Title: Landline (Goodreads)
Author: Rainbow Rowell
Narrator: Rebecca Lowman
Published: St. Martin's Griffin, 2014
Pages: 320
Genres: Chick Lit
My Copy: Audiobook
Buy: Amazon, Book Depository (or visit your local Indie bookstore)
Georgie McCool is on the verge of getting her big break in TV. She and her writing partner, Seth have received the opportunity to pitch their show to a TV station, but this means there is a lot of writing to do in preparation for the meeting. Only problem is, she was about to fly to Omaha to spend Christmas with her husband, Neal’s parents. Their marriage is in trouble, not from the lack of love but from continuous tension and distance. Now her family is in a different state and things take a weird turn when Georgie picks up the landline and is able to talk to Neal, from before they were married.
First of all I must admit that I’m never going to be the target audience for a book like Landline and I don’t think I can ever enjoy a book like this. It just feels predictable and I know that Georgie and Neal will work things out before even starting the book. Being a literary explorer, I still feel the need to read book in the chick-lit genre and sometimes they surprise me. However for something like Landline, I felt the urge to yell at the characters to “use your words!” during the entire novel.
This is my first Rainbow Rowell book but I think I should have started with something nerdy like Eleanor & Park or Fangirl. I like the idea of nostalgic and nerdy references throughout a novel and while Landline did offer this, I was just too annoyed with the characters. The whole subject of relationships falling apart due to lack of communication doesn’t interest me too much; I just find myself getting frustrated with the characters and expect the plot to do something new and interesting. Landline didn’t give me anything I wanted.
This isn’t to say Landline was a bad novel; in fact it was entertaining, I just prefer some complexity. However this does bring up an interesting moral issue; there is a scene within the book where Georgie and past Neal are talking about her writing partner Seth. Georgie asks Neal not to make her choose between him and Seth, which brings up a fundamental problem in the relationship, she acknowledges that he is causing unease in the relationship but she is not willing to make an effort to solve the problem.
The idea of talking to Neal from fifteen years ago is an interesting plot device, it adds a little magical realism or science fiction into the novel but it does something more. This concept of holding onto the past seems to be a major problem, they don’t seem to understand people change over fifteen years and you have to evolve with them. It is also a really creepy plot device. Also the fact that Georgie has to try calling the landline because Neal is ignoring every call to his mobile from her is a whole other issue.
One last moral issue I found in the novel involved the relationship between Georgie and Seth. There was a point in Landline where I thought they should get together, they seem to be an easier more logical fit but then I realised what I was thinking. I would never want something like this to happen in real life; why would I want to characters in a novel to make this choice. This got me thinking about morality. As humans we expect people to do the right thing but in books, movies and TV we don’t have the same reaction when a character makes the wrong choice. We do react but I think we prefer to explore infidelity, murder and immorality via a work of fiction than in real life, but does this say something about humanity?
As soon as I finished the book I was angry and wanted to give the book a low rating but then I began thinking more about Landline. I don’t think it is a bad book, it has a nice and happy ending but I don’t think the underlining problems in Georgie and Neal’s marriage was actually solved. My initial impression to rate the novel with 2 stars ended up being the correct choice. Now I need to find a book in the chick-lit genre that I like; any suggestions?
Hmm… not a genre I really read either I have to admit!
it is hard to find enjoyable books in the genre.
I think doing Landline as an audio book was an inspired idea. I haven’t tried Rainbow Rowell yet, but i think I’ll start with Fangirl. It’s the only one that really appeals to me.
Australia didn’t really job on the Rainbow Rowell bandwagon till recently. So Landline was the easiest to obtain, I would of preferred to start with Fangirl or maybe even Eleanor & Park. Maybe I’ll try them one day…who knows.
This one didn’t really appeal to me, so I didn’t pick it up, but I did enjoy Eleanor & Park. I still haven’t read her (and I’m still not exactly sure what makes something “chick lit”), but I’ve heard good things about J. Courtney Sullivan.
I don’t understand what chick lit is either, I guess. I’ve heard good things about J. Courtney Sullivan
I’d heard so much about Rainbow Rowell that I thought ‘adult fiction, I’ll give it a go’ but this book did not work for me at all. In fact, it read like a teenager imagining a grown-up relationship. I couldn’t even manage the second star.
As for chick-lit, what I mean by it is the sorbet that cleanses my palate of all the lovely but often fraught literary fiction I read. I want light, fluffy, and innocuous. So, for me, the best bet is anything by Sophie Kinsella or Candace Bushnell because they’re superficial and fun. Might be way too frothy and girly for you.
That is a good definition, but doesn’t really sell the genre to me. I’ve never been a fan of light and fluffy, I might have a look at trying Sophie Kinsella or Candace Bushnell, just to experience them.
I’m not sure they would either! I should give more thought to this but I guess I do view it differently than others. For me, it just has to be fun. If you do take a quick look Kinsella is the best for laugh out loud silliness. Bushnell is more serious but still superficial (i.e. Sex and the City).
I do like fun books too but for me that involves dark and twist original thrillers
there you go. That’s the way I fall too. I do read chick-lit a lot, but I am more often than not disappointed by them. A thriller is for me the ideal quick fix between more literary reads.
I’m reading a book now that is good but has quite the formula plot. It’s interesting how you’ve said exactly how i feel. It’s good but its predictable and as such that expectation or should I say hope that it be different this time probably isn’t going to be realised.
I hate when that happens
I tried Eleanor and Park but didn’t get very far with it. I don’t understand what the fuss was about. I think we learn a lot about ourselves when we pay attention to how we react to moral issues in fiction.
It tells me if people write about a relationship the way a teenager views an adult relationship, we are gonna have problems