder and Create wasn’t as good as The Sins of the Fathers, the series started off strong but now it feels like those crime shows on TV where there is just a new case every time and nothing new or exciting.

If I ever need a quick easy palate cleaner, then I might return to the Matthew Scudder because sometimes you need mindless entertainment. I have an idea of what I would like to see with this character but I don’t think they will go in that direction. Sometimes I wish I had the skills to write a hard-boiled crime series, just because they are fun to read and I have never found a series that lived up to the excitement of Raymond Chandler’s Philip Marlowe series and I’m frustrated enough to want to create my own. If anyone has a recommendation for a great hard-boiled crime series, please let me know.


Miami Blues by Charlies Williford

Posted August 27, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Miami Blues by Charlies WillifordTitle: Miami Blues (Goodreads)
Author: Charlies Williford
Series: Hoke Moseley #1
Published: Penguin, 1984
Pages: 284
Genres: Pulp
My Copy: Paperback

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After landing in Miami, Freddy Frenger Jr. (or Junior as he prefers to be called) steals three wallets and begins to plan his new life. While leaving the airport he snatches a suitcase and leaves a corpse of a Hare Krishna behind. Detective Hoke Moseley is on the case; chasing Junior and his new hooker girlfriend through luxury hotels and the suburban streets of Miami.

If this sounds really familiar then you’ve probably seen the 1990 movie of the same name starring Alec Baldwin and Jennifer Jason Leigh. While there are some major differences to the two, the majority of the book is exactly the same. I’m a little disappointed when I found out this was the first in the Hoke Moseley series, because I always thought of the detective as a supporting role. In the movie Junior steals Moseley’s badge and starts pretending to be a cop to con people; this was the best part of the movie. Sadly in the book there isn’t much of that going on.

Charlies Williford is an author of fiction, poetry, an autobiography, and literary criticism but he is best known for his hard-boiled writing. I think it is weird that he was a poet and literary critic as well as pulp writer, but then again I really shouldn’t be. It’s just an interesting fact about the author.  When you think 1980’s hard-boiled novels, Miami Blues is probably going to be one of the top nominations on that list. Charlies Williford was such a prolific writer, with over forty novels published, it is kind of sad that he is best known for the Hoke Moseley series that he wrote very late in his life. I wonder what some of his other books were like, there seems to be a whole lot of hard-boiled novels in the 1950’s and 1960’s that look interesting.

This book is an example of the noir sub-genre Florida glare which is basically a crime novel set in Florida where the heat and the culture play a role in the story as well. Noir is typically associated to LA and there have been some writers out there that wanted to depict Florida as the perfect location for crime stories as well. Some examples of this include the Travis McGee (by John D. MacDonald), Jack Ryan (by Elmore Leonard), and Dexter Morgan (by Jeff Lindsay) series and I’m sure many more. It is an interesting concept though do we really need another genre? I like how the heat of Florida plays a part in the book and the environment is almost like a supporting character.

This was a quick read and one of the rare cases where I think I prefer the movie over the book. I wonder if there are any more noir novels where a character pretends to be a cop in order to con people; I’m sure there are plenty out there, I like the concept and would like to read more of them. I think I’ll have to try another Charlies Williford, maybe something earlier. Does anyone want to recommend me a good Charlies Williford novel?


Fadeout by Joseph Hansen

Posted August 18, 2013 by Michael @ Knowledge Lost in Pulp / 9 Comments

Fadeout by Joseph HansenTitle: Fadeout (Goodreads)
Author: Joseph Hansen
Series: Dave Brandstetter #1
Published: University of Wisconsin Press, 1970
Pages: 187
Genres: Pulp
My Copy: Personal Copy

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Dave Brandstetter is an insurance investigator who is hired to investigate a death claim of a local celebrity, whose car plunged off a bridge in a storm. In the absence of a body the insurance company needs to send their own investigator before handing over $150,000 (works out to be about $900,000 by today’s standards). As the investigation continues Brandstetter is convinced that Fox Olson is still alive and he must find him before the would-be killer does.

Dave Brandstetter embodies the tough, no-nonsense persona of most classic Hard-boiled detectives with one major difference; he’s openly gay. As most people know, I have a love for the hard-boiled detective and I’m always looking for new and interesting takes on this genre. I’ve found that in Joseph Hansen’s Fadeout. There are a few reasons why I plan to continue the series and I thought rather than talk about the book, it would be nice to mention what will make me continue with the other eleven novels.

First of all, I’ve never read a pulp novel like this before; a homosexual protagonist would have been controversial in 1970. This would have been near the beginning of the gay pride movement and Hansen must have gone through a lot of hardship with writing this character and being a homosexual as well. With all the stigma and prejudices towards homosexuality back then (and let’s face it, it’s still around today) it was refreshing to see a protagonist who is proud and comfortable with his sexuality (I get sick of seeing homosexuals in literature being portrayed as unstable or disturbed) .

From the very first page of Fadeout, we find out that Dave Brandstetter has just lost a long term partner to cancer, so now we have this fresh new angle as well. Joseph Hansen has been quoted in saying the following about this topic;

“There was room in the form to say important things about men and women and how they cope with life.”

So we have this protagonist that is both tough as nails and maybe cynical of life after this tragic loss but we also get to watch him deal with his grief. Throughout Fadeout you witness Dave Brandstetter struggle with loneliness, sexual desire and even alienation and you really get an idea of just how hard it must be for him. It’s something I don’t think I’ve seen in a hard-boiled novel before and it seems to work really well, I feel for Brandstetter and have a better understanding of just what makes this man tick and that connection makes me want to continue the series.

Lastly, something I didn’t see too much of in Fadeout but I feel like this would be an element that Joseph Hansen would work into the series; I can see it coming. Dave Brandstetter is an insurance investigator, in most hard-boiled novels you have the detective hired by someone close to the victim to solve the puzzle. In this series you have the investigator working against the people; working for the insurance company. Mix that with people’s prejudices and you have a protagonist that will have to struggle to solve any mystery because people will close up and refuse to talk to the man. I like the whole idea; sort of like an anti-hero, he wants to solve the crime or mystery but he has the best interest of the insurance company in mind and not the people. If Hansen uses this throughout the rest of the series, it could really open it up to some interesting and new situations.

Judging by the difficulty of getting a hold of this book, I’m inclined to think this series is cult classic but then you look at the blurbs on the book and think this is a series I should have known about and really is a classic in its own right. I’m sure it will be difficult to get a hold of the other eleven books but I think it will be worth the effort. I want to see if my predictions are correct and also see what Joseph Hansen does with the series. Highly recommend Fadeout; it has the makings of a classic hard-boiled novel but then you have added elements to make it stand out.


Grifter’s Game by Lawrence Block

Posted August 7, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Grifter’s Game by Lawrence BlockTitle: Grifter’s Game (Goodreads)
Author: Lawrence Block
Series: Hard Case Crime #1
Published: Hard Case Crime, 1961
Pages: 205
Genres: Pulp
My Copy: Personal Copy

Buy: AmazonBook DepositoryKindle (or visit your local Indie bookstore)

Leonard K. Blake is a conman hiding out in Atlantic City, but of course that’s not his real name, nor is it David Gavilan or Joe Marlin. He has a knack for telling a story and knows exactly what people want to hear in order to take advantage of them. Then he meets Mona, a blonde bombshell, bored wife to a millionaire. He can make a lot of money from this woman but when he steals a suitcase full of heroin from a train station that belongs to her husband things change. A brick of pure heroin will either make him rich or dead and so could Mona.

Originally released in 1961 under the name Mona and later released as Sweet Slow Death, Lawrence Block’s novel Grifter’s Game (the title he originally wanted to use) is the first book in the now popular Hard Case Crime series. This is a gritty noir at its best, something Block is known for and something readers come to expect from this imprint. A fast paced narrative that will keep the reader on its toes right to the end.

I’m not going to lie to you, while reading this book I have to think back on my past and all the dumb things I’ve done and I thought to myself, I might have been a pretty good grifter if I was born back then. Honestly I knew how to lie and manipulate, not something I’m proud of and not something I ever want to do again. So this book hit a little close to home with me and reminded me of the past I would rather leave behind; something that makes this a difficult book for me to read.

The more I read Lawrence Block, the more I like his style which is good because he has published a lot of books, most in different series so it’s always nice to read a standalone. From the snappy dialogue to the plotting, Block has really crafted his style that could rival some of the greats from the golden age of pulp. He really knows how to write both noir and hard-boiled novels that remain gritty and fresh, after so many books I’m not sure how he manages to do this.

Grifter’s Game is probably not the best novel to start with if you’ve never read Lawrence Block, but is definitely one worth trying. He really captured how I would picture an immoral, unsympathetic lowlife and somehow manages to still get the read to care about what happens. This was the perfect book to launch the Hard Case Crime imprint with.  It has everything you want in a pulp; plot, fast pacing, complex characters, gritty prose, great dialogue and the shocking end.


The Last Good Kiss by James Crumley

Posted May 12, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

The Last Good Kiss by James CrumleyTitle: The Last Good Kiss (Goodreads)
Author: James Crumley
Series: C.W. Sughrue #1
Published: Vintage, 1978
Pages: 244
Genres: Pulp
My Copy: Personal Copy

Buy: AmazonBook Depository (or visit your local Indie bookstore)

James Crumley’s private investigator CW Sughrue finds himself searching for a runaway young woman, missing for ten years. But this is not how it started out; he was hired by a woman to find her ex-husband, Abraham Trahearne before he drinks himself to death. A confrontation in the bar that results in Trahearne being injured in hospital puts Sughrue in a position to look for this missing woman.

This hard-boiled novel is told in a way I don’t think has been done enough in a pulp crime novel. A parallel narrative exploring the problematic relationship between Sughrue and the wandering alcoholic novelist, and the three femme fatales in Trahearne’s life, just to make things more complex. Apart from that, you have the usual elements that make up a hard-boiled novel; alcohol, money, love, sex, power and violence.

Somehow James Crumley has a refreshing voice for this genre; I’m not sure if it is just that I’ve not read enough hard-boiled novels set in the seventies or there is something else there. I would put Crumley somewhere between Raymond Chandler and Jim Thompson; he doesn’t have the plotting skills and wit that Chandler has but he isn’t as violent and philosophical as Thompson. The narrative, while in a first person point of view, manages to switch between making the reader feel like they are in the same room trying to piece this mystery together, and then all of a sudden you are inside CW Sughrue head reading all his thoughts, emotions and memories. This isn’t easy to do but Crumley does this so seamlessly that you don’t really notice it happening. This narrative, mixed with the cynicism and low regard to society is what I think makes this book so refreshing.

This novel deals a lot with sex; Sughrue’s personal integrity and professional ethics are corrupted by the sexual desire towards Catherine; a desire she uses to manipulate him. Trahearne hasn’t been able to be creative because of his sexual desire with Melinda and his attraction towards his mother. Then there is Betty Sue, who just has a sexual desire towards everyone in the book. It’s important to know at the core of this books portrayal of sexual desire is the cynical belief that such corruption is unavoidable and even inevitable.

The Last Good Kiss also deals with the idea of identity and trying to escape your past, but ultimately realising you can’t run. Betty Sue hides her true self between layers of masks and other identities; she is running from her sexually exploitative time in San Francisco but it all comes back in the end. Trahearne can’t escape his infidelities, alcoholism and his ex-wife’s fury. All of them fail to realise that the past defines the present. Their mistakes in the past do not have to define their future but helps them grow; this book just ends up being a twisted celebration of life’s obstacles shaping our personality.

Admittedly I found myself being bored in parts of this book and wanting to skim read, but I persevered and found some interesting elements that stopped this from being a generic crime novel. CW Sughrue, is an alcoholic ex-army officer turned private investigator and that dark past is what makes me want to keep reading the series, just to discover what he is running from.  The Last Good Kiss has been described as the most influential crime novel of the last 50 years, influencing people like Michael Connelly, George Pelecanos, Dennis Lehane and even Neal Stephenson; that alone is an impressive reason to check this book out. While I think I prefer Jim Thompson for style and message, James Crumley is an author I plan to explore more of.