Category: Non-Fiction

What We See When We Read by Peter Mendelsund

Posted November 8, 2014 by Michael @ Knowledge Lost in Non-Fiction / 3 Comments

Title: What We See When We Read (Goodreads)
Author: Peter Mendelsund
Published: Vintage, 2014
Pages: 419
Genres: Non-Fiction
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

When reading Moby Dick, does Ishmael look like Richard Basehart? How about Anna Karenina? Please don’t tell me she looked like Keira Knightley. What We See When We Read takes a look at the activity of reading with such depth and insight. Looking at not only the way our brain fills in the images but also what the author is trying to say. Take for example Karenin in Anna Karenina; his ears are described a few times within the novel but they get bigger. The size of his ears is an artistic simulacrum that changes as Anna Karenina’s feelings toward him change.

Peter Mendelsund is Knopf’s Associate Art Director and has been responsible for some of their most iconic book covers. Just looking at his book cover designs I get the sense that he loves reading and the artistic side of literature. His book covers really capture a feeling; they stand out and often work well with the written word inside. He is major is in Philosophy and Literature and the two work well together in looking at the idea of reading and how our minds interpret the written word.

This is very much like Understanding Comics by Scott McCloud, it explores the idea of reading in different ways and explores different concepts. We all read slightly different and Mendelsund is able to go into different methods. A stand out for me is the way Vladimir Nabokov read Kafka’s Metamorphosis; there is an image of his copy of the book and it looks like he edits and rewrites the book to make it his own. It is an interesting way to get involve with the written word.

What We See When We Read is a combination of written words and images, which allows Mendelsund to illustrate his point and give the reader a better understanding of the feelings. A big bonus is the fact that he references other books, which gives me a huge TBR pile of books that explore this idea further in different ways. I love books about books so I am pleased to have a reading list.

I have to say What We See When We Read is a must for all book lovers. This book will be a joy to read and will look good on the shelf. I own the new Vintage edition, which is a paperback but it also has French flaps so it looks nice. I like how he went for a simple cover design; it stands out and works well with this book. I know this book is rising in popularity and I hope more people get a chance to read this one as soon as possible.

Understanding Comics by Scott McCloud

Posted October 29, 2014 by Michael @ Knowledge Lost in Graphic Novel, Non-Fiction / 0 Comments

Title: Understanding Comics: The Invisible Art (Goodreads)
Author: Scott McCloud
Series: The Comic Books #1
Published: William Morrow, 1993
Pages: 215
Genres: Graphic Novel, Non-Fiction
My Copy: Paperback

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

I have been getting into comics lately and I am quickly discovering there is so much about this medium that I do not know. When trying to review a comic or graphic novel, I find it easy to talk about plot but talking about the art is difficult. I picked up Understanding Comics because there is so much to learn and I wanted a better grasp on the art form. And it is art, it might not be as highbrow as artists like Vincent van Gogh, Claude Monet or my personal favourite Michelangelo Merisi da Caravaggio, but it is still art. To exclude comics as an art form would be like removing Andy Warhol, Pablo Picasso, Jackson Pollack or René Magritte from the art world because you ‘don’t get it’.

Now that I have had a little rant about art, let’s talk about comics and Understanding Comics by Scott McCloud. This book is a graphical look into comics as an art form, exploring the history of comics and tries to explain the meaning behind the art. It starts off trying to define what a comic is, which I quickly realised was an impossible feat. McCloud ended saying “Comics are juxtaposed pictorial and other images in a deliberate sequence, intended to convey information and/or produce an aesthetic response in the viewer” but then went on to explain how problematic that definition can be.

A highlight for me was found in chapter two where Scott McCloud explored the vocabulary of comics. The chapter begins with explain René Magritte’s painting The Treachery of Images (1928-29), an artist I am a big fan of. I actually went to the Los Angeles County Museum of Art in the hope to see The Treachery of Images, but it was currently on loan to the Art Institute of Chicago. What I liked about this chapter was how he took the meaning of this painting and expanded on it to help explain comics. He took something easy to explain and built upon that to the more complex ideas.

Reading Understanding Comics makes comics sound like highbrow pieces of art and maybe that is how we should view them. Instead of thinking about comics as a lowbrow medium, it is about time we experience the art and what it can tell us. In this book six major ideas around the art. Idea/purpose, form, idiom/style, structure, craft and surface; explaining how they can all work together to make great pieces.

There is a lot of information within Understanding Comics and I don’t think I have explored it all yet. It has equipped me with some new tools when reading and reviewing comics. The best thing about this book is the way Scott McCloud changes his art style and methods to explore the different ways you can execute the theories behind this book. I am glad he referenced all his work, especially when talking about other artists and how they write comics. The graphical representation of the art theory in the book helped me to understand comics a little better but there is just so much here that I will need to reread this a few times before it sinks in.

Difficult Men by Brett Martin

Posted October 14, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: Difficult Men (Goodreads)
Author: Brett Martin
Published: Faber & Faber, 2013
Pages: 320
Genres: Non-Fiction
My Copy: Paperback

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

In the Third Golden Age of television (as Brett Martin calls it) things have changed drastically. With the rise of cable television, channels like HBO, Showtime and so on, are able to push the boundaries not afforded to network TV. Shows like The Sopranos, The Wire and Mad Men allowed the writers to offer something more complex or unpredictable. This saw the rise of the difficult men, characters like Tony Soprano (The Sopranos), Walter White (Breaking Bad) and Don Draper (Mad Men) offered a character study never seen before by viewers.

Brett Martin’s book Difficult Men looks at the stories behind some of the greatest shows of our time, mainly focusing on The Sopranos, Breaking Bad, The Wire and Mad Men. This is a deeper look into the evolution of modern story telling. The male protagonist within the Third Golden Age tends to be an enigma; complex, impulsive and so much more real. The type of characters that frustrates you with their mistakes but you can’t help but continuously watching.

The problem with this book is that it makes me want to watch all these shows. I have only gotten through half of The Sopranos and I haven’t found the time to try The Wire or Treme. All these shows look really great but finding time to binge watch them has become a real problem. I love reading about pop-culture and how it changes over the years and Difficult Men gave me everything I wanted. I enjoyed the insider information and the stories behind the stories. I can only hope that this evolution will start to extend toward better female leads. I would like to see the same treatment the Third Golden Age of television has give to men offered to woman as well.

What I enjoy about these types of shows is not that the men are difficult but the way they tackle real issues and treat the protagonist as a real and flawed human being. They can explore ideas of life and death, love and sexuality, addiction, race and violence and the protagonist often struggles or makes mistakes. They often evolve as characters but it doesn’t mean they grow, there are times when I think Don Draper (Mad Men) or Hank Moody (Californication) have finally grown as a person but there is often slip ups or a spanner thrown into the mix, this makes for compelling television but also feels more real.

A huge section of Difficult Men is devoted to The Sopranos and James Gandolfini which is worth checking out. Gandolfini, in his own right, wasn’t a stereotypical leading man and there was a big exploration into his mental state. Playing the role of Tony Soprano was a very taxing role and what made James Gandolfini great at the job is how he didn’t act the role, he became the character. This ended taking a huge toll on his psychological wellbeing and this raises some interesting thoughts about the effect a role has on the actor.

Fans of television, pop culture or these shows in general will enjoy this book but I think a look into the psychological effect on the people involved will make this something to sit up and take notice. Hollywood is a complex industry and the effects can be damaging; all you have to do is walk down Hollywood Boulevard to see how it effects people. I am a big fan of the ground breaking changes these shows made towards the television industry but I didn’t realise the side effects. Brett Martin did a good job going behind the scenes and getting the back story.

The Year of Reading Dangerously by Andy Miller

Posted September 28, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: The Year of Reading Dangerously (Goodreads)
Author: Andy Miller
Published: Harper Collins, 2012
Pages: 252
Genres: Non-Fiction
My Copy: Hardcover

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

It is no secret that I am a fan of books about books; I especially enjoy a bookish memoir. The idea of reading and learning about someone’s bookish life is fascinating to me. Let’s be honest, I blog about books because I think I have an interesting bookish journey to talk about and I want to capture that for posterity sake. I would love to learn how to write a bookish memoir, so I read anything I can get my hands on. I have even written a post asking for recommendations for books about books and I am always on the look out for more.

I am not sure how I discovered Andy Miller’s memoir The Year of Reading Dangerously: How Fifty Great Books Saved My Life but I do remember being really excited about it. I ordered the book and it sat on my shelf for a little too long. With a holiday to America planned, I packed the book in my suitcase and was determined to read it. Turned out Simon Savidge from Savidge Reads started talking about this book about the same time and now I look like I was just following him in an effort to be as cool as he is.

Andy Miller worked as an editor at the time of writing this book (I assume he still does) and found himself only reading for work. On impulse he picked up a copy of The Master and Margarita by Mikhail Bulgakov and something just clicked for him. He set out to read ten books, which he called The List of Betterment, which consisted of books he has once lied about reading or felt he should read. This list obviously expanded over the course of the year but it was his starting point into rediscovering a passion for reading.

My discovery for reading was not unlike Andy Miller’s except mine involved Frankenstein by Mary Shelley, the 1001 Books Before You Must Read Before You Die list and it wasn’t a lost passion. I loved this book, I was so happy to read about all the awesome books Miller was reading in the course of the year. While this memoir is not healthy for my TBR and judging by Andy Miller’s glowing praises for Absolute Beginners by Colin MacInnes, I really need to get onto this novel first.

My only problem with this memoir is that Miller didn’t spend enough time talking about my favourite novels, like Frankenstein by Mary Shelley and Crime and Punishment by Fyodor Dostoevsky. Iwas happy to see that The List of Betterment not only includes canon but also involves books like The Essential Silver Surfer Vol. 1 by Stan Lee. It is just good to see a memoir that doesn’t just involve highbrow literature. He even considered calling this book How Fifty Great Books (and Two Not-So-Great Ones) Saved My Life referring to Dan Brown.

There is so much to talk about within this memoir, especially when talking about the fifty books mentioned in the book. I’m hoping that I can find some more great bookish memoirs to follow this one. The Year of Reading Dangerously is essentially a book about connecting with great books and the positive effects reading has on a reader. I highly recommend the book and I hope the Andy Miller will write a follow up about his continuing bookish journey.

Levels of Life by Julian Barnes

Posted September 19, 2014 by Michael @ Knowledge Lost in Non-Fiction, Short Stories / 0 Comments

Title: Levels of Life (Goodreads)
Author: Julian Barnes
Published: Random House, 2013
Pages: 128
Genres: Non-Fiction, Short Stories
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

“Every love story is a potential grief story.”

It is official, I’m now a huge fan of Julian Barnes. Having read and enjoyed The Sense of an Ending and Metroland, I knew I had to read more of his novels. I did try Through the Window and found his essays challenging but mainly because the man is far too intelligent and I couldn’t keep up. I decided to try Levels of Life simply because I wanted to see how Barnes connects love and loss with ballooning and photography.

“Love is the meeting point of truth and magic. Truth, as in photography; magic, as in ballooning.”

Told in three masterful parts, Levels of Life tells stories that don’t seem connected but Barnes manages tol fit together. He is a master at the metaphor and this book told in narrative form tells the highs and lows of love. Part one “The Sin of Height” tells a narrative of Colonel Frederick Burnaby, an English soldier and traveller who crossed the English Channel in a hot air balloon in 1882. This story focuses on the obsessions that both Burnaby and French photographer Nadar had towards ballooning.

The next part, called “On the Level” looks at Colonel Burnaby and the French exotic actress, Sarah Bernhardt. Both shared an interest in ballooning which led to love. Two larger than life characters and a love that could never last, while Burnaby believed it was possible, Bernhardt thought differently. Here we have two stories; one depicting the highs of passion and love and the second, the idea of love fizzling out which only leaves one last essay.

“You put together two people who have not been put together before. Sometimes it is like that first attempt to harness a hydrogen balloon to a fire balloon: do you prefer crash and burn, or burn and crash?”

But sometimes it works, and something new is made, and the world is changed. Then, at some point, sooner or later, for this reason or that, one of them is taken away. And what is taken away is greater than the sum of what was there. This may not be mathematically possible; but it is emotionally possible.

“The Loss of Depth” is the last essay and is the story of the loss Julian Barnes suffered when his wife died of a brain tumour in 2008. This is a tender account of dealing with grief. The build-up of the other two essays just made the last one heart breaking and I found myself crying (something I don’t often do). Barnes explores life after losing his wife and at times it is a little funny, yet remains very moving.

“Initially, you continue doing what you used to do with her, out of familiarity, love, the need for a pattern. Soon, you realise the trap you are in: caught between repeating what you did with her, but without her, and so missing her; or doing new things, things you never did with her, and so missing her differently. You feel sharply the loss of shared vocabulary, of tropes, teases, short cuts, injokes, sillinesses, faux rebukes, amatory footnotes – all those obscure references rich in memory but valueless if explained to an outsider.”

Julian Barnes managed to capture love and loss so perfectly, I felt like adding so many quotes to this review but I had to hold off. This is the type of book that will sit with me for a long time and I tear up just thinking about it. I’m amazed at Barnes’ skill as a writer and how he fit so much beauty and so many emotions into a short book is beyond me. I am going to have to read every book I can find from Julian Barnes.

The Forgotten Rebels of Eureka by Clare Wright

Posted September 9, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: The Forgotten Rebels of Eureka (Goodreads)
Author: Clare Wright
Published: Text, 2013
Pages: 539
Genres: Non-Fiction
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

In December 1854 Australia saw one of its most significant uprisings in its history known as the Eureka Rebellion. This act of civilian disobedience in Ballarat, Victoria was a protest to the expensive miner’s licence been imposed on them. The miner’s licence fee was a way around the taxation problem in the mine fields, allowing the Victorian government to provide infrastructure to the stockade. The miners didn’t see the fee this way and found it to be extortion; everyone had to pay the same amount no matter if they found gold or not, in fact you paid even if you weren’t a miner.

The Eureka Rebellion (or protest) led to the Battle of the Eureka Stockade, where police and British soldiers stepped in to break up the protest. This battle didn’t last long (around 15 minutes) but the effects were lasting. This piece of history has been taught in good high schools (not mine obviously) but it has always been focused on the men involved, even though about 40% of the mine fields consisted of woman and children.

The Forgotten Rebels of Eureka by Clare Wright is an attempt to remind people what happened and tell the untold story of the forgotten rebels. The term ‘herstory’ can be thrown around when talking about this book. My problems with this book was personal, I grew up in a small mining town that often talked about the gold rush in the 1870’s. I’ve heard enough about mining to last me a lifetime and I’m just not interested in the topic.

However I had to read this book for book club, so I made an effort and while I did find some interesting stories it felt too much like a chore. It didn’t help that the book started off as narrative non-fiction and turned into a text book half way through. In hindsight, the introduction was all I really needed to know about this piece of history, the rest just offered extra information.

I have to give the book credit to the huge section of endnotes found at the back. I respect a book more if they reference their work but I don’t seem to share the same concern with fiction. My concern however is the fact that the majority of references are second hand accounts of the Eureka Rebellion. It is true that most firsthand accounts of the rebellion were destroyed but I can’t help but take the information with a big grain of salt; it is like Chinese whispers.

The Forgotten Rebels of Eureka won the 2014 Stella Award, a literary award for Australian women writers similar to the Baileys Women’s Prize which is possibly the reason we read this one for our book club. In fact, since the next book is All the Birds Singing by Evie Wyle which one the Miles Franklin Award (Australia’s biggest literary award), I have no doubt. If you are interested in Australian gold rush history or the forgotten tales of women in a key historical events then try The Forgotten Rebels of Eureka.

In Cold Blood by Truman Capote

Posted August 30, 2014 by Michael @ Knowledge Lost in Book of the Month, Non-Fiction / 0 Comments

Title: In Cold Blood (Goodreads)
Author: Truman Capote
Published: Penguin, 1965
Pages: 336
Genres: Non-Fiction
My Copy: Library Book

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

In 1959 a farmer from Holcomb, Kansas was killed along with his wife and two of his four children by a couple of two-bit thieves. This brutal crime spawned a desperate search for the killers who left bloody footprints at the murder scene. From petty crime to mass murder, In Cold Blood tells the story from murder to the gallows where they were executed by hanging.

In the Truman Capote literary masterpiece, it is easy to consider In Cold Blood a crime novel; it has shades of pulp and southern gothic throughout the book. However this journalistic investigation has often been cited as the first and best example of the non-fiction genre known as true crime. While there have been true crime books before In Cold Blood, this book did redefine the genre. Capote likes to call his book a non-fiction novel which he defined in an interview with The New Your Times as “a narrative form that employed all techniques of fictional art, but was nevertheless immaculately factual”.

However this is not just a book about the brutal murder of the Clutter family; we also get a Capote’s depiction of rural America. Outside the details of the crime, the author paints a descriptive backdrop of Kansas, the way he sees it. Religion, masculinity, femininity, the nuclear family and small town communities all play a big part in developing the scene. When he talks about the crime, the reader gets to explore the psychological motivations of murder and awaiting execution.

There is the issue of mental illness that needs to be explored when talking about In Cold Blood. It is almost like Truman Capote wants to challenge the reader to consider if Perry and Dick suffered from an untreated mental illness. There are shade of delusional, depression, schizophrenia and a sociopathic personality that comes through when talking about these two people but as this is 1959 I expect no psychological consult or treatment were given to these men; the court rejected the request.

I expected a true crime book but I feel like In Cold Blood was trying to do something similar to One Flew Over the Cuckoo’s Nest by Ken Kesey and The Bell Jar by Sylvia Plath. I was very impressed with this book and I feel like Capote may have ruined true crime and even narrative non-fiction for the rest of the authors in these genres. Capote’s investigational skills and mastery over the written word is what makes this book a masterpiece.

Critical Theory: An Introduction by Jennifer Rich

Posted July 24, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: Critical Theory: An Introduction (Goodreads)
Author: Jennifer Rich
Published: Humanities-Ebooks, 2010
Pages: 97
Genres: Non-Fiction
My Copy: eBook

For me Critical Theory: An Introduction by Jennifer Rich was everything I wanted Literary Theory: A Very Short Introduction by Jonathan Culler to be. It had a logical format and it went through a few different literary movements and talked about the key people and theories involved with each school of thoughts. But then it got me wondering; what is the different between Critical Theory and Literary Theory? There seems to be no real difference and I’m not entirely sure why they would use two different names to talk about the exact same thing. I might be ignorant and not fully understanding the differences but if there is a difference please let me know in the comments below.

The book starts off with Russian Formalism, a topic I spent a bit of time exploring before continuing the rest of the book. The idea of formalism is something that I feel may be a good foundation for any literary student. To be able to understand genres, tropes, metering, grammar and syntax can provide you with some questions to ask every piece of literature. Asking why a piece of text is written in one perspective and not another and what the focalisation is focusing on can help develop some useful skills. Some people are saying that formalism is making a comeback and I tend to agree, I recently completed a university subject that went though the basics of this school of thought (even if there was no mention of formalism). If you understand these basic concepts, I think you develop a decent tool base for critical reading and future studies of literary theories.

Critical Theory: An Introduction also looked at Structuralism, Semiotics, Post-Structuralism, Deconstruction, Psychoanalytic and Postcolonial Theory. I have a feeling my interest will psychoanalysis and Marxism and this book seemed to verify this very thought, even if it only went into Marxism in passing. The major problem I found is that Psychoanalytic Theory is going to be a huge undertaking, more so than most of the others. I feel that I will need to develop, not only an understanding in psychology, but also a bit of a focus into semiotics as well. I am not too bothered by this thought; this is more of a blinding realisation of how much work is ahead of me.

While Critical Theory: An Introduction may have taken a more textbook type approach to literary theory than Literary Theory: A Very Short Introduction, I think the format is better suited if I ever need to refer back to the book. Literary Theory: A Very Short Introduction was a little all over the place and it works well for reading the book from cover to cover but if I need to look up what the book says on a topic it won’t be easy. I prefer to have chapters dedicated to one literary theory; makes things easier when I refer back to this book in the future.

I’m really enjoying exploring the world of literary theory and I’m beginning to understand the different types of theories on a very fundamental level. The only downside to this is the realisation that there is so much more to learn. I have to remind myself that I’m not going to be able to become an expert in all these fields and I need to focus. I’ve chosen my preferred fields but I will continue to learn the basics of all literary theories and see if something else pops out. I’m still shopping around, while psychoanalysis and Marxism seem like the right fit for me, I’m open to the possibility of finding something better (and maybe easier). Also, learning the basics in literary theory will have the added bonus of been able to see a book from different schools of thought. If you are looking for a good, quick introduction to literary theories, Critical Theory: An Introduction by Jennifer Rich is a good pick, it is short and only covers a few theories but will give you a decent understanding of them.

The Fictional Woman by Tara Moss

Posted July 19, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: The Fictional Woman (Goodreads)
Author: Tara Moss
Published: Harper Collins, 2014
Pages: 352
Genres: Non-Fiction
My Copy: Library Book

Buy: Book Depository (or visit your local Indie bookstore)

Tara Moss is probably best known as a person you hate; she seems to succeed in everything she puts her mind to. Starting her career early at 14 as a model, she always dreamed about being a writer. People don’t encourage others to be writers but they do tell girls that they should be a model. Eventually she did and it took her around the world and taught her so much; the experiences may not have been all good but it helped shape her life. Eventually she did start writing and her Makedde Vanderwall become a huge success and she created this character as a way to explore her interests in forensic science, psychology and other topics. Now with nine fiction novels under her belt Moss is giving us her first non-fiction book, The Fictional Woman.

The title comes from the idea that people tend to dismiss and stereotype others. Tara Moss is no stranger to this; she even took a polygraph test to prove she wrote her books. While this book starts off as a memoir it is important to know that this is a social critique on the world and feminism. The book begins as a memoir to provide context, an understanding of Tara Moss’ struggles and her life helps to see where The Fictional Woman is coming from. Historical context is also an important part of understanding feminism as well, especially when it comes to gender equality and pop culture. There have been plenty of Spiderman (too many), Zorro and James Bond movies but there has never been a Wonder Woman movie. In literature, the female archetype stems from fairy tales and medieval fiction, heroines tend to face off another woman, often older and depicted as witches. Cinderella type stories require a man in order to live happily ever after and even chick-lit often portrays a gender inequality.

The Fictional Woman explores this imbalance in pop-culture and society and looks at where these archetypes come from. It is impressive to see the amount of research and information Tara Moss puts into this book; it really was eye opening. I highly recommend people read this book but I need to warn everyone it may contain triggers. I’m surprised to see that the imbalance is so prominent in today’s society and I am trying to make more of an effort to read a balance of authors. The problem I found is I tend to pick up books without taking notice on of the author, sure it sometimes easy to know their gender but I don’t research authors before starting a book. I try to make more of an effort and it is an area I need to work on.

I’m really impressed with Tara Moss, she seems to succeed in everything she does; sure I’m a little jealous that she is so talented but I still feel motivated. For those interested, I recently wrote a piece about an author event with Tara Moss on Boomerang Books if you are interested, I talk in a lot more detail about The Fictional Woman. I have never spent so much time thinking about feminism, I plan to do a lot more of it, even read some more books on the topic. I might even incorporate it into my critical reviews; it is an important topic that needs to be addressed.

Provenance by Laney Salisbury and Aly Sujo

Posted July 10, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

Title: Provenance (Goodreads)
Author: Aly Sujo, Laney Salisbury
Published: Penguin, 2009
Pages: 301
Genres: Non-Fiction
My Copy: Audiobook

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

For those that don’t know, a provenance is a document (or documents) that chronologies the ownership of a historical object. In the art world, the provenance serves almost like a certificate of authenticity as well as a historical document of the ownership, custodies or locations the piece has been displayed. The problem was, there was a time in art history where authenticating a provenance was all you needed to prove the art was genuine. This lead to all kinds of problems, in the world of computers and photocopiers it became very easier to make a document look authenticate than it was to forge a painting. This book explores this very problem; Provenance: How a Con Man and a Forger Rewrote the History of Modern Art tells the story of what was described as ‘the biggest art fraud in the 20th century’.

Provenance has one of the most extraordinary narratives I’ve ever read in a non-fiction book; it reads like an art thriller, full of suspense and mystery. It wasn’t what I expected from a true crime book on art history, I was hooked in this world and on the edge of my seat to find out what will happen next. The authors of this book, Laney Salisbury and Aly Sujo are both investigative reporters and spent the time to research and tell us the story of John Drewe, a villainous con man that set out to defraud the art world. Recruiting a struggling artist, John Myatt, to paint the forges, it is estimated that over 200 forgeries were made and only about 60 of them recovered. This means there is about 140 paintings still out there been accredited to artists like Giacometti, Dubuffet and so on.

If I may, I want to quickly touch on the problematic approach to authenticating a provenance rather than a painting. As I said before the use of computers and photocopiers made it easy to fake these documents, but John Drewe went further by sneaking forged documents of auctions, gallery displays and so on into the archives of museums and the Institute of Contemporary Arts (ICA) in London. What was scary about the elaborate efforts Drewe went to to make this provenance real is the fact a test on the painting might have been so much quicker. If they took the effort to test the paint they would have found that Myatt used a combination of emulsion paint, K-Y Jelly and then vanish to make the paintings look like oil paintings.

All my knowledge on art forgery came from people like Neal Caffrey (White Collar) so I’m not nearly knowledgeable on the topic, as I’d like to be. Art history and art crimes can be fascinating topics and what I loved about Provenance is how it showed how crime seeps in and becomes part of the history. When John Myatt served his time he decided not to point out any paintings that he had done, and that raises an interesting question. Is it better to point out the 140 or so fakes still out there and have the owners lose all that money or not? If a fake is just going to be burnt is it better to own up to the forgery or let it remain a piece of art? The financial and artistic costs would be devastating but what about the moral code that Myatt wished to live by?

This is what made for a fascinating read, I learned a small part of art history, art crimes and it also raised some philosophical questions. I know I might have said a little too much but this is history, can you give spoilers on historic events? It is a great piece of narrative non-fiction and a great way to learn more about art crimes.